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#1 |
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diyAudio Member
Join Date: Aug 2002
Location: Germany
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Hi, Borbely often uses this cascode: Figure 7 in this document
Some have wondered, which advantage this might have, because you then get the penalty of very low Vds, so one would normally opt for a explictly biased gate. But is this method not more quieter than any activly biased solution? Rüdiger
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"I can feel what's going on inside a piece of electronic equipment. I have a sense that I know what's going on inside the transistors." Robert Moog |
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#2 |
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Banned
Join Date: Apr 2005
Location: Stockholm
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Hi Onvinyl,
I think Borbely uses that arrangement due to convenient DC biasing, circuit simplicity and predilection for J-FETs. The way J-FETs can be biased is not just elegant but advantageous, less contaminating, so very explicit to me. Voltages applied to any sensitive gate or base, as of the cascoding device, should be kept clean, free from ripple and noise, as it would be amplified and mixed with the audio signal. It is not that easy to accomplish for bipolars and MOSFETs all the time. I am a little bit curious to know your opinion: what would be the penalty of very low Vds? |
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#3 |
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diyAudio Member
Join Date: Aug 2002
Location: Germany
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Hi Lumba,
thanks for your reply. Well, for one part my current sk246 have a to small Vp, so the Vgs in operating conditions was too small to let the cascoded FET work. And I think, since the Srin of the upper FET is small, but not 0, you need a very small area were a tiny voltage swing can take place. Third, but that may as well be an advantage, the gate of the upper fet is not silent, but fed with signal from the source of the cascoded FET. But since it's opposite phase to the source of the upper FET, it may apply a kind of local feedback, which might be useful. But anyhow, the cascoding FET ist not in grounded gate mode, strictly speaking. Rüdiger
__________________
"I can feel what's going on inside a piece of electronic equipment. I have a sense that I know what's going on inside the transistors." Robert Moog |
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#4 |
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diyAudio Member
Join Date: Jul 2007
Location: Central Berlin, Germany
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Hi Rüdiger,
I might miss your point... but I see both stages, 1st and 2nd, as true cascodes, trying to keep Vds of the cascoded FETs constant. The second stage uses a higher Vds which is generated by offsetting the cascoding FET with a zener. Maybe its not actually higher but just acounts for the different threshold voltages of the cascoding FETs. Actually he uses -- and has to use -- LM336 5V-references in the final circuit, where he cascodes with enhancement mode MOSFETs with positive threshold -- but draws symbols for depletion mode MOSFETs To have the cascoded FET running well above the knee Vds voltages one can use a FET (for the cascode-T) with high negative Vgs(th) and/or offset its Vgs(th) . Nelson Pass has elaborated on cascode modulation, that is, making the Vds not precisly constant but signal dependent to smooth out part of the nonliearity of the transfer function. Ids increases with Vgs but decreases with Vds so that one might find a point where one gets some useful cancelling. That modulation would happen here if the Zeners went to the supplies, not to the sources. Something similar happens when the Vds is in the region of the knee voltage, which shifts to the right with increasing Vgs. Quite dependent on and very sensitive to actual device characteristics... - Klaus |
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#5 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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This is an interesting design, and almost ideal. Its biggest limitation is selecting the parts to do it right. People seem to have such a problem with just getting ANY complementary parts, that getting the best parts for this circuit might be a real problem.
The two types of jfet cascode biasing are well known. Usually for the first stage, you use a cascode part with low Gm, but high Idss. This allows a small voltage across the input part, that makes it behave better. In this case, Borbely uses a voltage source with the second stage part, (just like I do in my new Parasound JC-2 preamplifier). This is a more 'linear' approach, but it does involve more parts and their potential noise contribution. |
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#6 |
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diyAudio Member
Join Date: Aug 2005
Location: K-town
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I use to hate j-fets back in my ignorance, but I have learned to love them. Wouldn't build an amp without them.
I wish j-fets were more popular by large scale manufacturers, and then there might be some real demand to create and make many different types available, especially matched duals.
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All the trouble I've ever been in started out as fun...... |
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#7 |
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Banned
Join Date: Apr 2005
Location: Stockholm
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Hi Rüdiger and Klaus,
In my view: the nonlinearity of JFETs is mainly caused by high and varying internal capacitances. Linearization can effectively be made by keeping certain parameters, like Vds and Ids CONSTANT. Borbely has obviously special liking for JFETs and other FETs, however, the cascoding device should be bipolar, maybe (discretely made) Darlington. |
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#8 |
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Banned
Join Date: Apr 2005
Location: Stockholm
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CBS240,
JFETs are superior for input stages anywhere in audio. |
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#9 | |
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diyAudio Member
Join Date: Jan 2006
Location: Virginia
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Quote:
Regards, Mike.
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"We are all agreed that your theory is crazy. The question which divides us is whether it is crazy enough to have a chance of being correct. " Niels Bohr |
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#10 | |
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diyAudio Member
Join Date: Aug 2002
Location: Germany
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Quote:
do you have an example circuit for a FET - darlington transistor assemble as cascoding Q? Rüdiger
__________________
"I can feel what's going on inside a piece of electronic equipment. I have a sense that I know what's going on inside the transistors." Robert Moog |
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