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#1151 |
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diyAudio Member
Join Date: Jun 2008
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.......yes Zen, on a pair of horns = 'OH MY!!!!!'
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#1152 | |
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diyAudio Member
Join Date: Dec 2005
Location: São Paulo
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Quote:
Even so, a Class AB amp inside this case would be limited to 170W/channel, so that worst case dissipation is 85W/channel, right? Or more than 25C temperature rise is allowed when the amp is retaining half of the output power? Obrigado Last edited by Daniel(Del); 23rd March 2012 at 01:46 AM. |
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#1153 | ||
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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One of the attributes of Constantan
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Worst case would be @ ~60% of maximum power output continuously while the mains power is at maximum voltage. That will probably give a worst case heat dissipation of 120W/channel. If you want to design for that worst case scenario, then expect the heatsinks to be enormous. Last edited by AndrewT; 23rd March 2012 at 09:53 AM. |
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#1154 | |
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diyAudio Member
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Quote:
Worst case for a Class A amplifier is the idle situation. With a signal on the input, the load takes care of part of the dissipation. Thermal calculation starts with the steady-state operating temperature of the heatsink. Heatsink calculation for a Class AB amp starts with worst case dissipation when driving a load. Temperature will vary and max temperature of the heatsink for the math is much higher. For the thermal calculation, the load number has to be picked. Why some commercial manufacturers had a regular version of an amp model, and a Heavy Duty type of the same one, with a bumped-up power supply and increased heat sinking capacity (aka heatsink exchange). As Class AB is a compromise by definition (imo), monitoring dissipation and temperature is standard practice (V/I limiters, output relays, thermal breakers). Which is called smart engineering, only a commercial fool would lay out a subwoofer power amp and market it as a domestic amplifier. So the typical high volume Japanese power amp has whimpy heatsinks and shouldn't drive low impedance loads. A serial production PA amplifier on the other hand will have a fan on stand-by, for when the going gets rough. Story is different when the amp is manufactured in/for elevated temperature areas. Your Nashville amp was made do Brasil, so it has larger than average heatsinks, and very pretty ones imo. De Naah-da.
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Not so much,.......if it says "ZM" in the corner. Last edited by jacco vermeulen; 23rd March 2012 at 12:01 PM. |
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#1155 |
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diyAudio Member
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Anybody else want to volunteer for prototype builds?
First boards have been shipped. |
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#1156 |
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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Toe, Remember to get a set to dutchie ........
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#1157 |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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Dutchie is only faster than moi .
that's pretty slow
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my Papa is smarter than your Nelson ! tnx to clean thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio FORUM ; Mighty ZM's Bloggg;I'm dumb
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#1158 | |
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diyAudio Member
Join Date: Dec 2005
Location: São Paulo
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Why 2 heatsinks in series work better than one? |
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#1159 | |
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diyAudio Member
Join Date: Feb 2009
Location: Trondheim
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Quote:
![]() with 0.7A bias pr device. i start there. maybe i can pump up the bias a little bit. rails will be +/-32V. edit: sorry. 0.8A
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aleph P1.7 pre. F5 power amp. CDpro2(need DAC). Vivaldi8 speakers Last edited by AudioSan; 23rd March 2012 at 09:44 PM. |
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#1160 | |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Quote:
If you fit a 2pr output stage the maximum ClassA output Power increases to 4times (P*2^2) the single pair. i.e. 40W a 3pair stage will give 90W (*3^2) This latter 3pr will require an output voltage of 0.8* 2 *3pr * 8ohms = 38.4Vpk This will require operating supply rails of ~ +-42Vdc Substitute 1pr or 2pr or 4pr into that formula to find Vpk for the alternative output arrangements. |
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