|
|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Pass Labs This forum is dedicated to Pass Labs discussion. |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Aug 2002
Location: Close to Oistrakh
|
Hi all,
I have a question for Mr. Pass I read your explation about the sound trip through air, and the air rarefractation and compression, and I have to say that is very encouraging and suggestive, not to mention true and exact. But after I while I started to think: That way is how "real" sound travels from instrument to microphone!! For synth music (i.e. music that only reaches air after getting out of the speakers), could be effective, but for "natural" or "acoustic" recorded music (i.e. music that has already had the trip and the effect of comp. and raref. from the air) I don't see the reason!! I take the opportunity to say that I love your work, mainly the writing and the essence (because I haven't finished my Alep30 yet), and above that your PWOL (pass way of life: not even one of my company engineers of my dept. shares their ideas with anyone. That is... like you) Thanks,
__________________
What is beyond the speaker? |
|
|
|
|
#2 |
|
The one and only
|
The notion of air being single-ended simply leads me
to try single-ended amplification as a path to the sound of electronics which best mimic natural phenomenon and whose distortions are likely to be least offensive. If you don't like this idea, I've got others.... |
|
|
|
|
#3 |
|
diyAudio Moderator
|
I've got a theory that everyone has done single-ended wrong. Air is single ended because you can go up in pressure infinitely but can only go down 14 psi or so. With an N-channel FET, NPN bipolar, or a tube, you can go all the way up to the positive rail, but you can only go down to the device's saturation voltage. But remember, what we're dealing with is electron flow, which is negative particles.
So single-ended is a great approach, but everybody has picked the wrong end. It can only sound good if you're using a P-channel FET or a PNP bipolar. N-channels, tubes, and NPNs all exacerbate the single ended nature of air and are fundamentally wrong. It's like sucking across my flute's blowhole instead of blowing. It's like hitting a bass drum from the inside, using a clever midget with earplugs and a score. It's like dragging a violin across a bow. |
|
|
|
|
#4 |
|
Banned
Join Date: Apr 2002
Location: Germany, Clausthal
|
??? Isnīt it pure arbitrariness to name this little bits of materia e- a negative one? I donīt get your idea.
Another point: as long as the single ended FET has same speed moving araound in both directiones between positive rail and saturation, is it really like air? And what about temperatur , if i put some air in another pressure in very short time, it will react not only with the pressure i want, it will vary its temperaure. What should the poor e- do? become hot or cold??? |
|
|
|
|
#6 |
|
diyAudio Retiree
Join Date: Oct 2002
Location: Spain or the pueblo of Los Angeles
|
Try reversing the polarity of your speaker wires....... I guess that it also depends on the phase in the recording. Maybe a phase switch is in order.
http://half.ebay.com/cat/buy/prod.cg...=1856&ad=55327 http://www.vansevers.com/Notes/Phase/phase.html Now if you will excuse me, I have to go change since I wet my pants laughing..... Turn the ship upside down Unk, Fred P.S. Hi Clark (the one of the right wing) |
|
|
|
|
#7 |
|
diyAudio Member
|
it depends on the enviroment it is in...(although weight is the wrong term...what is a hole...well...it's where an electron isn't)
and I think the concept you are referring to the "effective mass" solid state...solid state.....that was over 20 years ago 1/137 |
|
|
|
|
#8 |
|
The one and only
|
Conveniently, that is what we do with the Zen.
OK Fred, it's time to reveal the identity of the Avatar. |
|
|
|
|
#9 |
|
Banned
Join Date: Apr 2002
Location: Germany, Clausthal
|
I think as long as you p device hasnīt a positronic flow (current) the holes only move if a e- is moved. So the mass you see here is the same as e-.
But why do the mass matters? For the current flow the weight isnīt important, see it as 0. Anotherr thing is if you have a piece of copper the e- are maybe some mm second, in semiconductores they are much faster (i hope i remember right). so they have to change their speed at every connection. |
|
|
|
|
#10 |
|
On Hiatus
Join Date: Nov 2002
|
"Wire has one practical dimension and two possible directions--each having its own characteristic sound."
Can anyone tell in what direction a wire is connected, by listening to some music flowing through the wire? How is this possible, if it is? |
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Compression ratio and diaphragm size in compression drivers | inkasound | Multi-Way | 50 | 8th January 2009 03:38 PM |
| Thermal compression/HE | Anglo | Multi-Way | 10 | 26th August 2008 08:33 PM |
| Modern cd's - over compression | VanHal | Music | 113 | 12th March 2008 10:02 PM |
| So, what exactly does a compression chamber do?? | NV&H | Full Range | 2 | 5th February 2006 12:40 AM |
| compression? | kathodyne | Tubes / Valves | 17 | 11th April 2005 08:56 AM |
| New To Site? | Need Help? |
| Page generated in 0.10126 seconds (84.82% PHP - 15.18% MySQL) with 11 queries |