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#1 |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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Hi all
I would like to know your opinions. I want to build a simple circuit for presentation what actually TIM in classic Otala meaning is and how it really sounds like and preferably I'd do it on line level. My choice will probably be ua741 working at high output, like 15Vp-p swing followed with a voltage divider. What do you think? Any ideas how to sex it up so that it generates TIM anyone can hear? best regards Adam P.S. How about 4558? |
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#2 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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TIM
transcendental interstage modulation ?? or what is it? I am interested to hear also some TIM. Don't know if anyone have heard it .... I wonder how to create this ... hmmm Another question is: how high the level - before we can begin to notice TIM As harmonic dist is probably possible to hear/notice at levels like 1-2% and is said humans is more sensitive to TIM, this means we could do with a TIM-generator circuit capable to deliver at least 1% TIM distortion I think PMA - Pavel Macura should know about this. He has suggested some new Intermodulated signal for Audio Amplifier Testing Regards lineup
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lineup |
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#3 |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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Transient InterModulation Distortion
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#4 |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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Anyone?
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#5 |
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diyAudio Member
Join Date: Dec 2002
Location: Left of the Dial
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Maybe TIM is a figment of someone's imagination after all...?
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#6 |
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diyAudio Member
Join Date: Mar 2007
Location: Canandaigua, NY USA
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No idea how to do this, and as I understand TIM, if you limit the input signal bandwidth to the audio range, you'll never see it. I'm always amazed when people do square wave tests without considering the rise and fall times of the wave. A good square wave generator will put you way out into the RF with ease. Would one connect an RF generator to their amp? I have a very nice circuit that does nothing but set a specific slew rate- anything below that is untouched, anything above is slew limited, but that's not the same thing. On a similar note, I'd like to build an amplifier with adjustable IM distortion to see what it sounds like and how much is detectable. No idea how to do that either. It would also be useful to have an amplifier with adjustable THD, but with the distribution also adjustable, since the higher harmonics are supposed to be so audible. My guess is that all these things are best done with a DSP unless somebody here has some ideas in the analog domain.
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#7 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Large amounts of TIM soften the sound. This has been done to great extent and accuracy at a Finnish hospital. I would have first thought that it would sound harsh, BUT actually what happens is that IM byproducts are produced that grow like grass and eventually take over the original signal. You can easily see this on a spectrum analyzer measuring TIM with a sine-square test signal.
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#8 | |
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diyAudio Moderator Emeritus
Join Date: Oct 2002
Location: Bandung
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http://www.diyaudio.com/forums/showt...134#post355134
The sound? PRR said like splattering treble everywhere. Quote:
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#9 |
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diyAudio Member
Join Date: Apr 2007
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I think TIM = transcendal Imaginary Mirage
If it takes such overcompensation to generate, it seems unlikely in anything with a reasonable slewing rate, one that's faster than the signal. Mike |
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#10 | |
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diyAudio Member
Join Date: Jun 2004
Location: Warsaw
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Thanks David, that's exactly what I wanted.
Quote:
Adam |
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