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#11 | |
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Banned
Join Date: Aug 2009
Location: Silicon Valley & NYC
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Quote:
just consider the fact that the force in a ribbon or a voice coil is felt by electrons. and electrons basically are just points. if i drew the ribbon sideways so the lines cut through it - it wouldn't make any difference for the electrons inside. consider the motion of individual electrons and it all works out ... |
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#12 | |
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Banned
Join Date: Aug 2009
Location: Silicon Valley & NYC
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#13 | |
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diyAudio Member
Join Date: Dec 2004
Location: Mountain View, California
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Quote:
I wonder how your efficiency and frequency response will work out, since driving force is proportional to current, and the increased area raises the mass of the ribbon element. Also, the wide ribbon will have a very low DC resistance and overall impedance, so a matching transformer would seem necessary. Please do not take my comments as destructive - This is an interesting design, and there is a lot to consider in its implementation! Ed |
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#14 |
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Banned
Join Date: Aug 2009
Location: Silicon Valley & NYC
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#15 | |
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Banned
Join Date: Aug 2009
Location: Silicon Valley & NYC
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Quote:
there is plenty of room for innovation in amplifiers as well. a transformer between amp and ribbon would be an off-the-shelf solution. one option would be to have a transformer internal to the amp with NFB running around the transformer. McIntosh amplifiers for example use transformers even though they are solid state. transformer is more linear than gain devices inside the amp anyway. it is only a matter of properly integrating it into the overall gain structure as opposed to just mindlessly connecting it between the amp output and the driver. |
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#16 | |
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diyAudio Member
Join Date: Dec 2004
Location: Mountain View, California
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Quote:
I think the interesting physics comes in where we consider efficiency, frequency response, directivity etc. as a function of ribbon width. It is width, after all, that is the parameter with which this design offers most flexibility. Ed |
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#17 |
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diyAudio Member
Join Date: Nov 2005
Location: Southern Germany
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Hi,
hopefully i do not misunderstand the concept. But from what i understand, this ribbon might have significant issues with cavitiy resonances in the high frequency range, due to the array of the magnets Capaciti |
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#18 |
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diyAudio Member
Join Date: Feb 2004
Location: Dresden
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Sure,
as well as all magnetostats have them, including AMT. Regards, Timo
__________________
tiki |
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#19 | |
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Banned
Join Date: Aug 2009
Location: Silicon Valley & NYC
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Quote:
how significant is that effect ? most metal dome tweeters for example employ a phase lens, such as this: ![]() and such a phase lens operates mostly above 10 khz. so thats about the size the magnet should be to have a significant effect acoustically. however the magnets could be made thinner than this and push undesirable effects to mostly above 20 khz. what i think though is that the optimum application for this transducer ( of course this remains to be verified ) would be vocal range using a line source about 3" wide. for narrow ribbon widths and small excursions a conventional ribbon design will be more efficient. it will also not have that acoustical transparency issue at high frequencies. therefore i think it would be a good idea to hand off the highest frequencies ( 5 khz + ) to a conventional true ribbon. because you would probably want a narrower ribbon to cover the top octave anyway. so my vision is a 3-way along these lines: ![]() with PLUR being a wide-band midrange/vocal driver ( say 300 hz - 8 khz ) Last edited by Borat; 28th September 2009 at 03:43 AM. |
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#20 |
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diyAudio Member
Join Date: Dec 2008
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Gold ribbon Cocepts in the 80's used a somwhat similatar though - vertical oriented magnets left and right in front and behind the ribbon. Their real innovation was to use vapor deposition of gold on a Kevlar membrane to get the impedance high - very thin coating. 4 ohms over 8 feet of ribbon conductor.
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