Hornloading the Heil AMT1

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A properly designed waveguide (not horn) changes the directivity and thus how the speaker reacts in a real room. It can limit early reflections but if improperly designed, cause them. Low reflections can improve imaging and the frequency linearity of the soundwaves that do reach your ears.
 
not exactly a Heil or AMT but here are photos of the BG RD75 hornloaded which might be an inspiration for some:

Linearrayentwicklung - Fotos

Hello Hum,

Your speakers look very, nice! However I have a couple questions for you;

  • Why didn't you place the waveguide on the front completely or is it your intention to eventually do so?
  • Why didn't you also place a waveguide or some other type of acoustical device so the ribbons feel the same acoustical impedance on their front & back, or this is a non-issue.

Thanks,

Thetubeguy1954
 
I know this is a little off the topic, but I thought you guys might be interested in seeing this. I found two photos of a pair of 15" drivers and a horn that are all mounted on an OB. Then the person constructed the two sides to make the entire speaker look like it's a GIANT Heil driver! As a picture is worth 1000 words I'll let these two pictures explain what I mean...

An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


If a large, dipole Heil driver was placed on top of this speaker ---{so that it replaced the horn}--- would the wooden sides now act like horn "if" they were postioned so that they extended the actual sides of the Heil driver?

Tom Scata (thetubeguy1954)

An externally hosted image should be here but it was not working when we last tested it.


An externally hosted image should be here but it was not working when we last tested it.


Attn: Moderators, for my own knowledge was it the fact that I left out this message below the photos in my orginal post ( Uploaded with ImageShack.us ) from image shack the reason my two photo were later marked as 403 Forbidden?

I want to thank everyone here who has responded to my questions from the bottom of my heart ---{especially in these last 2-3 years}--- because it was the diyaudio.com forum that was and is, the reason I've learned so much about fullrange/wide-range drivers & front/back-loaded horns. This forum is the reason my audio system turned from being excellent to being wold-class! Thank you all very, very much...

Thetubeguy1954
 
Hello Hum,

Your speakers look very, nice! However I have a couple questions for you;

  • Why didn't you place the waveguide on the front completely or is it your intention to eventually do so?
  • Why didn't you also place a waveguide or some other type of acoustical device so the ribbons feel the same acoustical impedance on their front & back, or this is a non-issue.

Thanks,

Thetubeguy1954


thanks but i cannot take credit for anything , those are not mine.
i just saw them and thought the construction looks interesting and might be an inspiration on how to build a horn around a AMT.
 
Tubeguy

Heya Tom:

They're just the rough-sanded and primer coated version of these (the profile has been flattened somewhat too)

http://www.diyaudio.com/forums/planars-exotics/2651-ess-amt-1-air-motion-transformers-12.html

I've posted this on the Geddes Waveguide thread and the thread linked above, but this subject probably deserves its own thread. The design started out with the MDF edgeround projecting into the throat, but the projection worked out to be greater than anticipated so was ground down. The gap between the assembly and the heil will be coupled with foam window gasketing to make the transition smooth but removable, and the triangular piece in contact with the AMT frame has bondo filling the gap to the rest of the horn flare. The expansion is straightwalled with a roundover to a short flat section then a round-back. According to the behavior of horns with compression drivers, and the simulations run by our own Mige0 here: Dipole Horn, Dipole Directivity Control Device
this should maintain CD exceedingly well. I'm undecided about whether to include the top section or not, it seems like it's unnecessary as there's already dipole cancellation and the directionality imposed by the 4" vertical dimension taking place. Perhaps just a soft absorber to dampen any reflections off the top edges of the MDF?

Let me know what you think!
182715d1280928654-ess-amt-1-air-motion-transformers-heilhorns3-resized.jpeg
 
Hi hum4good,

Wow, they look truly great! Having the Beyma TPL-150H, I have been wanting something similar for some time now. Thanks a lot for sharing!

Best regards
Peter

Thanks a lot for sharing

Hey Guys,


Thanks!

Here is the official thread highlighting our work on these Silver Iris Reference Ribbon drivers:

Hawthorne Audio • View topic - Silver Iris Reference Ribbon official thread

If you have any additional questions please feel free to contact me directly.
Thank you very much for your interest in our work.


Cheers,
Darrel 🙂
 
So, we have success, I plugged 'er in. It's loading cleanly to about 500Hz it seems, with a 24dB/Oct rolloff after that and has very good constant directivity behavior, in the horizontal. Vertical is a little rougher and the lows fall off faster- which is fine, it's acting as expected. I measured a very clean 120dB @ 500Hz (THD was 80dB down).

My wife called it "orgasmotasmotic". So I guess she likes it too.
 
So, we have success, I plugged 'er in. It's loading cleanly to about 500Hz it seems, with a 24dB/Oct rolloff after that and has very good constant directivity behavior, in the horizontal. Vertical is a little rougher and the lows fall off faster- which is fine, it's acting as expected. I measured a very clean 120dB @ 500Hz (THD was 80dB down).

My wife called it "orgasmotasmotic". So I guess she likes it too.

Dang. Thought my April fool's was subtle enough to catch a few people.

Oh well.
 
I ran some pink noise through today. As predicted, it appears the hornloading is boosting the 1-3kHz range, which I'm knocking back down with a 10uF series cap. The crossover, naturally, could use some more refinement but it's measuring very flat with about an f3 of 1400, and consistent in terms of off-axis response. Really impressive but I should pin down the filters a little tighter.
 
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