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#11 |
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diyAudio Member
Join Date: Nov 2004
Location: close to Basel
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Hi,
@Emiel oh my gosh...and I was thinking I were crazy designing a hybrid with a panel of 70x200cm and a dipolar bass tower with 12 drivers per side But doing this in wire!!! Well....if YouŽve really done that successfully, I promise IŽll only call You Mr. Ironman ESL from that day on To give You an idea of a successfull(?) implementation of that: have a look at MLs archives for the original old Statement. They claim it to be crossed over at 120Hz and IŽm not sure if they used a filter-Q more or less than 1 (probabely >1). "..(total diameter 1.1mm) at a distance of 2.5mm hart-to-hart" Does this mean +-0,7mm maximum excursion of the diaphragm or +-1,25mm or +-2,5mm?? If YouŽd use a frame made of 3mm thick spacers, stiffened by lets say horizontal aluminium bars to which the wire would be glued in a vertical manner, YouŽd end up with 1,9mm excursion. (Think of the Audiostatics! and have a look at the pic). Using 2.5mm thick spacers and a double sided sticky tape (TESA for carpets, ~0,1mm) You end up at ~1.5mm. This is the easiest way to build and gives a higher efficiency and should just be sufficient for the needed excursion levels. You could have a stiffening bar every 150mm in height, so You can place diaphragm dampers in form of a small foam strip or a silicon dot right under those bars. But You might need more stiffening for such thin wires, so double the number of bars count (but not the damper count!) In this case You wonŽt even need to tension the diaphragm mechanically. You can tension it thermally which has some advantages, eg. less material stress, consistancy in parameters and ease of production and will give You a resonance of app. 60-80Hz. IŽd place one wire per 2mm, i.e 1,1mm wire and 0,9mm spacing. That gives You an covered/open-relationship of 55/45 (acoustically, electrically itŽs just 25/75). The prob with this wires is, that the electrical coverage-ratio and therefore efficiency is quite bad, because of the thick PVC insulation. This is countered a bit by the dielectric constant of the insulator (which should be high for efficiency reasons, but unfortunately isnŽt with most plastics. Luckily PVC as well as polyamides like Kynar range quite high amongst plastics) Kynar-isolated wire-wrap-wires have thinner insulations which allows for more wires in a more dense fashion (better ratio) and closer proximity of the copper to the diaphragm (remember EVERY 1/10mm counts). Even better are the magnet-wires, because they have the thinnest insulation. Additionally You can get rectangular magnet-wire which allows for even higher field density/strength. My own old panels were 24x140cm with 30mm spacer-width, 4mm thick. I ended up with app 18x120cm free membrane area. I used H07-VU wire which is PVC-coated with an dia. of 2.8mm. This leaves 2.3mm of excursion after glueing with tape. Thermal tensioning of the membrane gave a Fs of app. 60Hz. Efficiency with a 1:100 trannie was at 80dB/2.83V/1m. Dynamics were still impressive because the maximum SPL was way above 100dB (but the fuses of my Rotel which is capabel of some 300W blew quite often Only slight equalizing was needed within the filter to linearize freq-response. It gave some people on a DIY-fair something to think about how a speaker could reproduce if not built with dynamic drivers in the midhighs But compared to my new metalsheet panels they loose in each and every way. @dstockwell not to be over critical, but it would ease my work if You could calculate dimensions into the mks-system, that the rest of this world uses for good reason btw. AWG14..what is it??? single? stranded? Useful are the outer diameter or insulation thickness and the copper-core diameter of the wire. AWG 14(1) is 1,6mm coreD and probabely 2.8mm OD. It seems to be quite a similar wire as the before mentioned H07-VU. It should work but today IŽd opt for a thinner wire like H05-VU (2.0mm) or the Kynar-wire-wrap-wire in AWG30..AWG24 (Infos about that: http://www.eupen.com/images/download...dardCables.pdf and www.Farnell.com (wire-wrap) Calculate wires per width such that the covered/open-ratio is between 50/50 to 70/30. Too calculate the electrical coverage-ratio (which is the copper core diameter versus width. This value should be as high as possible (100/0 means a massive metal sheet and highest field density, 0/100 means no metal and no field at all) For calculation of additional spacers/dampers use L=70 to 100x d/s with loosely tensioned membrane use 70, for harder tensioned membranes use up to 100. For a d/s of 0.04 use between 2.8 and 4.0. Building for e.G. 7" wide You could use one vertical damper-strip positioned at 3,3"/3,7" or several horizontal strips or points positioned between 2.8" an 4" apart in height. jauu Calvin |
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#12 |
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diyAudio Member
Join Date: Jul 2005
Location: Georgia
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Thanks Calvin I will remeber the mks in the future. What about the attached circuit, is it correct.
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#13 |
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diyAudio Member
Join Date: Nov 2004
Location: close to Basel
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Hi D,
the circuit is corrct so far. Just leave out one of the series resistances (3.3 or 2R2). But keep in mind that just the topologie can be correct for many ESLs (it surely is not Mr. Right for each and every panel) but the component values depend on the ESLŽs impedance and surely they must be redesigned for Your panel jauu Calvin |
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#14 |
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diyAudio Member
Join Date: Sep 2003
Location: Somewhere near Enschede
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Hi all!
Calvin, you've convinced me of using perforated sheets for my first ESL, so I've started looking around for the right sheets. The place where I used to work has some sheets lying around which I can use for free. They're probably not the best sheets (see the specs below) but I think I could use them for some testing and buy the right sheets later on. These are the specs: Thickness: 1.5mm Hole size: 8mm Hole distance: 12mm Hole/material ratio: 40% Powder-coated RAL9001 Please post your comments on the use of these sheets for a test model! Kind regards, Emiel |
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#15 |
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diyAudio Member
Join Date: Jan 2004
Location: Europe
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Calvin,
On the 18-10-2005 you added a pix of a curved panel ESL at the bottom of your reply - is this a commercial panel and if so can you provide me with a URL etc? If you don't want topost this directly in the forum, can you email me privately? aw (at) vacuum state (dot) see oh m. Of course, close up the spaces and convert the phonetics Thanks, Allen |
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#16 |
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diyAudio Member
Join Date: Nov 2004
Location: close to Basel
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Hi,
@Emiel one of the advantages of perforated metal sheets is the possibility to build panels with small d/s spacings with high efficiency. Efficiency is on the other hand a function of field strength, which is the higher the more ŽclosedŽ the stator is and the more equal the conducting material of the stator is distributed over the diaphragm area. Even though a 8/12mm hole/spacing has a netto openness of ~40% the distribution of conducting areas is too far away. This leads to uneven forces on the diaphragm, hence distortion. There will be high forces exactly below the stator and nearly no force under the midst of the holes. As long as the d/s is higher than the hole diameter this is no problem, but with d/s spacings around 1mm the effect should be kept in mind, because here the hole diameter will always be bigger than the d/s. So use smaller holes and hole distances. 4/6mm is a standard pattern with equal openness as 8/12mm but gives higher efficiency. But there has a minimum hole size to be considered, which depends on the thickness of the sheets! Shortly said: the holes should look like holes not like small tunnels, or anther way: the smaller the holes the thinner the sheet has to be. I use 3/4mm in 1.5mm thickness with app. 1mm d/s. If You plan to use even smaller holes You should consider that an insulative coating on the stator reduces openness (more with small holes than with big holes!). Recalculate openness for the coated case. Coated it should always be more than 25% openness..the more the better. @Allen write to You soon ;-) jauu Calvin |
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#17 | |
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diyAudio Member
Join Date: Aug 2010
Location: Pinehurst
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Quote:
Calvin, I'm very impressed with your depth of knowledge of electrostatic speaker design. You raise issues that make me wonder how the old Acoustats worked as well as they did. I still have my old II+IIs and love the sound. Of course they have their deficiencies and maybe that's part of teh reason they're not around any more. Still, the sound is great yet they break most of the rules that you've outlined. Does anyone make a full range electrostatic now? Are hybrids truly superior to a full range design? I am more of an enthusiast and work in Healthcare IT but previously was a biomed engineer and can handle a tool with the proper motivation. Can you point me in the right direction to learn more? -steve |
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#18 |
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diyAudio Member
Join Date: Nov 2004
Location: close to Basel
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Hi,
thanks for the praise. It took me many years to learn and much more hair But IŽm happy to hear that You can still handle Your tool with proper motivation *hmmh hmmh* ![]() ![]() That my dimensional suggestions are different to those Acoustat used stems simply from the fact that a FullrangerŽs demands differ from that of a Hybrid. If I were faced with the task of building a large FR I doubt that my solution would be much different from AcoustatŽs. IŽd surely use a wire stator -probabely rather a system with a few horizontal braces like Audiostatic does instead of the egg crates of Acoustat- and a not too thin wire, for example the PVC insulated H07VU to keep the needed amount of effort reasonable low. IŽd beef up membrane size and keep the d/s below 3mm and would think about a transformer interface that boosts low fequencies like both above mentioned companies use. The stator would be of segmented type, segmentation done using simple resistors. IŽd use some stuffing for dampening purposes. As such it would not be an open transparent design like Audiostatic but a closed one like Acoustat, Quad et al. The reason I donŽt build FRs is that I believe that a Hybrid can be superior in almost any field if done properly. The design of my systems allows for a seamless integration of ESL-panel and dynamic bass, which represents the firstmost design problem and main reason of refusal of Hybrids by Fullrange fans. For Fullrange fans this one problem outweighs the deficiencies/disadvantages FRs suffer from. I always liked ESLs in the midhighs, but was never really confident with their bass- and lowermids performance, the restricted dynamics and often to find difficult drive requirements. For both schools there are excellent examples for the good as well as in the bad meaning. IŽd surely opt for a good FR over a bad Hybrid. But nothing fits my taste as well as a good Hybrid. jauu Calvin |
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