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#131 | |
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diyAudio Member
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In the post, ZeroGain Forum - View Single Post - Rob Watts on the DAC64, Michaelab mentioned coaxial cable was Just a touch less detail though, things ever so slightly less well defined as with the TOSlink Supposedly, higher jitter(ie, Toslink) could result in less detail/definition, but the result was not! And he mentioned Toslink was everything sounds terribly "thin" coaxial was Lots more drive and punch in the bass aswell and none of that horrid treble harshness. I got similar experience, using oversampling, from 44.1KHz to 88.2KHz(you know oversampling results in less jitter component), I heard much "thin" sound and less bass/punch. But I would say, it's much close to the real recording space/room! Less bass/punch may be due to more clear and defined. So as "thin" & treble. Perhaps, Michaelab's system tended to be too much treble... And he may prefer sound with much bass... Per the difference you heard, is it possible due to electrical noise carried by coaxial cable? You know, sometimes, better doesn't mean more precise. Replace a specific component of a system with an ideal one, may result in a not-ideal system, depends on other components of the system. |
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#132 | |
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diyAudio Member
Join Date: Jan 2008
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Have we ruled out any bias with the listener? Did he know which cables were in use while listening? |
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#133 | |
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diyAudio Member
Join Date: Nov 2009
Location: UK
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Quote:
When you mentioned upsampling, I'm interested to know what platform you upsampled on. Was this a PC, or some other device ? |
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#134 | |
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diyAudio Member
Join Date: Nov 2009
Location: UK
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Quote:
If you had read my original post, you would have seen the Coax cable specified, and the optical was some inexpensive monster item. |
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#135 |
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diyAudio Member
Join Date: Apr 2007
Location: Sydney
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Ideocratease
Sorry for delay. I didn't get an update email for this thread. Have a look at the attached link. In the U.S.A. a while back, the Editor of Computer Audiophile, organised a Symposium which included DAC designers, software experts, Recording engineers, Chesky etc. Check out especially,the reply "Hi Paul, I definitely hear ..." from Chris Connaker, the Editor of C.A. SandyK Does SSD sound better than Hard Disk? | Computer Audiophile |
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#136 | |
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diyAudio Member
Join Date: Apr 2005
Location: Pilsen
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Unless asynchronous reclocking is used which is a completely different story. |
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#137 | |
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diyAudio Member
Join Date: Apr 2005
Location: Pilsen
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#138 | |
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diyAudio Member
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Mac optical output can be set as 44.1/48/88.2/96KHz. I tried to play music by iTune. 88.2 is better than 44.1. And set output as 88.2. Then played music by Audacity 1.3.9. Made comparison between fast & high-quality sinc sampling rate conversion setting. High-quality sinc was indeed better. The improvement is thoroughly, clear/transparent/precise/detail/emotional... Although, not much, but audible. Even a non-audiophile can easily recognize the improvement. Once you heard 88.2, you'll never back to 44.1. Perhaps, CS8414, the S/PDIF receiver, can't generate good enough clock... Thus, I'm thinking about building a buffer board... It might be based on FPGA or micro-controller. I also tried this on an Accuphase DP-500 CD player, which can work as a DAC. Got the same result. You know this player is not cheap... |
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#139 | |
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diyAudio Member
Join Date: Jan 2008
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Quote:
But I'm certain you can eliminate the possibility of jitter causing the problem. The S/PDIF data protocol introduces HUGE jitter. For example the left and right (and any other) channels are sent alternately. If there is a different then it must be something else. Likely, almost certainly the same DAC is used for the RCA and optical jacks. I would expect only one set of buffer memory and clock too. S/PDIF is self clocking and the data is the same even if the bit rate doubles. the speed of the its can vary over a huge range with no effect. Hard to think what could case the effect. Possible the RCA cable could have some kind of ground loop effect. The optical cable would not be conductive. The described effect is "thinness" and not "drop-outs" or "static" so It's not a failure of a digital link but analog effects. Possably the RCA or optical jacks load the power supply differently. Could the device sense which cable is in place and switch off the other jack? The receivers on the jacks the DAC chip might share a power supply. I'd be inclided to beleive their is a small design problem (or shortcut) with the equipment. If the problem is really in the data transition then you'd have to have a theory that could explain it. When the data are packeted and channel multiplexed it is hard to think it hard to explain how data errors can cause the observed effect Last edited by ChrisA; 11th November 2009 at 07:11 PM. |
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#140 | |||
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diyAudio Member
Join Date: Apr 2005
Location: Pilsen
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