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#11 | |
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diyAudio Member
Join Date: Apr 2003
Location: London
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Quote:
0.85mA x 18K = 15.3V Cheers Alex |
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#12 |
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diyAudio Member
Join Date: Jan 2006
Location: Sydney
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You've forgotten Q5, which sources 3.4mA into Q7 (via the zener). The balance goes via the diff pair (800uA each side). This results in 14V across R6 & R7.
The topology is a good one. I've built a really good amp already using this topology (see http://www.littlefishbicycles.com/poweramp/). It appears to be simply the complete lack of thermal tracking in the intermediate stages that's biting me. |
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#13 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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working with what you have in hand I would make a few tweaks on the board before just changing devices
loose the gnd between R17,18 if anything needs to track its the refs for these ccs add trim pot to R19 or 20 to be able to balance mje tail curents so that the Q11-14 pairs are operating a precise balance themselves, less important but possibly trimming the MJE degeneration R could also prevent this stage' imbalnace from forcing the previous Q11-14 from operating with a noticable inbalance you could cut your board traces and add series collector R to Q11-14 to operate the Qs at the minimum power sensitivity bias point (dropping equal V in Q Vce and total collector R) |
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#14 |
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diyAudio Member
Join Date: May 2003
Location: Belgium, Limburg, Bree
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No Bonsai,
I haven't found the time yet to build it. But one day this definitely will happen. Can you give me a link to your circuit? Ben |
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#15 | |
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diyAudio Member
Join Date: Sep 2006
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Quote:
I'd go along with this suggestion, perhaps with the addition of 100pF C's in //, not to alter the HF behavior. Another aspect that might contribute to the problem is the "non-perfect" differential driver stage: the degeneration resistors with the tail resistor form a T attenuator that might prevent these stages from differentially cancelling the distorsion from the previous stage. I'd also think of using "creatively" the collector currents from Q15 and 17, instead of simply dumping them to the GND. I've no precise idea yet, but I think it's worth some moments of reflection. Cheers LV |
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#16 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi,
I see the current subtraction from CCS Q5 & 6 now. thanks. |
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#17 |
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diyAudio Member
Join Date: Apr 2007
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In taking another look at the fully differential VAS, I think I know what is happening. In order to operate correctly a 4-transistor VAS needs to maintain each VAS device in its linear region. Any deviation from that point will result in distortion. This means that the voltages presented by the second differential stage must be exactly matched to the Vbe characteristics of the four VAS devices. This is not easily achieved.
I would consider a more conventional VAS stage consisting of a pair of cascoded devices as illustrated in the attachment. Setting the idle current in this topology is substantially easier. The use of a voltage reference between the devices in the cascoded pair guarantees a fixed bias voltage within the pair. The only critical setting in this topology is to ensure that quiescent Vbe across Q13 and Q17 is set to approx 600 mV. During operation you should see less than 1 mVPP voltage swing across these points. I have found this topology relatively insensitive to device selection and/or PVT variations.
__________________
JCM |
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#18 | ||
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Account disabled at member's request
Join Date: Jan 2006
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Quote:
Here's a topology modification I think Suzy's amp would lend itself to nicely: Add another identical power output stage, driven from the collectors of Q15 and Q17. Add a opamp based DC servo to steer the common mode output voltage and apply differential feedback. Bingo - A truly symmetrical amplifier with a bridged output, differential inputs, less THD due to more complete even order harmonic cancellation and double the slew rate. Even the 100W version, with 2 pairs of output MOSFETs would benefit from being built this way, as each pair of MOSFETs could be driven from opposite legs of the differential VAS, further improving HF performance due to the fact that the MOSFET input capacitance is now shared between both legs of the VAS. Quote:
Or just go the whole hog and do what I did (Which is esentially a AEM6000 on steroids, but without the JFET input stage): http://users.picknowl.com.au/~glenk/MAIN.HTM Cheers, Glen |
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#19 | |
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diyAudio Member
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Quote:
From what I understand of what you say here it seems to be a logical conclusion that if you used the same devices (MJE340/350) as in your other amp, the distortion should be low/similar? And this would be because they have more thermal capacity and therefore are not thermally modulated by the operating point? Just want to make sure that I'm following. Have you considered an effective way to thermally couple and or heat sink the smaller devices. By this I mean something better than a layer of thermal goo? Did you match devices by the way? I do notice that you use a good amount of emitter degeneration which should reduce the need, still? I wonder if you might have gotten some counterfeit parts that are just way off? Nice work, by the way! Pete B. |
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#20 |
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diyAudio Member
Join Date: Apr 2002
Location: *
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Suzy
Off the top of my head, changing R33 and R34 to CCS might be worth trying. Since they (CCS) should track each other well, an arrangement not unlike glens IP stage with mirrors would be the way to go. On your CCT, VAS operating point is very dependant on it's common mode voltage. Using CCS will free it from this and should lower distortion of Q15/16 and Q17/18 a lot. This will allow them to work as true degenerated dif pairs. On the down side, changing these R's to CCS will probably have an impact on stability. cheers Terry |
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