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#421 |
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diyAudio Member
Join Date: May 2005
Location: Bavarian Forest
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Not so interesting. The weight / surface ratio even of the lightest version is factor three to high anyway.
This looks MUCH more interesting. Metalleido Components - Monocore, main page Wonder what the price is. |
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#422 |
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diyAudio Member
Join Date: Mar 2008
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Hi,
independently from the interesting materials suggested in this thread i am a little suspicious regarding materials of the "ultra stiff / ultra low mass/ low damping" style, when trying to build a high quality panel type speaker. Such a material has fast propagation of bending waves, resulting in a low coincidence frequency and also a low modal density in the range of coincidence. IMO modal density should be as high as possible when reaching the coincidence frequency. Otherwise the discontinuities in the preferred direction(s) of radiation may be audible as well as the bumpy frequency response. Especially in combination with a low damping, such a material simply sounds "nasty". One has to take countermeasures to tame it (damping, larger sizing of the panel). Regarding efficiency those materials may be very well suited for the application as a panel speaker. Regarding quality i doubt it. For moderately sized panels i would prefer materials of higher modal density (slower wave propagation) and appropriate damping. However, by choosing the right thickness of the panel, the material properties can be compensated to some point. But there is always a compromise to be found, which balances efficiency and quality.
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Oliver ________________ www.dipol-audio.de |
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#423 | |
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diyAudio Member
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Hi all,
can you explain this a little more or give a direction where I can het more infos on this aspect of DML Quote:
POL |
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#424 | |
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diyAudio Member
Join Date: Nov 2009
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Quote:
I'm very interested in the physics behind dml operation. I puzzled around a little with numbers (calculating the coincidence frequency/speed of bending wave propagation for different solid materials of different e-modul/mass/thikness) and I agree about the effects you described (observation of a panel with constant size). But the fact that the speed of bending wave propagation is increasing with frequency boggles my mind and I have dificulties in estimating the mode density. Increases mode density in the panel faster than it would with constant c? I have some problems to get a picture of this in my mind. ![]() I read somewere that above coincidence frequency a rise in efficency takes place (at least for a free radiating panel). It seems that for higher frequencies the panel progessively acts more like a bipole (sound energy from the back is not strongly phase-related to that from the front). I suspect the point where this effect starts is somewhere below or around the coincidence frequency so basically a low coincidence frequency would be maybe desireable. As you noted this makes only sense when mode density and (even more important for the lower frequency range) the mode distribution (mixture of axial and tangential modes) is as even as possible. I think there is some comparability to acoustics in small rooms where the mode density is also very low in the lawer frequency range. This whole principle leaves a lot of questions open for me - very interesting. regards Markus |
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#425 |
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diyAudio Member
Join Date: Mar 2008
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Hi Markus,
yes modal density increases faster with frequency, due to c being frequency dependent. This effect allows sufficient reproduction quality in the range > 10 modes/ocatve and above as a rule of thumb. Modal density is one important quality measure for a frequency range reproduced by a DML. As you point out, there is an analogy to room acoustics. Modal density is one important quality measure there too. Concerning the "chaotic bipole" notion, favoured by some researchers for a free radiating DML panel: IMO if phase correlation decreases above coincidence frequency, one could with same justification call the free radiating DML panel a "chaotic dipole" ... For practical purposes it is important to note, that for high frequencies the directivity of a free radiating DML panel is lower than the directivity of an equally sized panel which (ideally) radiates in phase over its whole area. IMO for "wavelength << panel dimensions" this holds independently, whether you compare our free radiating DML to a single phase coherent panel of same size radiating as a dipole or you compare it to two coherent panels, each of them built face to face into a flat enclosure and acting in bipole manner.
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Oliver ________________ www.dipol-audio.de |
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#426 | |||
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diyAudio Member
Join Date: Nov 2009
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Quote:
So for long and narrow panels there will be a limitation in modal density, because the width comes into play at a quite high frequency and thus a relatively high usable frequency limit will be the result. Do you think that controling the wave propagation velocity for width/hight independently by the use of an anisotropic material makes sense? It would be possible to equalize the mode distribution while keeping the physical w/h ratio in a more practical/compact range. Quote:
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What happens with the quite strong hf side lobes (between about 65°-80° off axis)? Is this due to "chaotic dipole" behaviour? -Markus |
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#427 | ||
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diyAudio Member
Join Date: Mar 2008
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Quote:
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Below coincidence the open baffle dipole version has narrower dispersion. Behaviour is similar to a conventional open baffled speaker. At coincidence and above i have not investigated this systematically. But since at coincidence the main portion of radiation is towards the sides (coincidence lobe), the side (and top, bottom) lobes should be stronger when using a closed back panel. Since in a free radiating panel the signs of velocity and pressure should be inverted between front (we should have "non chaotic" modes of lower order in this frequency range) and rear, i would expect the side lobes to be less pronounced or partially cancelled out in the free radiating version. (Thereby possibly causing a notch in the overall power radiated at coincidence ? I have observed that with some of my free radiating prototypes.) For frequencies >> coincidence the radiation for the closed back panel should be narrower, since there is no radiation to the rear halfroom. At least i feel you are asking the right questions ... i have no assured answers based on my own experience.
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Oliver ________________ www.dipol-audio.de |
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#428 | |
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diyAudio Member
Join Date: Mar 2008
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Quote:
Hi POL, if the bumpy frequency response comes from modal density being simply too low in the frequency range under question, it cannot be healed by applying more exciters IMO. If the bumpy frequency response comes from a single excitation point having an unbalanced mechanical impedance over that frequency range, averaging the impedance using differing excitation points surely can help. On the other hand many state that a single excitation point gives best results in the highs. Low pass filtering some of the exciters can be a compromise, but personally i'd like to to get along without crossovers completely in a panel shaped bending wave transducer.
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Oliver ________________ www.dipol-audio.de Last edited by LineArray; 5th November 2009 at 12:30 AM. |
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#429 | |
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diyAudio Member
Join Date: Mar 2008
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Quote:
I meant velocity and pressure in the air surrounding the panel to be inverted in direction/sign between the front and rear side of the panel, when the panel is vibrating in the range of coincidence frequency. I imagine the nearfield of front and rear side to be mirrored, but with inverted direction of air motion and inverted sign of pressure. This is why i think at least partially cancellation of the side lobes can be expected, when comparing the free radiating panel to a "back closed" one.
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Oliver ________________ www.dipol-audio.de |
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#430 | |||
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diyAudio Member
Join Date: Nov 2009
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Quote:
Using more exciters will certainly help to improve the bumpy frequency response, but only if the panel has an optimum w/h ratio and if the exciter positions are optimum according to this particular panel - these positions/size ratios are highly deterministic and that's why NXT uses software to find these. Quote:
I've tested various configurations - regarding sound quality it's best to have just one exciter running for the high frequencies. If you're using more than one exciter the practical upper frequency limit is where the distance between the exciters is in the range of lambda (actually lambda/2). Above this frequency serious discontinuities in directivity start which are clearly audible to me. So if you take for example the Dayton exciters (45mm diameter) and space them as close as you can (45mm between the acoustical centers of the exciters) the limit would be about 7650Hz (for lambda/2 3822Hz). I used a single series capacitor on my small test panels (and an active HP filter to prevent over-excursion of the exciters) - this improved sound quality much. Quote:
Regarding efficency and hf output this may be a good choice - regarding sound quality I'm not so shure. It has a foggy, blured sound character. I think this is due to massive ringing of the material - to my perception it adds a sort of "short reverb" to the sound. I compared it with a custom made laminate which has lower stiffness, higher weight and much higher internal damping which sounded more open altough it has less hf output. I doubt the ringing of the glasfibre honeycomb can be sufficiently controlled just by damping on the edges of the panel - even for larger panels of the same thikness where ringing should shift to a lower frequency range. regards Markus |
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