help choosing a 7" mid
Hi all,
I want to build a new set of nearfield speakers and i need some help find the right mid...
Right now i'm using Vifa PL18 (4ohm version) mated with a Dayton RS28A tweeter, using just a simple LR4 x-over at 1.6khz.
Before the PL18's i was using the Dayton RS180-8 mids and i liked the midrange on the RS180's a lot but the midbass lacked impact/attack and snap, it had the output but it just lacked impact.
While the PL18's have a bit better midbass impact it's still doesn't sound quite right but the real problem with the PL18's is the midrange sounds "hollow" and lack the detail from the RS180, with some EQ help i got to shape the FR to a somewhat smooth response and it does sound better but the detail just isnt there... 🙁
I have been looking at these drivers and since i can't go out and listen to all of them i would like to know what you all have to say about them...
18 Sound 6ND430
Seas L18RNX or P18RNX, but i'm not sure about those...
Aura NS65, low efficiency...? 🙁
B&C 8PS21 not a 7" but i think i could manage to fit it...
Or just go back to the RS180, but thinking of getting the 4ohm version instead this time around, and just live with the wimpy midbass? 😡
The new mids will be mated with the Dayton RS28A tweeter and inicially will be powered by a SI-T amp but i'll eventually going to get a Crown XTi-1000 amp.
Also, just in case, my listening position is only ~3-4 away from the speakers if this going to matter.
And i don't necessarily need very low end extension, if can get it to play down to ~60hz that should be enough, i can just let the subwoofer pick up from there...
Thanks a bunch and sorry for the long post, I hope i provided as much info as needed.
Leo
Hi all,
I want to build a new set of nearfield speakers and i need some help find the right mid...
Right now i'm using Vifa PL18 (4ohm version) mated with a Dayton RS28A tweeter, using just a simple LR4 x-over at 1.6khz.
Before the PL18's i was using the Dayton RS180-8 mids and i liked the midrange on the RS180's a lot but the midbass lacked impact/attack and snap, it had the output but it just lacked impact.
While the PL18's have a bit better midbass impact it's still doesn't sound quite right but the real problem with the PL18's is the midrange sounds "hollow" and lack the detail from the RS180, with some EQ help i got to shape the FR to a somewhat smooth response and it does sound better but the detail just isnt there... 🙁
I have been looking at these drivers and since i can't go out and listen to all of them i would like to know what you all have to say about them...
18 Sound 6ND430
Seas L18RNX or P18RNX, but i'm not sure about those...
Aura NS65, low efficiency...? 🙁
B&C 8PS21 not a 7" but i think i could manage to fit it...
Or just go back to the RS180, but thinking of getting the 4ohm version instead this time around, and just live with the wimpy midbass? 😡
The new mids will be mated with the Dayton RS28A tweeter and inicially will be powered by a SI-T amp but i'll eventually going to get a Crown XTi-1000 amp.
Also, just in case, my listening position is only ~3-4 away from the speakers if this going to matter.
And i don't necessarily need very low end extension, if can get it to play down to ~60hz that should be enough, i can just let the subwoofer pick up from there...
Thanks a bunch and sorry for the long post, I hope i provided as much info as needed.
Leo
Hi
Could you share your Xover schematic? Do you use a BSC? I know youre are using them near field, have you tried them closer to a rear wall?
Could you share your Xover schematic? Do you use a BSC? I know youre are using them near field, have you tried them closer to a rear wall?
Hi, thanks for replying...
The x-over is just a hi and low pass LR4, no BSC or anything...
I tried the speakers in speaker stands and ~3-4ft away from the wall, it sounded almost the same, it just needed less EQ contouring on the lower midrange...
I used 1/4" closed cell foam on the front baffle and the drivers are not recessed mounted.
Leo
The x-over is just a hi and low pass LR4, no BSC or anything...
I tried the speakers in speaker stands and ~3-4ft away from the wall, it sounded almost the same, it just needed less EQ contouring on the lower midrange...
I used 1/4" closed cell foam on the front baffle and the drivers are not recessed mounted.
Leo
No wimpy bass here.
These DA175's from Dayton will literally put a hole in your chest or try to. Best bass I ever heard and felt.
http://www.partsexpress.com/pe/showdetl.cfm?DID=7&PartNumber=295-335
I'm currently finishing up two projects with them drivers and here is a pic of one of them - "The Quads";
These also tested well at 'Zaph';
http://www.zaphaudio.com/6.5test/
So no worrys on distortion.
I'm using North's D25 tweeter's but there is crossovers for;
Seas 27tbfc and 27tdfc
North d25's
Vifa Neos
and the HI-Vi K1...
These DA175's from Dayton will literally put a hole in your chest or try to. Best bass I ever heard and felt.
http://www.partsexpress.com/pe/showdetl.cfm?DID=7&PartNumber=295-335
I'm currently finishing up two projects with them drivers and here is a pic of one of them - "The Quads";

These also tested well at 'Zaph';
http://www.zaphaudio.com/6.5test/
So no worrys on distortion.
I'm using North's D25 tweeter's but there is crossovers for;
Seas 27tbfc and 27tdfc
North d25's
Vifa Neos
and the HI-Vi K1...
I've read all the tests from John K (Zaph) and Mark K...
My problem is not with output, all the drivers i used had good output...
I had 180w for each of the RS180's and have played with the PL18's running on 320w each and it had all the output i could ask for; but tonaly both just didn't seem to sound quite right on the midbass department...
At higher levels the PL's seems to hold itself better than the RS180, it seems more dynamic while the RS180 seems compressed... 😕
Leo
My problem is not with output, all the drivers i used had good output...
I had 180w for each of the RS180's and have played with the PL18's running on 320w each and it had all the output i could ask for; but tonaly both just didn't seem to sound quite right on the midbass department...
At higher levels the PL's seems to hold itself better than the RS180, it seems more dynamic while the RS180 seems compressed... 😕
Leo
Before the PL18's I was using the Dayton RS180-8 mids and i liked the midrange on the RS180's a lot but the midbass lacked impact/attack and snap, it had the output but it just lacked impact.
That's what I'm talking about. 🙂
The snap and attack come from the 80 to 120 hz. range. These Daytons are also smooth in the upper mids.
I also have the RS 180's & RS 225's and the bass seems to hit me like a medium-hard pillow. With the DA series they have that 'Whack'..
It makes the drums sound extraordinarily good.
Hi
BSC might add the missing bass punch you are wanting. http://www.trueaudio.com/st_diff1.htm
Also Download the edge program and see what happens to the bass frequencies with your box design.
http://www.tolvan.com/edge/
BSC might add the missing bass punch you are wanting. http://www.trueaudio.com/st_diff1.htm
Also Download the edge program and see what happens to the bass frequencies with your box design.
http://www.tolvan.com/edge/
But you are running 4 DA175 per side... and how many RS180's did you ran to this comparison?
I tried to dial in the midbass on the RS180's using the EQ but it didn't help much at all...
Leo
I tried to dial in the midbass on the RS180's using the EQ but it didn't help much at all...
Leo
infinia said:Hi
BSC might add the missing bass punch you are wanting. http://www.trueaudio.com/st_diff1.htm
Also Download the edge program and see what happens to the bass frequencies with your box design.
http://www.tolvan.com/edge/
Thanks, I'll look into it...
But in the mean time, any input about the other drivers i listed? Especialy the 18 Sound and the B&C?
Thanks
Leo
Yes, paper cones with high effiency motors!
Most excellent for reproducing electric guitars but they just don't have that Whack and feel of the Dayton DA175 for drums and bass guitar.
So marry the two, hence my next project.
A line array with the B&C in the middle of the array surrounded by 8 DA-175's. Mids might be RS52's with a line of 50 - 60 Dayton 3/4" Neo Tweets.
Yep, I'm a speaker nut. Been there, done that but just not quite there.
Most excellent for reproducing electric guitars but they just don't have that Whack and feel of the Dayton DA175 for drums and bass guitar.
So marry the two, hence my next project.
A line array with the B&C in the middle of the array surrounded by 8 DA-175's. Mids might be RS52's with a line of 50 - 60 Dayton 3/4" Neo Tweets.
Yep, I'm a speaker nut. Been there, done that but just not quite there.
Both the B&C and the 18 Sound aren't just your average high efficiency midwoofer. They both have more excursion than the DA175, more cone area and copper shorting rings in the motor for reduced distortion...
They may not play as low as the DA175 but i'm not too worried about low end extension as long as they can play into the 60hz range...
I just need a MT alignment... 8 midbass per side is just overkill for my application... besides i don't even have the room for it. I don't listen to my music at loud levels...
My listening room is small... at only 11' x 12'.
Leo
They may not play as low as the DA175 but i'm not too worried about low end extension as long as they can play into the 60hz range...
I just need a MT alignment... 8 midbass per side is just overkill for my application... besides i don't even have the room for it. I don't listen to my music at loud levels...
My listening room is small... at only 11' x 12'.
Leo
Are you using the SI Tamp to power your mids? If you did not upgrade the capacitors then the midbass and bass departments will definitely suffer
http://www.diyaudio.com/forums/showthread.php?s=&threadid=83518
possibly build the low BSC version described in the above thread of :
http://www.zaphaudio.com/audio-speaker17.html
Simply using a "standard" LR4 crossover is never going to work well.
🙂/sreten.
possibly build the low BSC version described in the above thread of :
http://www.zaphaudio.com/audio-speaker17.html
Simply using a "standard" LR4 crossover is never going to work well.
🙂/sreten.
Why is this thread now 15 posts long and no one has asked about the enclosure LOL?
Sure, BSC and generic XO's will factor in, but my prime suspect would be the box.
Sorry Rudy, the DA175 in a very nice unit for the $, but if one is getting better sound out of them than the RS180, check one's design skills - rather than the commonplace "blame the driver, room, XYZ first" methology popularized on message boards.
cheers,
AJ
Sure, BSC and generic XO's will factor in, but my prime suspect would be the box.
Sorry Rudy, the DA175 in a very nice unit for the $, but if one is getting better sound out of them than the RS180, check one's design skills - rather than the commonplace "blame the driver, room, XYZ first" methology popularized on message boards.
cheers,
AJ
AJinFLA said:Why is this thread now 15 posts long and no one has asked about the enclosure LOL?
Sure, BSC and generic XO's will factor in, but my prime suspect would be the box.
Sorry Rudy, the DA175 in a very nice unit for the $, but if one is getting better sound out of them than the RS180, check one's design skills - rather than the commonplace "blame the driver, room, XYZ first" methology popularized on message boards.
cheers,
AJ
The poster doesn't appear to be new to DIY speakers and since he didn't ask about enclosures specifically . Also, I'm assuming a ported alignment here. IMO most ported misdesigns suffer booming bass and that did not seem to be his issue. Lack of BSC seems to be most prevalent in intermediate design Q's.
As always YMMV
<edit> Maybe a misdiagnosis but the symptoms were there.
doesn't appear
I'm assuming
Correct.
But I'd rather not assume.
Ok. Infinia, I can't say for sure that it is his enclosure/tuning, but you seem to have given this quite a bit of deep thought, so I'll ask:Lack of BSC seems to be most prevalent in intermediate design Q's
At what frequencies are his baffle diffraction losses occuring based on his enclosure size?
How much BSC should be built into his filter based on his enclosures distance from the rear wall?
Why is the active EQ
failing to do what a passive shelving filter would?with some EQ help i got to shape the FR to a somewhat smooth response
What is it about lower on axis SPL in the bass region that makes
Thanks in advance.the midrange sounds "hollow"
cheers,
AJ
Ok now it's getting better... thanks guys... 🙂
I'm not exactly new to audio in general, but at this point in time i just dont have the equip to do my own testing and design.
The speakers that i'm using now was just thrown together using parts that i had laying around. I know this isn't a good start but i needed some tunes... 😛
The box is a ported alignment, .55cu.ft tuned at 43hz as far as i remember...
My problem is not with actual output. But with overall tonality.
My SI T amp isn't modded... I just got it as a temp amp solution, I should be getting the Crown amp i listed within the next month or two.
The speakers sit on my desk and are ~3' away from the wall.
EQ is used mostly to take care of FR irregularities due to the lack of filter contouring... 😛 🙄
Before i built the passives that are in use now, i used an active x-over to find the wanted cut-off freq...
As i said, my main problem is tonality, and midbass impact/snap...
The speakers don't sound outright bad, but just not up to my standards... just me being picky... 😀
I hope i provided enough info this time... 😛
Thanks
Leo
I'm not exactly new to audio in general, but at this point in time i just dont have the equip to do my own testing and design.
The speakers that i'm using now was just thrown together using parts that i had laying around. I know this isn't a good start but i needed some tunes... 😛
The box is a ported alignment, .55cu.ft tuned at 43hz as far as i remember...
My problem is not with actual output. But with overall tonality.
My SI T amp isn't modded... I just got it as a temp amp solution, I should be getting the Crown amp i listed within the next month or two.
The speakers sit on my desk and are ~3' away from the wall.
EQ is used mostly to take care of FR irregularities due to the lack of filter contouring... 😛 🙄
Before i built the passives that are in use now, i used an active x-over to find the wanted cut-off freq...
As i said, my main problem is tonality, and midbass impact/snap...
The speakers don't sound outright bad, but just not up to my standards... just me being picky... 😀
I hope i provided enough info this time... 😛
Thanks
Leo
Sorry Rudy, the DA175 in a very nice unit for the $, but if one is getting better sound out of them than the RS180, check one's design skills - rather than the commonplace "blame the driver, room, XYZ first" methology popularized on message boards.
No disrespect AJinFL this posters primary question was getting some 'Slam' from a midbass driver.
Since I'm a fan of both the RS drivers and the DA series and having to listen to them for over two years the 'Slam' award goes to the DA175's.
Since I don't like ported enclosures they're out....
Sealed, Transmission line are fine with me.
Also my design skills with the RS series fall on the shoulders of Jon Marsh & Darren Kuzma.
The Da 175's are a combination of Pete Schumachers (crossover) and mine ( the box).
RJ said:
this posters primary question was getting some 'Slam' from a midbass driver.
Midbass lacks "snap"... 😉
At first i was just going to build Jon Marsh MT design using the RS180, but after playing with the RS180 in an active setup for a little over a year i'm not so sure sure i want to go that route again... I liked the midrange, but the lack of midbass snap just didn't cut it for me... 🙁
Leo
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