Go Back   Home > Forums > Loudspeakers > Planars & Exotics
Home Forums Rules Articles Store Gallery Blogs Register Donations FAQ Calendar Search Today's Posts Mark Forums Read

Planars & Exotics ESL's, planars, and alternative technologies

Please consider donating to help us continue to serve you.

Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving
Reply
 
Thread Tools Search this Thread
Old 4th November 2009, 07:32 PM   #101
mige0 is offline mige0  Austria
diyAudio Member
 
mige0's Avatar
 
Join Date: Jan 2005
Location: Austria, at a beautiful place right in the heart of the Alps.
Quote:
Originally Posted by DavidJanszen View Post
Have you written one for Heil's magnetostatic AMT, Michael? It would be great to get a feel for the membrane forces for that case.
A good idea, David!
But what I see as a problem is that for magnatostatic AMT we do not have reliable data for
- mass
- B*L
- pleat dimensioning

Manufacturers (Mundorf, Beyma...) only provide veeery sparse data.

How should we compare, any suggestions?

Michael
  Reply With Quote
Old 4th November 2009, 08:31 PM   #102
diyAudio Member
 
Join Date: Oct 2005
Default AMT sheet

Quote:
Originally Posted by mige0 View Post
But what I see as a problem is . . .
I was thinking it would just be written to derive the Lorenz force and the foil temperature rise from the essential parameters of the magnet's magnetization or magnetic moment and physical dimensions, magnetic gap width, the current, the foil thickness, dimensions, density, and conductivity, and the pleat depth and gap. I think it seems okay for this purpose to simplify by assuming the static field is at a perfect right angle to the current flow, and also to ignore the dynamics and assume DC current flow. Might be worth searching to see if anyone published such a thing already, though, which I have not done. Seems like it would be a great 2nd semester physics project for a smart kid.
  Reply With Quote
Old 4th November 2009, 09:12 PM   #103
mige0 is offline mige0  Austria
diyAudio Member
 
mige0's Avatar
 
Join Date: Jan 2005
Location: Austria, at a beautiful place right in the heart of the Alps.
Oh boy !
  Reply With Quote
Old 5th November 2009, 12:07 PM   #104
diyAudio Member
 
Join Date: Nov 2007
Location: Adelaide
Hi All, I think our understanding of the issues involved in AMT's in general, and the ES version in particular, is advancing thanks to your input and stimulus.

When we read the Heil patent he has no problem with f figures of 10, yet in the working version this is halved to around 5, Why?

Could it be that the pleats cannot be creased sharply enough to cram them into the space available?

Could it be that the creases are rounded as if wrapping around posts that do not exist creating the "dead air" situation?

Are there noise generation issues due to turbulence or the pleats contacting one another?

Maybe the motor force is inadequate?

For any, or all, of these reasons retreating to a lower f makes sense. It also makes sense in the ES version, but not without problems. Chief among them is the way we end up with an excursion potential that we cannot use due to membrane tension. By varying the angles of zig zag pleats we can change the f number. I was about to write "average f number" in the belief that it was high in the bottom of the pleat opening and low at the top. This would be true when we consider the pleat depth as being fixed, and note the way the width varies as we move our width measuring ruler up and down the depth dimension.

Another way to look at it is as a sequence of air layers being progressively less compressed as they approach the open air, but with the same f number as boundaries. Not certain what it all means!

For anyone who has doodled with serpentine shapes, as in AMT's, it becomes obvious that at each end we have a "half strength" pleat. The final opening is bounded by a pleat that moves and one that does not move, so reducing the spacing seems in order. The Heil woofer, called Transar, was an example of a half strength AMT, and an example of zig zag construction; actually sawtooth. Endlessly fascinating!

Keith
  Reply With Quote
Old 5th November 2009, 02:09 PM   #105
diyAudio Member
 
Join Date: Oct 2005
Default f evaluation

I forgot to mention that the effective area of the planar ESL can be varied by simply taping over areas of its surface. Between changing the area of the ESL and the area of the solid surface, the effects of the f number and pleat depth can be investigated quite easily. Driving a planar ESL in the first place will also validate the signals and bias.
  Reply With Quote
Old 6th November 2009, 01:20 PM   #106
diyAudio Member
 
Join Date: Nov 2007
Location: Adelaide
Default A belated insight

When you think about it the standard EM AMT designer is changing his f number by "concertinaring" the pleats. It is just that he has to operate within the constraints of a frame; so to reduce f he has to remove the membrane and snip off a few pleats and reinstal it. Thus any distiction between zig zag and parallel pleats becomes rather blurred. It gets down to a question of how sharp the folds are. Of course the ES case calls for parallel pleats or an appropriately shaped stator or other mechanism to achieve an even force over the pleat area when they depart from parallel.

Keith
  Reply With Quote
Old 6th November 2009, 04:56 PM   #107
diyAudio Member
 
Join Date: Oct 2005
Default In other words

Quote:
Originally Posted by Keith Taylor View Post
When you think about it the standard EM AMT designer is changing his f number by "concertinaring" the pleats. It is just that he has to operate within the constraints of a frame; so to reduce f he has to remove the membrane and snip off a few pleats and reinstal it. Thus any distiction between zig zag and parallel pleats becomes rather blurred. It gets down to a question of how sharp the folds are. Of course the ES case calls for parallel pleats or an appropriately shaped stator or other mechanism to achieve an even force over the pleat area when they depart from parallel.

Keith
You might say that triangular gaps reduce the acoustical impedance while also reducing the vibrating area relative to parallel pleated gaps. For ED AMT's, there is probably a well characterized relationship published somewhere between the pleat geometry and the spectrum and SPL per unit area. Also, in designs where the magnetic field runs fore and aft while the current runs side-to-side, the force will be reduced by a factor of the cosine of the angle of each pleat away from parallel, e.g., a 90 degree included angle will produce .707 times the force, equivalent to halving the area.
  Reply With Quote
Old 7th November 2009, 08:06 AM   #108
Borat is offline Borat  United States
Banned
 
Join Date: Aug 2009
Location: Silicon Valley & NYC
AMT is a clever name used to obscure the real motivation behind the design.

motion transformer !
accelerating air !

WOW !

not really ...

pleating is BAD. they HAD to do it in order to organize the field around the ribbon element in an efficient way.

you see for good field u want it not to have to jump across a wide gap. now ribbon is large in two dimensions but zero in third. they needed a way to orient the field along the third dimension in which ribbon is flat - and they did just that with AMT.

then they had to think of a way to sell it - so they came up with the clever marketing name of "air motion transformer"

in ESL you're already having the field in the right place. it doesn't need any fixing.

i analyzed cons and pros of various geometries such as ESL and AMT before writing this:

Plur

the design challenge is to match the shape of the field to the shape of the diaphragm. ribbon speakers don't do this which is why AMT is a solution to that problem. my PLUR technology is another ( more elite ) solution to that very same problem.

thing is as i said ESL doesn't have this problem to begin with so you're solving a problem that doesn't exist with an electrostatic AMT ...
  Reply With Quote
Old 7th November 2009, 09:06 AM   #109
diyAudio Member
 
Join Date: Nov 2007
Location: Dallas
OK then, heres a weird variant....

Supposin you let the each pleat touch both neighbors? Not short, just touch...
They would all need one dielectric surface oriented to insulate those meetings.

So anyways, you now got two caps fighting for posession of a surface area.
The pleat peels away from one cap and onto the other, until charge per area
are equalized. But then there is this peel effectively sliding back and forth...

Does this direct contact method avoid the non-linearity of field inbetween???
Could it be done with less Voltage since the distances involved are less???
Would Stiction or Van der Waals mess this up, or are those in balance???

Last edited by kenpeter; 7th November 2009 at 09:08 AM.
  Reply With Quote
Old 7th November 2009, 10:36 AM   #110
diyAudio Member
 
Join Date: Nov 2007
Location: Dallas
Does the reduced distance now make the motor strong enough for the purpose???
Does this solve the problem of high frequency rolloff with increasing pleat depth???
I mean, even if the pleat is some absurd 30 inches deep, you got only a small part
of the pleat peeling from one surface to the other at any time. Or have I somehow
misunderstood the implications???
  Reply With Quote

Reply


Hide this!Advertise here!

Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
Electrostatic Transducer ? poynton Planars & Exotics 0 21st January 2008 06:16 PM
Using electrostatic CRT's Simpleton Parts 1 22nd June 2005 11:08 PM
Electrostatic's and Sensitivity fr0st Planars & Exotics 11 3rd February 2004 09:27 PM
Electrostatic Speakers & Amp ralph-bway Multi-Way 28 6th July 2003 07:43 PM
Electrostatic Shields Gumboots Tubes / Valves 5 21st August 2002 03:48 AM


New To Site? Need Help?

All times are GMT. The time now is 11:52 AM.

Page generated in 0.14017 seconds (85.51% PHP - 14.49% MySQL) with 11 queries

Copyright ©1999-2012 diyAudio