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#1 |
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diyAudio Member
Join Date: May 2001
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Here's another comparison request (don’t you just luv ‘em!)
I’m wondering if anyone has compared the Balanced Zen Line Stage, by Mr Nelson Pass, with the SE Balanced Line amp (EB-2000/402) by Mr Erno Borbely? While I’m have an (increasing) admiration for the work of Nelson Pass, I am attracted to the idea of using JFETs instead of MOSFETS in a pre-amp. Indeed Mr Pass acknowledges the superiority of JFETs in certain low level applications. Incidentally, to ascertain the performance of a “passive pre” in my system I soldered a couple of resistors in my interconnects as a voltage divider, and connected directly into my amp. Obviously I can’t alter the volume, however (as my CD player has two pairs of outputs) switching between the pre-amp and the attenuated leads demonstrated the affect of the pre-amp on the signal. Just a thought for those considering going down the passive path, but wanting to see the effects before spending a lot of money on a stepped attenuator. An alternative would be to make a series of “piggyback” RCA plugs of different values, with a female and male RCA connected via an attenuator. Cheers, Pete |
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#2 |
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diyAudio Member
Join Date: May 2001
Location: Charlotte,NC,USA
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Pete,
Both designs you mentioned are excellent, I have a slight preference for the Pass. I would current current source the circuit as suggested by Nelson(but try it both ways). The Borbely design, could be improved by replacing the follower, with for exmample, a single ended mosfet. Have you considered using a shunt volume control? Jam |
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#3 |
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diyAudio Member
Join Date: May 2001
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While I like the idea of using JFETS, I haven't been able to easily locate the devices used in the Borbely design, so I think the Pass project will get the nod.
I'm designing the pre-amp as a modular concept so can easily replace the gain stage. I'm presently collecting data to use the same typology as the "Balanced Zen", except with JFETS. Cheers, Pete |
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#4 |
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diyAudio Member
Join Date: May 2001
Location: Charlotte,NC,USA
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Pete,
The use of j-fets is probably not necessary as noise should not be a problem for the signal levels involved (they would be if you were building a phonostage). Also you would need a buffer since j-fets might not handle the current levels required and you will be forced to use a follower. Jam |
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#5 |
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diyAudio Member
Join Date: May 2001
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Yes these were exactly the things I was looking at, just going through spec sheets to see if I could find something suitable.
Always worth pondering though. Cheers, Pete |
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#6 |
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diyAudio Member
Join Date: Jun 2004
Location: France
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#7 |
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The one and only
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They're both nice circuits. Maybe you should
try both.
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#8 |
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diyAudio Member
Join Date: Jun 2004
Location: France
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hi
It is possible to use a symetric PS for pushpull ? one could remove the output capacitor .... or then to use an output like the kaneda http://www.bonavolta.ch/hobby/en/audio/kaneda_p.htm thx |
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