Hello,
can someone please help me calculating a first order subsonic filter?
I have a separate phono pre amp connected to my pre amp. The input impedance of my pre amp is 75 mV and 47 KOhm and I want to put the filter between my phono pre and the pre. I think about a soft first order filter around 20 to 30 Hz. What do I need and how do I have to connect it? Thank you!
can someone please help me calculating a first order subsonic filter?
I have a separate phono pre amp connected to my pre amp. The input impedance of my pre amp is 75 mV and 47 KOhm and I want to put the filter between my phono pre and the pre. I think about a soft first order filter around 20 to 30 Hz. What do I need and how do I have to connect it? Thank you!
Hi,
your RIAA may already have the subsonic filter built into it's circuit.
The original RIAA was supposed to be flat below 20Hz but they brought out a new curve specification about 20years ago with a highpass roll off from about 30to 40Hz.
In my opinion, this killed the bass from records and as a result ruined the performance.
I reverted to the older specification.
your RIAA may already have the subsonic filter built into it's circuit.
The original RIAA was supposed to be flat below 20Hz but they brought out a new curve specification about 20years ago with a highpass roll off from about 30to 40Hz.
In my opinion, this killed the bass from records and as a result ruined the performance.
I reverted to the older specification.
A subsonic filter with only a first order cut will not be very useful. If you put a 0.15 µF capacitor in series with the signal, you will get a cut off below 22 Hz (0.1 µF and the cut off starts at 33 Hz). A third order filter (18 dB/octave) at 25 Hz is better suited. Why do you need a subsonic filter?
Roger
Roger
Looks like your cartridge/tone arm is not damped well at subsonic frequencies. Typically the resonance should be around 10 Hz (?) and should be well damped. You can add a fluid damping device to your arm and reduce the resonance peak and its frequency. You will need a small container to hold the oil ( silicone oil or something similar ) and a paddle that is fixed to your tone arm. It also cleans up the bass very nicely. Some experimentation is required.
I used to have a whole set of Japanese articles on fluid damping. Can't find even one sheet
I used to have a whole set of Japanese articles on fluid damping. Can't find even one sheet
Kal said:
A first order filter is of very little use in your situation. If your bass drivers are pulsating, you probably have a “bad” combination of arm and cartridge. The frequency of resonance is too low and warped discs will not play back very well.
There are several ways of how to reduce this. One of them is mentioned by ashok, fluid damping of the arm. You can also connect the signal in mono below circa 50 Hz (it is already in mono on the disc anyway but means you need to modify your amplifier) or use a third or fourth order filter to cut the lowest frequencies. Such a filter will not harm the sound very much. It will certainly unburden your speakers and let them perform better.
My own RIAA amplifier, have these options included.
You can have a schematic if you like. Just let me know your E-Mail address.
Roger
Although it would seem that a first-order filter won't be much use, in fact it does the job pretty well. My old Bryston .5B had a first-order infrasonic filter, -1 dB @ 31Hz according to the spec sheet.
At the time I was using a Grado Signature which had very little internal damping, a tonearm with no damping, and ported speakers. The woofers were flapping quite a lot, and the filter cut it out completely, so I suggest you go for it.
At the time I was using a Grado Signature which had very little internal damping, a tonearm with no damping, and ported speakers. The woofers were flapping quite a lot, and the filter cut it out completely, so I suggest you go for it.
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