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#361 | |
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diyAudio Member
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Quote:
PowerSupply+CordellOutputStage.asc The active device models are not included -- rather than pass them around, download them via the Cordell posting noted above. Agreed, this is a first, rough cut, using the simulations as first posted. It's now wide open to make the scenario as realistic as possible, to gain greater insights. As an example, Bob's amp has good +ve PSRR, but the -ve rail is nowhere as well rejected. Hence noise on the -ve rail is likely to do major damage ... Frank |
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#362 |
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diyAudio Member
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Now this is telling ...!
As a quick experiment, I added the amp output stage to Tom's completely different PS setup, as per that attached to his recent post here. And tried with a gain of 75; the +ve voltage rail looked like: Compare_PSU01.gif This should be compared with http://www.diyaudio.com/forums/attac...pply04-bc5.gif, and on first glance looks a lot more impressive! But, appearances can be deceptive: Tom's PS uses less overall capacitance so the peak to peak ripple is greater, check the vertical axis ticks. And, what turns out to be the key difference, his overall smoothing cap ESR is lower, by a factor of about 4. So what I did was change the ESR of the smoothing caps from 0.03R to 0.007R in the original PS circuit, nothing else, and had a closer look at a small part of the waveform: mightydub PS: Compare_PSU02.gif gootee PS: Compare_PSU03.gif In spite of the fact that the supply circuits are radically different, the noise waveforms match very closely, and that is linked precisely to the effective ESR of the caps ... Frank |
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#363 |
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diyAudio Member
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Interesting. You might want to change the input line voltage amplitude on my PSU model to 330 or so, to get the same DC output voltage from the rectifiers.
I've been playing with something similar, since last night, but using a 40-second WAV of AC-DC's "Highway to Hell", since it has some punishing bursts. The first thing I've done is tried to turn up the gain until just below clipping, which seemed to happen at about 61 Volts, into 4 Ohms. I thought that a gain of 750 was good until I got about 10 seconds into the song. Now it looks like a gain of 119 is about right, for the first 20 seconds of this source material at least. Second, I noticed that since this is essentially a unity-gain power amp, we can directly compare Vin and Vload, and subtract (e.g. Vin-Vload) to plot the output error, and maybe then we can see what effects the reservoir caps have on the output accuracy. Actually, there were small intrinsic offset and gain errors that I had to remove, first. So I added really-large ideal caps (100k uF both after the rectifiers and at the load) and then adjusted the plotted expressions for Vin and Vout to match as well as possible, which meant adding an offset of slightly less than 2 V to Vin and mutliplying Vload by a little less than 1.1. Right now the error expression looks like this: abs(V(vin)+1.966717-(1.082*V(load))) . Then I was able to run sims for only certain time-segments of the song, by setting the "time to start saving data" and the "end time", and get the RMS and Average of the error for exactly the same time segment, for different simulation runs. For example, I did that for 0.3 to 1.0 seconds, which is in the first burst of sound, in the song. I tried it with various reservoir capacitor configurations. That section is not extremely high in amplitude, so there was not a lot of difference. But, surprisingly, 30000 uF and 470 uF were both slightly better than in between (although 470 uF had some significant problems later in the song). I also used current sources across the outputs of the power supply, with the load side disconnected, and plotted the output impedance of the supply versus frequency, with and without the power rail conductor model included. I will post the plots and .asc file later this evening. Cheers, Tom Last edited by gootee; 5th August 2012 at 09:01 PM. |
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#364 | ||
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diyAudio Member
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Quote:
)! Only thing, to be fair to Bob's design, this is only the backend of his amp and lacks the distortion reducing feedback intrinsic to the circuit -- the point so far is purely to drive the PS hard to see how the voltage rails behave. So, to really assess the interaction of a realistic PS with a good performing amplifier design the whole rather than just a part of the latter needs to be incorporated.Quote:
Cheers, Frank |
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#365 |
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diyAudio Member
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Continuing in the vein of testing the "whole" amp behaviour, I was curious how much a variation of PS voltage rails would affect Bob's design, from the point of view of fairness, using it within design constraints. In other words, forgetting about maximum ratings for the moment of the individual components, how does the behaviour change between perfect 35V rails and 70V rails? To do this I created a model with duplicate, complete, amp circuits, one running off the lower voltage and the other off the higher. Fed both with the jazz track, and added a trace of the difference of the two outputs:
DuelingAmps01.gif So, looks pretty good, the green and blue traces of the two amps overlay each other nicely, and the difference is just millivolts in value, just a DC offset really. But, there is a bit of AC noise, which worsens at points, which look interesting, so we'll zoom in: DuelingAmps02.gif Hmmm, some high frequency instability here, very low in amplitude, but it may be telling us something. Try zooming in again: DuelingAmps03.gif Now this is very high frequency, about 840kHz. This might be happening because the Spice models aren't accurate enough, or there is potential for instability in the circuit. Note again that the PS rails are ideal voltage sources in both cases. I haven't tracked down the origins of this yet, but it certainly shows the scope LTspice has for digging into the dark corners ... Frank Last edited by fas42; 6th August 2012 at 05:57 AM. |
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#366 |
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diyAudio Member
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I used current sources across the outputs of the power supply, with the load side disconnected, and plotted the output impedance of the supply versus frequency, with and without the power and ground rail conductor models included.
PSU_Cordell-output-only_tg_ZOUT.jpg PSU_ZOUT_without-rail.jpg PSU_ZOUT_w-rail2.jpg PSU_ZOUT_both.jpg It looks like we would want power supply decoupling and high-frequency bypass capacitors after the power rail, at the load, in order to present a low-enough impedance. I also disconnected the reservoir capacitors and plotted the output impedance of just the rectifiers and transformer assembly. PSU_ZOUT_no_caps.jpg Cheers, Tom |
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#367 |
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diyAudio Member
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I got some temperature and frequency-dependent capacitor spice models, from Cornell Dubilier's JAVA Applet at CDE Capacitor Impedance Calculator and Spice Model Applet , and used them in the following simualtion runs.
I did simulations with 3x 10000 uF, 1x 10000 uF, and 1x 1600 uF, playing 22 seconds of AC/DC's "Highway to Hell". No, it's not my favorite song. Plots follow. Zip file should contain ALL files needed to run the simulations, in LT-Spice, except for WAV file for input. Here's the song: http://www.youtube.com/watch?v=Xv24N8H1KyI The plots correspond to the first 22 seconds or so of the song. (That song can also be "the highway to hell" for a simulation of a DC servo circuit, which is what I originally used it to test, with LT-Spice. One interesting aspect of using WAV files for input AND output is that you can then LISTEN to the output of your simulated circuit!) Cheers, Tom Last edited by gootee; 7th August 2012 at 03:42 AM. |
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#368 |
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diyAudio Member
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#369 | |
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diyAudio Member
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Quote:
So which way is better, and what are the other "solutions" ...? Frank |
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#370 |
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diyAudio Member
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Here's a zoomed-in view of the first drum strike, at about 9.7 seconds.
The first one is with only 1600 uF or reservoir capacitance per rail. The second one has 33000 uF per rail. We see the capacitor currents duplicating the signal. Cheers, Tom Last edited by gootee; 7th August 2012 at 04:26 AM. |
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