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#31 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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It will pull a little more current for the C version, will make an even better current source for noise, it may give more V out voltage. Keep in hand 110R and 120R resistors for R5 along with the original 100R, so to practically use the one that will get you nearer to your target voltage. This voltage reference is based on transistors and a resistor and there will be thermal effects in the first 5 minutes until everything warms up and the voltage will stay stable a bit lower than at the power on moment. It's non the less much better than using a Zener. Plus it can be easily trimmed.
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#32 |
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diyAudio Member
Join Date: Jun 2007
Location: UK
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thanks for all your help
__________________
"I don't remember fighting Godzilla, but that's probably what I would've done" |
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#33 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Hi Salas,
I am curious because I use a normal series regulator and despite it make his work very precise I have to admit that it sound bad. I prefer unregulated, well filtered. Note I understand near zero of electronic but my ear is very good; I have heard rumors about the "shunt" type regulators that they are near transparent, invisible, do not affect the sound. Issues is they can't manage big current. Seems to me you have solved the problem of current , right? So my question is very basic: can you confirmate your circuit is good as a old, unregulated CLC ? perdone my poor english! Cheers, Paolo |
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#34 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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A CLC is just a basic passive SERIES filter. Those shunt IRF Mosfets can dissipate 120-150W, you can run as much current as you like up to that if you use big heat sinks. That means 600mA at 200V as an example WITHOUT delivery to load. The more you deliver, the less goes to the heat sink of the shunt Mosfet. If you deliver 300mA, you burn 60W. And then there are stronger Mosfets. Practically you can design for Amperes if you like it and can tolerate the scale of sinks and power expenditure. Unrealistic? Yes the current limit is no problem for realistic valve circuits as it turns out.
Second thing you asked is about the sound. There is no way that a CLC can even touch such a regulator subjectively. Been there done that. Especially in low level circuits like a phono stage, the basic passives are useless anyway. You can cascade 5 RC or 3 LC. You end up using so much SERIES resistance. Want to cut lower than RC? Must use some big, very well built and very expensive chokes in the 20H area, just to have some silence. And then what? Every time you have a dynamic demand, that series resistance modulates along because it is in the AC loop. It is still too much. Current? Ask for some substantial current and the chokes will saturate. OK build it double the size. Pay in the thousands of Euro in the end, if there is some top quality involved. The shunts have mOhm output resistance, negligible ripple noise or hiss. Don't trust me, go build one and listen. Its much cheaper than a decent 2H choke. Then post your experience. |
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#35 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Oh thanks Salas ,
I have always thinked that series resistance was a bad thing, now you confirmate my suspect. I understand your point about huge cost for a well dimensioned CLC, it is true Neverless, BEFORE your special shunt regulator, I have tried a bit of series regulators and I prefer unregulated Now your circuit seems to me a unique opportunity to find a "solution". For my very limited skills The regulator is in parallel with the load so his bad sonical influence could be very reduced....... I have to talk with my old friend who make this toys for my fun and see if he is disponible in short times...or long Thanks again for your precious expertise, I appreciate a lot Cheers, Paolo |
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#36 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Good luck Paolo with the shunt. Its easy to make. For any problem just ask. For series regulators you don't like there is a reason. Those are normally high feedback complex ICs or there is one in there with some help around it. So you actually wrap a tube no feedback(?) design in them. Bad marriage. So your passive sounds less forceful but natural at least in comparison. Those things are in series with AC. Anything you use, has a sound.
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#37 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Salas,
you are so kind! Your explanation is exactly the same I have learned from big italian master, Bartolomeo Aloia's articles and publications. So you have to be a real guru, man ! Thanks again Cheers, Paolo |
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#38 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Thanks but I am no guru. I just DIY, experiment, and listen. Then I share.
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#39 | |
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diyAudio Member
Join Date: Sep 2003
Location: Southern Germany
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Quote:
I took the freedom to redraw Salas' schematic for better readibility, and he encouraged me to post it here. This will be for a spud headphone amp (very much like the ones you have lately seen here on diyaudio ) the project so far just being on paper of course...
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#40 |
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diyAudio Member
Join Date: Jun 2007
Location: UK
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just curious
does it make any difference if I use red LEDS but with the same Vf at 1.7V, except from the colour of course?
__________________
"I don't remember fighting Godzilla, but that's probably what I would've done" |
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| Thread | Thread Starter | Forum | Replies | Last Post |
| Regs - Shunt vs Series | richie00boy | Solid State | 4 | 27th November 2003 07:09 PM |
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