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#11 |
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diyAudio Member
Join Date: Sep 2002
Location: North of Boston
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Compared to a gain clone??
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MikeW |
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#12 |
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diyAudio Member
Join Date: Jan 2003
Location: ancient Batsch , behind Iron Curtain
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according to my secret Pass Labs connection
, they're 2SC4793/2SA1837 ........seems that Papa choose (this time ) "theymustbeubercool" approach , maybe also he scavenge 158 Kilos of mentioned critters , for ~56 greens ........ ![]() ps. Jaccovitty is certainly better with augmenting pic details ......... than me .
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my Papa is smarter than your Nelson ! tnx to clean thread ; Cook Book ; PSM LS Cook Book ; Baby Diyaudio-EX YU DiyA FORUM
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#13 |
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The one and only
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Actually they were chosen by Wayne.
There is a whole interesting area of conversation, which doesn't particularly belong here, on the subject of what to use for cascoding transistors and how to bias them. The answers were roughly arrived at by trying all sorts of things and seeing what really fit best. A very tedious process, but AFAIK, the most reliable. |
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#14 | |
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diyAudio Member
Join Date: Feb 2001
Location: Columbia, SC
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Quote:
Now there's an interesting question. As with most things, you can hit it quickly and move on or take a deep breath and submerge yourself in things for a while... Set aside the rail voltage question for the moment and assume that all other factors are held constant. The more current you can supply, the better. In a class A amp, you have to plan on delivering all the current from the quiescent bias--going to class B is cheating. I glanced at the owner's manual and saw that the amp doubles into 4 Ohms. That means that you've got to double the 8 Ohm bias. In a 30W/ch amp, that's not really all that intimidating because the rails are fairly low and the heat dissipation is correspondingly less. Okay, that's the quick answer. Now go a level deeper. I believe Nelson has said that he feels that it's the overall level of bias that matters--not the bias per device. That's a slightly different way of saying the same thing I said above. Treat the amp as a classical Black Box and ignore the innards. Run the bias up as high as you dare and you don't have to worry about low impedance loads or dips in the impedance curve (which aren't a problem until you happen to hit that frequency, granted, but...). Lotsa devices versus few devices is another question entirely. There are at least a dozen ways to look at this. Part of Nelson's view is--has to be, really, from a businessman's point of view--reliability. He puts a small army of devices in the output in order to make things more reliable in case of operator error. Even day-to-day reliability due to heat dissipation improves. I've been thinking about this and I'm leaning the other way at the moment: Fewer output devices with more bias per device. It's not that hard to argue high bias per device, so I'll leave that alone. There's a more subtle point in that if you think about matching devices, there's always a little slop in the result. We, as DIYers, don't have the resources to buy as many devices as someone who does this for a living. If, as a result, you're limited to a matching pool of 20 units, you're not going to find perfect matches unless you've been a very, very good boy and the audio gods are smiling upon you. The practical implication of this is that you're building something like an Aleph 2, which uses six pairs of devices per channel and you've got each device going a little more or a little less while the music is playing. To some greater or lesser degree this causes distortion. I can just see the next fifteen posts wailing about how they matched their devices to .00001V etc. etc. etc. Follow that with another fifteen posts from people worried that somehow their Alephs suddenly sound worse than they did yesterday. Not the case, guys. Your Alephs sound just as good as they always did. What I'm talking about is the idea that if I can get two devices to match then I'm better off than having four or six...assuming that the devices can take the heat. So it's a balancing act. And since the devices are running harder, you have to consider the possibility that they will pop sooner rather than later. A not-so-inconsequential benefit is that the cumulative Gate capacitance seen by the front end drops. Note also that the pictures also seem to show the output devices to be IRF parts. Given that the IRF P-ch devices have that odd frequency-related gain thing, then Nelson just might be rolling out his stock of IRF outputs with an eye towards using, say, Fairchild in future designs. What better way than to overbuild the outputs in current product? Mind you, I'm not saying that this is the case, just that it's a possibility. There are a few other things I was going to throw in but I'm needed elsewhere. It's taken me three or four hours even to get this far. Bummer. Grey |
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#15 |
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The one and only
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Pretty improbable.
I already use Harris and Fairchild in addition to IR. The costs of output devices as a percentage of total costs is sufficiently low as to have very little economic influence. In the context of performance and reliability, there is such a thing as too few and too many. It's a balancing act between bandwidth, distortion, and reliability. Fewer devices favors bandwidth. More favors general distortion figures and reliability. Of course all this is in a context. Every designer makes his decision, and mine is here on the table.
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#16 |
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diyAudio Member
Join Date: Mar 2004
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Nelson, what a beauty
Does all the signals run through those flat-cables? Any special type? Looks like there is sitting a TL431 in there. Is this a F4 like circuit with an UGS for voltage gain? BTW. If I order one, do I get one of the Pass Labs T-shirts then
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#17 |
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diyAudio Member
Join Date: Feb 2008
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I'm curious. Space does not seem to be an issue. Why PCBs are piggy-backed ? (Modular design for topology change in the future ?)
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#18 |
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diyAudio Member
Join Date: Dec 2003
Location: Sierra Foothills - California
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I recall it being stated that the AX100.5 uses some new type of output device(s). Yet here we have the IRFP240 and 9240 again. I'm confused. Do the larger amps use the new and different output device types?
Graeme |
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#19 | |
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diyAudio Member
Join Date: Mar 2004
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Quote:
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#20 | ||||
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The one and only
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So many questions.
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current. The ribbon cable is ordinary, but we do parallel wires for reliability. This circuit is not the same as the F4, in spite of the presence of a TL431. Yes, I will send you a T shirt if you buy one. Quote:
a topology change in these models. Quote:
versions of the IR parts, depending on price and availability. The "P channel anomaly" encourages us to use non-IR P channel equivalents in Common Source applications, but not Common Drain, where the difference is minimal. Quote:
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