|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Pass Labs This forum is dedicated to Pass Labs discussion. |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Mar 2001
Location: Tallinn, Estonia
|
I know, I know. This name generation stuff is getting a bit out of hand like this
![]() Anyway, a schematic of an other incarnation of the Su-Sy idea that has grown out from good ideas on this site.... What do you guys think of this one? |
|
|
|
|
#2 |
|
Banned
Join Date: Feb 2002
Location: Dallas,Texas
|
The drain resistors for the jfet front end should be tied directly( or AC coupled) to the negative rail junction of the output stage at the source resistors. You have done this pretty well with your coupling cap between the gate of the J74s and the negative 16V rail. I would suggest anyone using a seperate negative supply for the front end take note of this requirement. I would use larger drain resistors the J109s to get the same voltage gain for the front end and a ZVN3310 as a follower to drive the IRFP 244s. No extra supply needed for front end and lower high frequency distortion for IRFP244s. You wouldn't need doubled up J109s. I would use 1K gate resistors for the VZN330s and 392 ohm source resistors. I think you will get better performance and greatly reduced parts count. If you are going to parallel J109s use seperate gate resistors for each one. I would not tie the input gates to ground with the 220K resistors if the amp is ever to be driven single ended. A very well thought out implementation though.
H.H. |
|
|
|
|
#3 |
|
diyAudio Member
Join Date: May 2002
Location: Cambridge, UK
|
Ergo, an interesting variation on the X theme and one that looks pretty thoroughly engineered at that. Given that you asked for comments, I have to say that it is a little complicated for my taste. More specifically I am unclear as to the benefits of the input cascades (Q1 and Q6) and the current sources (J3 and J4) in this application. Nor am I sure why the additional negative power supply is required. Let me try to explain my reasoning.
The Aleph output stage has voltage as well as current gain and therefore the signal required to drive it is pretty small. It can also be driven to the power rails without requiring an additional Vgs worth of input drive. This would seem to suggest that the additional negative supply is superfluous. I appreciate that cascading is somewhat in vogue at the moment and many would argue that in any case it does not constitute an additional gain stage. Nevertheless, I subscribe to the principal that if is not required then don’t include it – a principle often referred to as KISS (keep it simple stupid – no offence intended). Cascodes are useful in improving linearity when signal excursion is significant and also in improving frequency response by virtual of their low input impedance. However, in this application the signal is small and I believe the frequency response would be adequate without it. Please feel free to correct me if I am wrong or if I have misunderstood the intention. I admit to liking the idea of using the J109 (I intend to do this myself) for the input and I have no problem with the notion of doubling these up. In fact, I would prefer to do this rather than include the follower suggested by Harry. I also note your novel approach to common mode stabilisation by applying a servo (at least I believe that is what it is) to control the current sources (J3 and J4). I would be interested to know what advantage this has over applying a servo to the input pair tail current source (M1). Ian. |
|
|
|
|
#4 |
|
diyAudio Member
Join Date: Jul 2001
Location: The Netherlands
|
Hi,
I keep having problems with opening the zip-file, can you post it again? gr, Thijs |
|
|
|
|
#5 |
|
diyAudio Member
Join Date: Apr 2001
Location: Moonee Ponds, Vic, Australia
|
I had to unzip it twice, maybe because the site is now compressed?
Eventually unzipped to a .mp James |
|
|
|
|
#6 |
|
diyAudio Member
Join Date: Mar 2001
Location: Tallinn, Estonia
|
Here is the file again, packed by a different program. Hope it helps.
As I don't have time today, I'll be back with comments later.. Ergo |
|
|
|
|
#7 |
|
Banned
Join Date: Feb 2002
Location: Dallas,Texas
|
I had it save as attachment. I renamed it attachment.zip and it unzipped correctly. I think the new software might not like zip files yet.
Yep..... well jpgs work. |
|
|
|
|
#8 |
|
diyAudio Member
|
Same here
When is this going to be build 'able |
|
|
|
|
#9 |
|
diyAudio Member
Join Date: Mar 2001
Location: Tallinn, Estonia
|
Uhh, finally some time to reply to the thread. We had a big national holiday
here in Estonia and making fires and eating meat took all the time ![]() Anyway, first a bit about how this circuit came about. It started with experimenting to replace transistors in JLH'96 schematic with fets and simulating the behaviour. Then there was a all fet schematic with aleph current source as that gives better performance and modulates the current more. Then the circuit took a fully balanced mode. It was after the cross feedback idea from Grey that it took the Su-Sy form. *** Now the answer to Harry about using the follower, well as in the Hood schematic there was one, but as it seemed also to perform well without it, it was dropped. The drain resitors certainly seem a good idea... The transistors J3 and J4 were included as without those the 4th harmonic raised from the noise floor. With these transitors in place it doesn't. With Su-Sy distortion decrased additional 10x. As for the 220K resistors, I'm not sure either if those would be needed at all. They are planned there to keep the circuit from overcompensating the DC conditions. *** Ian, yes the schematic is a bit complicated. But there are two things to consider, first it's a work in progress so it might happen that with some good ideas it will become much simpler. The other is that most of the complicating stuff is in relation with DC offset compensation. This schematic performs well in this respect (but remember only simulations this far) and mostly thanks to the additional efforts and complications. The cascode here gives two advantages. The more important one being that it helps to increase the phase margin, which is not that great without it. The second one being that it very slightly decreases distortion. *** JasonL, short answer is "don't know jet". As it is seen from the previous comments there are ideas to implement and rethink it some more and then perhaps build it. One of the problems with actual building will be the IRFP244 availability here. If anyone knows good sources in Europe or Scandinavia please let me know.
__________________
Ergo ergo.esken@mail.ee |
|
|
|
|
#10 |
|
diyAudio Member
Join Date: May 2002
Location: Cambridge, UK
|
Ergo, thanks for the explanation. I would like to try simulating this design myself but alas my student version of PSpice will not support this level of complexity. What did you use? Is it available for anything like sensible money?
Ian. |
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| jl hood 75w amp(1972) | p robertson | Solid State | 2 | 4th September 2007 07:24 PM |
| J L HOOD A/AB amp | Zen Mod | Solid State | 3 | 23rd May 2004 09:51 PM |
| Lindsley Hood Powertran 75 | Lasse- | Solid State | 0 | 16th January 2004 01:33 AM |
| Linsley-Hood 80W mosfet amp | Spartacus | Solid State | 10 | 16th December 2003 05:55 AM |
| Linsley Hood SE 10W amp | Asen | Solid State | 35 | 8th October 2001 10:07 PM |
| New To Site? | Need Help? |
| Page generated in 0.14510 seconds (82.11% PHP - 17.89% MySQL) with 11 queries |