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#1 |
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diyAudio Member
Join Date: Sep 2002
Location: Norway
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I while back I posted a amplifier design with only one transistor. I named it SEWA (Seven Watt Amplifier). It seems most people interested in the design actually wanted LESS power (power dissipation I guess). While the SEWA design has evolved into something different (coming later), I have renamed this design OTA - One Transistor Amplifier. Attached is the revised schematic. Enjoy! And please let me/us know if you decide to try it
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Mads K |
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#2 |
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diyAudio Member
Join Date: Sep 2002
Location: Norway
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Attached is the schematic for my preferred PSU arrangement.
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Mads K |
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#3 | |
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diyAudio Member
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Quote:
Growing up with OTA meaning Operational Transconductance Amplifier, you fooled me! I also grew up with designs like yours, known as a Source Follower. But what's in a name, as long as you succeed in confusing everyone! Nice schematic, BTW. Why don't you bias the source at the supply midpoint 11.5V to maximise output power? Jan Didden
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/Another new issue: Linear Audio Volume 3! |
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#4 |
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diyAudio Member
Join Date: Aug 2003
Location: Prague,Czech Republic
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...and next generation will be " 1 / 2 " transistor.... or " transistorless " ?
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#5 |
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diyAudio Member
Join Date: Sep 2002
Location: Norway
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Jan, if you do that you get unsymmetrical clipping (negative). The resistor needs enough voltage headroom across it to be able to deliver the required outputcurrent. So when the amp swings - 7,5 volts you have 5,5 volts left over the 5R resistor to deliver 1,1A of current to the load.
Upupa, -yes, that would be nice
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Mads K |
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#6 | |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Quote:
But when using a single end with power resistor it is different. Say 8 Ohm resistor and 8 Ohm load. At negative swing, the load will be in series with power resistor. A theorectical ( not counting drop across transistor ) most effective class A single end will be if 2/3 (66.66 % ) of voltage supply is across power resistor. This is if LOAD=Resistor (for example 8 Ohm and 8 Ohm) The circuit by Mad_K is actually more effective than if using output at midpoint. He uses output at 57.77% ( 13 Volt of 22.5 Volt ) I often use output at something like 60%. Why often used 50%, is to give the transistor some better space to work in. This will lower efficiency, but possibly reduce distortion.
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lineup |
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#7 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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(sorry for my english)
Hi Mad_K, I have built the " power follower 99" ( Andrea Ciuffoli design) and have one observation to do. After a long experimentations ( two years) of listening tests I have found this amp sounds wonderful on the mid and high but sounds also without any type of punch / slamm on the bass. Big delusion. ![]() This is not a problem of power, I am sure . I listen at low levels with "easy" speakers ( in mid-field). I have compared it with a aleph30 and the result is very similar to my ears. Monotriodes also. Compared with a X-250 the difference is total, another world! One of the best bass I know. Again I repeat I listen a very low levels. Is it a sort of "genetic trade/ carachter" of the SE (only output stage I suppose)? All the comments are appreciate Cheers, Inertial |
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#8 |
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diyAudio Member
Join Date: Sep 2002
Location: Norway
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Inertial, yes your observations are correct. SE excels in mid and treble region, while PP usually has it' strength in the lower regions. The bass caracter of a Common Drain SE amp is way better than a Common Source, so with this design I feel you get the best of both worlds (within the power range). The "power follower 99" is a nice design, and my SEWA design has evolved in that direction.
A good example of this taken to extremes are the Passlabs Rushmore speakers which (from my memory) has A Zen on top, Aleph in the middle and X amp on the bottom.
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Mads K |
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#9 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Oh thank you Mads,
THEN I am not crazy!!! Now I understand zero of electronics but what is the physics explanation of this "behaviour"? Inertial |
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#10 |
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diyAudio Member
Join Date: Sep 2002
Location: Norway
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I'm shure others can explain it better, but some clues are:
SE: 2. harmonic distortion dominates. often low damping factor designs. limited output current. PP: 3.harmonic distortion dominates, higher damping factor designs, usually lots of output current avaliable.
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Mads K |
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