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#1 |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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9-ed 1 or 1-ed 9
![]() as Papa sez -all iterations are possible
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my Papa is smarter than your Nelson ! tnx to thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; BAF Forum & Gallery;I'm dumb
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#2 |
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diyAudio Member
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Or, is it F-ed
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#3 | |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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Quote:
you mean as - Duck-ed ? ![]()
__________________
my Papa is smarter than your Nelson ! tnx to thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; BAF Forum & Gallery;I'm dumb
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#4 |
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The one and only
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You can make hundreds of permutations of single-stage
amplifier toplogies. I figure there are about a hundred which are non-trivial.
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#5 |
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diyAudio Member
Join Date: Apr 2006
Location: Melb
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Everything being equal, eg, similar power ratings, using same type of resitors and capacitors(power and bypass), and other active and passive components, and similar harmonic distortion.
You have designed many single ended mosfet amplifiers based on different topologies, my question to you is 1. Do they sound very different or similar in character? Do you care to elaborate if possible? I am trying not to take up too much of your time. Thanks... |
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#6 | |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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Quote:
.............. ![]() .....now you got me ![]() I hope that this one is one of hundred .....not really expecting your answer ![]() -just be well
__________________
my Papa is smarter than your Nelson ! tnx to thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; BAF Forum & Gallery;I'm dumb
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#7 | |
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The one and only
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Quote:
Yes, they do sound different. It depends on the topology, the devices, distortion, damping factor, amount of feedback, and bandwidth. You can make all factors but one constant, but you still usually get a different signature. For me, the whole Zen and FW efforts have revolved around very simple circuits, and I believe that they are excellent testing grounds to isolate the influences of various parameters on the subjective perception - they allow more apples-to-apples types of comparison than more complex circuits, and the differences are thrown into sharper relief. At this point, a couple things are quite clear: Low distortion is important. Even single-ended Class A circuits with pure 2nd harmonic will sound audibly problematic at 1% thd. Contrary to popular belief, 3rd harmonic is often subjectively more pleasing to people than 2nd harmonic. Anyways, listening to a variety of these designs is like drinking wines. There is no ultimate, and much of the pleasure comes from the contrasts. /pass/: Last year drinking 2003 Mantra (the black label, not the silver). This year 2003 Solaris. |
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