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#2241 |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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shoot
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my Papa is smarter than your Nelson ! tnx to clean thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; Mighty ZM's Bloggg;I'm dumb
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#2242 |
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diyAudio Member
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All ears!
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|F6 Kit/Trasnformer GB Sign up sheet Closed,|Primrose GB Sign Up sheetClick Here ...Shape the sound , Man! |
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#2243 |
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diyAudio Member
Join Date: May 2008
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#2244 |
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diyAudio Member
Join Date: Mar 2010
Location: Olalla, Oregon: Land of the 100 Valleys
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Here it goes...
In post #88 Papa says: "One of the charms about the transformer vs JLH/PLH phase splitter is that it delivers pure symmetry in the same way a circlotron does - each like polarity part is subjected to the same conditions, although in opposite phase..." In order to achieve "pure symmetry" the effects of the parasitic currents due to the transformer windings to have must have a symmetric effect on the two output FETs. There are numerous formulations for the optimal modulation voltage for the "spare" winding: an approximation that assumes the open-loop gain (OLG) is very high and more exact formulas that takes OLG into account. I present here the simpler approximation. Assumptions:
Thus the AC current into the upper winding 3 is the sum of the currents from other other 3 windings which is Itotal[3] = I[3,1]+I[3,2]+I[3,4] The AC current into the lower winding 4 is Itotal[4] = I[4,1]+I[4,2]+I[4,3] The AC currents have a symmetric effect on the output FETs when Itotal[4] = -Itotal[3] 0 = Itotal[3] + Itotal[4] = I[3,1]+I[3,2]+I[3,4] + I[4,1]+I[4,2]+I[4,3] = I[3,1]+I[3,2] + I[4,1]+I[4,2] = 2*PI*f*C*(V[3]-V[1] + V[3]-X + V[4]-V[1] + V[4]-X) = 2*PI*f*C*(2*Gain*Vin-2*Vin - 2*X + 2*0) = 4*PI*f*C*(Gain*Vin-Vin-X) X = (Gain-1)*Vin |
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#2245 |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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have no objection
![]() there is still one dilemma which you probably need to solve - is it that , evidently measurable progress , beneficiary to sound ? what I grasp till now from Pa's writings , it's desirable to have K2 above K3 (and greater), but their ratio is still Golden one ......considering that I believe in his ear/brain combo more than to mine ( if nothing else , mileage is greater ) , I also believe that we all are waiting to see his choice regarding that ....great work ,lhquam
__________________
my Papa is smarter than your Nelson ! tnx to clean thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; Mighty ZM's Bloggg;I'm dumb
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#2246 |
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diyAudio Member
Join Date: Mar 2010
Location: Olalla, Oregon: Land of the 100 Valleys
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I am not sure that the ratio of H2 to H3 can be held constant across frequency with H2>H3. It is certainly possible to hold THD nearly constant ans shown in post #2237.
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#2247 |
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diyAudio Member
Join Date: May 2008
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Ihquam,
i can follow your calc but do not understand your statements 3 and 4 Winding 3: The upper secondary winding has an AC voltage of Vout=Gain*Vin. Winding 4: The lower secondary winding has an AC voltage of 0. Having four identical windings, i thought each were showing same AC voltage. What "Gain" exactly define? |
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#2248 | |
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diyAudio Member
Join Date: Mar 2010
Location: Olalla, Oregon: Land of the 100 Valleys
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I am referring to AC voltage between the winding and ground (or other windings) not the AC voltage across the winding.
By Gain, I am referring to the closed-loop gain of the amplifier. Actually, the ratio of Vout to the voltage into the top of the driven primary winding. Quote:
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#2249 |
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diyAudio Member
Join Date: Mar 2010
Location: Olalla, Oregon: Land of the 100 Valleys
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I have been listening to the flat 0.1% THD version with Gain=5, Rs=0R12.
I am not happy with it. Not having 4 instrumented pots I have not done serious listening at THD levels other that 0.1%. I find that I cannot maintain a flat THD vs. Frequency spectrum without adjusting both P3 and P4, the upper and lower Zen pots. Since Papa (and others) have been suggesting THD (particularly H2) up to 0.1%, I will shift away from high open-loop gain and feedback to more degeneration and possibly higher gain to reduce feedback. My next experiment will be with 0R47 source resistors. |
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#2250 |
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diyAudio Member
Join Date: Mar 2010
Location: Olalla, Oregon: Land of the 100 Valleys
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After switching back to my F5 balanced with minimal THD, I am less happy with it now. High frequencies are too too sharp.
By first F5 build had badly mismatched FETs. But there was a satisfying sweetness to its sound that I have not been able to replicate. At that time I did not have equipment to measure the harmonics, so I do not know what the harmonic mix might have been. So far, my tweaking of the Teaser-6 does not come anywhere near to that sound. |
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