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#121 |
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diyAudio Member
Join Date: Jun 2004
Location: Crunchville, where I don't fit in.
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Ahh, I think there may be something wrong with me.
Why is it that I'm so interested in the career and accomplishments of an audio designer? I would think that most others would be a bit more interested in sports figures or actors. I find Nelson's story more compelling. My friends think I need professional help Thanks for the pics
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Crazy Yankee. |
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#122 |
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diyAudio Member
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Friends? what Friends?
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are you sure? |
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#123 |
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Master Burner
Join Date: Dec 2002
Location: San Francisco, California
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Mr. Pass,
Thank you for sharing these important pieces of audio history with us. I would be interested in knowing who did design on the case work, and how that process works. Did you use outside designers or it was done in house? How much is that process changed today? Did you manufacture cases in house or you used outside company for that? When you design your amps, how much you influence the esthetics of the gear? I apologize if you find my questions too reveling for the business, I just have a strong interest in visual portion of the audio gear. Thank you AR2 |
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#124 |
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The one and only
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The original Threshold chassis concepts were Rene Besne's
work, usually formally drawn by someone else and machined by Wagner Machine in Shingle Springs (no longer there). The first Pass Labs chassis (the Alephs) were done by me, and we machined them in my shop. Later the X series was done by Desmond Harrington (previously of Krell, back when their stuff was really swell), and Harrington continues to design the stuff today. |
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#125 |
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Master Burner
Join Date: Dec 2002
Location: San Francisco, California
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Mr Pass,
thank you very much for the answers. I find audio gear as an modern art form, and particularly "industrial strenght" Treshold and Pass Lab hold a special place. My favorite is "X Generation" with its curved lines which is contrast to the straight powerfull box of Treshold lines. All of them, including minimalistic unusuall Alephs at the time when came out, were trend makers for sure. When I couldn't afford them they were like an icons carefully saved in brochure pictures that I collected for imaginary enjoyment. Today it is display on the top of my shelf. I would conclude that Mr. Desmond Harrington's work for Krell and Pass Lab in audio field represents what Apple did in idustrial design for computer industry. Best regards Ar2 - Vladimir Simovich |
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#126 |
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The one and only
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For your continued enjoyment, here are two new directories
featuring the 4 page "technical brochures" from about 1978 on "Class A" and "Cascode" www.passlabs.com/threshold/ClassA www.passlabs.com/threshold/Cascode Ignore the marketing hyperbole...
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#127 | |
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diyAudio Member
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Quote:
You think you could have gotten away with the statements in the PassLabs product brochures and articles in 1978 ? ![]() Gents, re-shuffle the deck. The ClassA1 pic comes after ClassA3. (took me an hour or so, i'm only good with 2 pages max)
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Not so much,.......if it says "ZM" in the corner. |
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#128 |
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Account Disabled
Join Date: Aug 2002
Location: Near to the Pacific Ocean
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If I can't open all Nelson's attachments (and firstwatt home page),
where I have problem? Anyone has answer? Regards |
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