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#21 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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If needing posts for support anyway, why is this "eureka" pleat
better than charged plates (insulated at one end like said posts) between pleats of ordinary ESL sheet of one conducting surface? It seems a lot more work to etch four conductors on one sheet, and make all the alternting connections. Are rods as likely to hold their shape in dipole vibration mode as charged plates? |
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#22 |
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diyAudio Member
Join Date: Nov 2005
Location: Southern Germany
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Hi Folks,
now i followed up your posts for some days and i am wondering that you discuss about electrical field, polarizing or not..... Once you might succeed figuring out how to drive this ESL-AMT (and at least there is no doubt about that polarizing voltage is required) but you will never be able to get this system stable. This construction will be extremely sensitive to even minor deviations in distances between adjacent cells. Lets say you might need e.g. 0,02" distance to each other in every cell for acceptable efficiency, a variation of about 0,008" in one of the cells will cause it to collapse to his neighbour, thus widening the distance of other cells. How would you ever ensure this accuracy in construction using just a floppy foil ?? Even you solved tensioning in a very good way, within few days a lot of the cells will be collapsed to each other, making this system unusable. Even costs might not be in consideration, pheripherical system requests, wiring, connecting, tensioning, positioning, gluing, adjusting, coating, isolating, handling, protecting, and so on and on and on.... of this system is expected to be horrible effort. Capaciti |
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#23 |
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diyAudio Member
Join Date: Oct 2005
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Kieth,
Of course I did not mean suspending the strips by their ends. They would simply collapse. As initially planned, they'd be attached by their long edges to the posts. I suppose you got what I meant to begin with, but as usual, I find myself in the position of trying to deflect Michael's at best quarter baked interpretations and posts. I should have made a sketch for him, but short on time. By now, probably could have built it myself. Also, fan-folding the pleats would be by no means harmless. That may be the worst suggestion I've read so far from Michael. I can't tell if he is joking, malicious, or well meaning. The web is a free speech medium, but wow. If you think he might have a point, just think about the electric field situation. Unlike an ED AMT apparatus, the surfaces must be as parallel as possible. Two rows of conductive posts. Aluminized polymer film* between pairs of opposite posts, coating toward posts. Heat shrink film to get tension. Suggested initial spacing and depth early in this thread. Would suggest a wider gap to give the sound a better "escape route", but this would take some serious voltage to drive, which is hard to get at high frequencies due to transformer parasitics and transducer capacitance. FWIW, a 0.1" gap (0.2" from virtual stator to virtual stator) should be good with up to something like a 4 or 5 kV bias and 8 or 10 kV p-p (3500 V RMS) drive. Anyway, this is just a first pass to see if you get *any* sound. You are not going to find a transformer that will give you 3500V RMS OTS. Just raise the bias until you get collapse, turn it off, then dial it back 10 or 20% before turning it back on. If the film lost its tension in the process, heat it again. Drive with whatever you can get. If you don't have a transformer specifically made for ESL's, one QAD option might be to use a tube amp output transformer connected "backwards". *not actual foil, of course, "foil" being a figure of speech -- PET such as Mylar okay for prototype, 0.002" thickness okay for a base prototype, although the mass loading will roll off the top octave or two. Easier to handle than appropriately thin film. |
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#24 | ||
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diyAudio Member
Join Date: Oct 2005
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Quote:
Gap variations are always a problem with ESLs. One does the best one can, and then avoids collapse by using a lower than optimal bias voltage. In this case, because everything is flexible, the bias would be even lower than for rigid stators, but the system could be made stable easily. Quote:
But first, one must determine whether an apparatus stands a chance of working. At the beginning, every idea needs to be tested, and I think it is best if the inventor is the one to do it. I am am pretty sure this one is something like putting a tiny motor on each wheel of a bicycle, having them push in opposite directions, and hoping the bicycle will propel the rider two meters straight up into the air. Of course, I hope I am wrong, because I like the idea, and I like the way Keith has put genuine thought and imagination into it. Even if it doesn't work, much will be learned that might be applied to another invention later, not to mention: prototyping is great fun. |
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#25 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Also stator plates would half distance (one half pleat instead of a full pleat) any
static field must span, thus needing only half as much voltage. I think, maybe thats the maths of it??? Don't get me to lying. You need only three connections: Two of them to stator assemblies that don't move. You could cover the ends of any plates that must touch and support the ribbon with strips of yellow Kapton tape. Like used for masking boards before soldering... |
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#26 | |||
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diyAudio Member
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Quote:
I indeed messed up with electret films where charge is held constant over area (by the material itself) no matter what. Quote:
Quote:
You will have problems even with measurements - ending up with possibly only 20-30dB of SN in normal rooms... I think the dimensions of the pleats (spacing in particular) have to follow what Keith can afford from his amp / OT – including some headroom. Michael
__________________
Audio and Loudspeaker Design Guidelines Last edited by mige0; 16th October 2009 at 06:12 AM. |
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#27 |
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diyAudio Member
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Hi Micheal, no need for any appologies and I am sorry if my explanations do not make life easy for people who's first language is, perhaps, not English. I did not set out to devise something that was elegant, rather, when the signs suddenly lined up after months of doodling around with serpentine shapes one could not fail to be struck by the elegance of the principle. It is gratifying that others agree. If only the forces in electro- magnetics were not at 90 degrees to the field we could make a killer AMT where the stators were neodymium magnets!
Few, did you devise your ES AMT idea or were you aware of the patents? It does not say much for the patent system when two patents are granted for the same idea. I guess the $64 question is have either of these inventions ever produced a sound, as they do not seem to have appeared in the market place. If someone here is going to answer this question, and the stator approach is easier to implement, so be it. The way I view the stator approach is that it is little different to my idea except that we have two extra boundaries between the pleats to reduce the volumetric efficiency (maybe not the right word). Kenpeter, I note your remarks about the membrane being only half the distance to the stators compared to the situation were they not there, something I had thought about. Another aspect of the "all moving" approach is that, under drive, there could be a tendency for the pleats to flatten themselves and avoid shorting. Movement "hot spots" would generate pressure maxima on one side of the membrane coinciding with maximum vacuum on the other side? This is why we need input from the likes of John Kreskovsky. I might try to PM him to join the discussion, but he could be in one of his periods of staying away from the computer to get some work done! As for my resources I have some Mylar, metalised Mylar(sorry if I missuse the word foil) and liquid resistive coating from Rob McKinlay, ER Audio, in Western Australia. Also have a Roger Sanders supplied bias supply (one only) and audio step up transformer and the Sanders and Ronald Wagner books. Had thought of referring the centre of the bias supply to the audio transformer CT to get plus and minus supplies; realising that we need high value series R in each supply. I have never owned or built an ESL and have rarely listened to a pair of them. The way I obtained the links to the European patents was interesting. Being the owner of the Linkwitz Orion dipole design willing to let others hear them I was contacted by a guy in London! It turned out that he was attending a conference in South Australia for patent attorneys. The links were a reward for our hospitality. Other speakers I have are the Heil Elite tweeters and the Manger bending wave zerobox design. Keith |
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#28 | |||
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diyAudio Member
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Thanks a lot for this, Keith !
Quote:
![]() Thanks for correcting me, David ![]() Quote:
You still stick with the same concept as shown in Keith' first post but diaphragm made of pieces form post to post rather than a single piece of membrane (with different areas to connect to) wrapped around all posts in order to simplify making. On the other hand - if you have such little area to tape the sliced curtain at (half a post) - this will limit tensioning the Mylar severely – no? Quote:
Is it meant that way? I can't bring it into coincidence with the Shackman ESL that used *two* Mylars *plus* some tissue in between as a membrane and – at least in my memory – hadn't any problems reproducing the top end (wow - what a sound in this department !) Actually SPL limitation in the lower region was the main problem together with its notorious discharge every now and then burning a little hole into the foil each time happening. Stator spacing was veeeeery narrow though - basically no more than using a vertical thread each 1cm 0.2" or so to keep distance over the cylindrically curved speaker. ![]() http://shackman-electrostatic-loudsp...reromanus.net/ Michael
__________________
Audio and Loudspeaker Design Guidelines Last edited by mige0; 16th October 2009 at 04:48 PM. |
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#29 | |
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diyAudio Member
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Quote:
Highth / width / pleats depth and spacing and also what audio and polarisation voltages you applied? Michael
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Audio and Loudspeaker Design Guidelines |
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#30 | |||
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diyAudio Member
Join Date: Apr 2004
Location: Maine, USA
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Quote:
---------- Quote:
Quote:
I was also nagged by a version of David J's concerns. I figured that conventional ESLs aleady have an almost ideal impedance match between diaphragm and the surrounding air, so the AMT idea is actually degrading the impedance match. With relatively heavy ribbon-type AMTs the increased air load is more welcome. Those lingering doubts prevented me from working through my assembly difficulties and I never got around to answering the "can it make sound?" question. Few |
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