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#31 |
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diyAudio Member
Join Date: Mar 2001
Location: Lyon, France
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> I also think that are way too many usb dacs already
> available and that they either sound crappy or are > very expensive, or both. I'd like to know about the ones you heard... can you name names ? I've heard some USB dacs too, they also sucked, so I agree with you. It's all in the implementation, though. |
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#32 | ||
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diyAudio Member
Join Date: Dec 2007
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Quote:
Good ones: wavelength from crimson up, twindac+, empirical Spoiler. And my current one, the ultracheap Valab 1543s-based one, which i'm keeping until i... get what i want ![]() I didnt audition directly every possible model, but well, i think i have heard enough. Quote:
![]() My point is that for the effort needed to make usb sound good, you could spend the same working with firewire. In the end it may be less time. Or you could license the usb implementation from Gordon or Steve, but bye bye open source then.
__________________
The response of the inner ear extends to at least 200khz - Dr W. Tempest |
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#33 | |
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diyAudio Member
Join Date: Nov 2002
Location: Netherlands
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Quote:
What sounds crappy are the USB1 ones with synchronous streaming and where the DAC clock is recovered from the USB stream. |
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#34 |
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diyAudio Member
Join Date: Mar 2001
Location: Lyon, France
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> Crap: basically all the ones that convert usb to spdif
> and all the ones used in windows I'll use Linux first, windows later. Drivers can be a problem, bit-perfectness must not be taken for granted, it must be tested... sometimes they do funny things to the audio. > Good ones: wavelength from crimson up, Crimson is asynchronous, which is good. Very expensive, though. > You can also dig a bit into ec-design huge thread > to get to know some of the noise design issues > that are waiting for you ![]() Yeah, that thread is scary huge. > My point is that for the effort needed to make usb > sound good, you could spend the same working with > firewire. Actually, what is the difference wrt noise ? Both are just a fat data pipe, and not isolated. And since FW is a lot harder to implement (months) versus USB (days) the choice is easy for me... > Or you could license the usb implementation from > Gordon or Steve, but bye bye open source then. I don't think they'd be interested, and me neither ![]() > What sounds crappy are the USB1 ones with > synchronous streaming and where the DAC clock is > recovered from the USB stream. Yes. Definitely. The USB problem is twofold : a clock problem (just like SPDIF) which is solved by putting the clock in the DAC and not using synchronous isochronous mode, and a noise/ground problem, which needs some isolators. The clock should not go through the isolators, though. |
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#35 | |
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diyAudio Member
Join Date: Nov 2002
Location: Netherlands
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Quote:
The rest is proper ground layout. A loop through measurement showed all spurs are far below 120 dB. Only after 50 kHz noise is rising due to the noise shaping inherent to 1 bit converters. |
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#36 | |
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diyAudio Member
Join Date: Oct 2003
Location: Central Oregon
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Quote:
Thanks for the invitation. I'm a manufacturer, so I'm interested in a production version. I'll keep an on eye on your progress. You are definitely an asset to this community. I know your capabilities from reading past posts. Best regards, Steve N.
__________________
The very best in computer audio |
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#37 | |
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diyAudio Member
Join Date: Dec 2006
Location: Avignon, France
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Hi everyone,
Quote:
Linn Record and ...? Eric |
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#38 |
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diyAudio Member
Join Date: Aug 2008
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Peufeu, from the TI patent (4192 chip dont have this feature, but you can turn it on in the 4194 in hardware mode).
"Thus, there is an unmet need for an asynchronous sample rate converter and method that provides precise phase matching, avoids use of phase locked loop circuits the input sample rate and the output sample rate, provides adequate attenuation of images, avoids the need to have its anti-aliasing filter always turned on , provides improved THD+N performance, and/or avoids the need to recalculate the interpolation filter length whenever the input or output sample rate changes. ... If fsout always is greater than fsin, then there can be no aliasing, so there is never a need for anti-alias filtering in order to produce Audio Out. Therefore, only down-sampler 19 is needed to produce Audio Out, and this has the advantage of avoiding the group delay associated with decimator ..." also the new Borbely dac is centered around this feature subset. |
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#39 | |
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diyAudio Member
Join Date: Oct 2003
Location: Central Oregon
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Quote:
My motivation to do an async design is primarily market-driven and 24/192 capability driven, not performance-driven. Steve N.
__________________
The very best in computer audio |
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#40 | |
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diyAudio Member
Join Date: Dec 2007
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Quote:
__________________
The response of the inner ear extends to at least 200khz - Dr W. Tempest |
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