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#41 | |
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Electrons are yellow and more is better!
diyAudio Member
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There is normally no problems at all with alternative parts, or placements.I see no trouble at all with a universal pcb both for positive and negative supply. Since the opamp has flipped pins you can simple have "two" opamps on the pcb if you don't want to use jumper wires.
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/Per-Anders (my first name) or P-A as my friends call me |
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#42 | |
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Electrons are yellow and more is better!
diyAudio Member
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Quote:
__________________
/Per-Anders (my first name) or P-A as my friends call me |
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#43 | |
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diyAudio Member
Join Date: Dec 2000
Location: -
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At that frequency a 1mm X 1mm Cu strip inductance and resistance makes a 5 MHz difference in tuning and 20 ohm difference in matching, but that doesn't matter. In the case of the superreg I don't think things are _that_ critical. That's all I am saying. From reading ALW manual it actually seems that Q damping is required in some instance. |
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#44 |
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Electrons are yellow and more is better!
diyAudio Member
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When I think about it, is it really smart to have the AC gain set to one? I mean a little bit lower noise which is extremely low already and then risk problems with unstability?
__________________
/Per-Anders (my first name) or P-A as my friends call me |
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#45 |
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diyAudio Retiree
Join Date: Oct 2002
Location: Spain or the pueblo of Los Angeles
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"If you are interested I am going to tell you what I do"
In absolute seriousness, compared to that I am sure almost every circuit looks simple...... I can only point out that 1 ma through 1 milliohm is one microvolt. A preamp circuit driving 1V into 10K ohms results in a current of 100 microamps, and this at the higher signal levels seen by a preamp. The music signal has dynamic range exceeding 80 dB. The bottom line is that a power supply, such as the Jung type design, involves consideration of error signals in the nanovolt (10 to the-9th) region. This would seem to me to be some very rigorous engineering when pushing the state of the art for an audio power supply design like this. Plenty challenging for me and most of the others of the forum, even the serious analog engineers I'd imagine. The evolution this circuit from the original Sulzer circuit has been documented for over 20 years in The Audio Amateur and Audio Electronics. Enhancements for the circuit are still being pursued at present. I can think of at least half a dozen changes worth investigating and I am sure there are many others that I haven't thought of, but others have. I am still curious how much further this design can go in terms of improvement. |
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#47 | |
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diyAudio Retiree
Join Date: Oct 2002
Location: Spain or the pueblo of Los Angeles
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#48 | |
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diyAudio Retiree
Join Date: Oct 2002
Location: Spain or the pueblo of Los Angeles
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#49 | |
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Electrons are yellow and more is better!
diyAudio Member
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Quote:
I mean , AD797, gain of one, not short wires.
__________________
/Per-Anders (my first name) or P-A as my friends call me |
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#50 |
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diyAudio Retiree
Join Date: Oct 2002
Location: Spain or the pueblo of Los Angeles
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"There is normally no problems at all with alternative parts, or placements.I see no trouble at all with a universal pcb both for positive and negative supply. Since the opamp has flipped pins you can simple have "two" opamps on the pcb if you don't want to use jumper wires."
Great idea! I am sure we will see this on your knock off version on the circuit. Charge enough for the PCBs to compensate yourself for the time you will spend on people who blow it up building it wrong. I think you can count on it quite often. "I mean , AD797, gain of one, not short wires." So do I ....... |
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