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#1 |
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diyAudio Member
Join Date: Dec 2001
Location: Hong Kong
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Hello , i see the input capacitance of the IRF610 is 135pF,IRF620 is 260pF and the IRF520 is 360pF.
So , is the IRF520 is good is bass ? IRF610 is good in treble ? Thanks!! |
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#2 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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The low input impedance will always give better treble (by theory). The opposite is not always true. Rough statistics (tendency/likeliness) is the higher the MOSFET power, the higher input impedance, the higher maximum current, the better bass performance.
Besides, if you got much treble, you would think that you don't have the bass (while the frequency is in fact still there) |
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#3 |
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The one and only
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This is an interesting and true observation. Different Mosfets often measure about as well in the bottom/mid/top frequencies but still have different sounds. The larger ones tend to have better/more bottom end due to their higher transconductance and the slight de-emphasis of the top and the reverse is true for the smaller ones. This effect also applies to paralleling Mosfets, as big Mosfets are simply the same sort of thing but with more land area.
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#4 |
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diyAudio Member
Join Date: Apr 2002
Location: Helsingborg, Sweden
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Velleman uses a OPamp to linearize the MOSFETS in one of their amplifiers. Each MOSFET has an OP with a local feedback around the MOSFET.
Would that solve the problem? /Marcus |
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#5 |
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The one and only
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This would leave you with the sound of the op amp, for good or bad, and would definitely remove most of the character of the Mosfet itself.
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#6 |
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diyAudio Member
Join Date: Apr 2002
Location: Helsingborg, Sweden
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Yes, but it would allow you to choose from a wider selection of MOSFETs without having to worry about changes in the frequency character.
/Marcus |
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#7 | |
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diyAudio Member
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Quote:
While a treble lift can make the sound appear to have less apparent bass , will this cause such a large variation in treble to make it effective in this case? The devices will be used in amplifiers with negative feedback in most cases ,which widens the frequency response. While individual devices, in say Class A amps with no feedback, these factors may become audible between different types of devices, is it still applicable to systems with NFB? If so are there any commercial examples we can hear or is it relegated to the design labs. Thanks.
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#8 | ||
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The one and only
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Quote:
Quote:
Commercial examples? Aleph 3, 5, 2, and 1.2. they all have virtually identical circuits except power supply and output stage, and they all have a different signature, and it largely follows this effect. |
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#9 |
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diyAudio Member
Join Date: Feb 2003
Location: Jakarta
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Ashok,
While I did talking about formulas, I guest you and Mr. Pass were more concerned with the calculation result. Well, (right or wrong) here is my thought regarding both formulas and calculation result: Even if the output impedance of the MOSFET driving stage is low, to drive the capacitance, or to charge the capacitor, current is required, right? How much is this idle current required from the driving stage? Current = Slew Rate * Capacitance Slew Rate = (2 * 3.14 * F * Vpeak ) / 1000000 F = I / (C * V * N) Noted = We need lower capacitance to “slew” higher frequency, especially if current is low as in MOSFET pre-amplifier. Again, capacitance (C) is “evident” in the Gate of any MOSFET (Anybody knows how to measure it in a given situation as in BOZ?). Then we must be able to “virtually” construct an AC equivalent circuit as seen by the capacitance to calculate the R thevenin (R). Half-power frequency = 1/(2*3.14*C*R), is the frequency where significant loss occurs. I don’t think that measuring low capacitances is accurate with standard measurement tools. How about measuring input capacitance of a 3-pole Source grounded MOSFET? Will it be easier or harder? Well, the specs is simple: Ciss=Cgd+Cgs, and in a condition (voltage, frequency, etc) that does not apply in the real circuit. Also, manufacturers tend to give “optimistic” values to customers (I guess there is not many situation where a high input capacitance is preferable, if any). Out there, there is always a strong debate regarding the use of “hi-end” cables in audio. If you bring the issue to an algebra professor, I think he will come with a conclusion that the capacitance (or impedance) or any available metrics will not give much effect in audio frequency. Also, in the design of an amplifier’s frequency respond (or a low pass filter) I noticed as if the designer found some “advantages” to make the respond flat through-out a wide band which is not in audio frequency. May be the formulas are not applicable enough, or the designer just don’t know how to use the formula properly, or may be it’s just the time for “golden-eared” audiophiles to take action (Golden eared or not, unfortunately I can clearly hear the diference! It's not like the amplifier having a usual ealier roll-off. Rather, it's like the graph is truncated in an audible high frequency ) |
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#10 |
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The one and only
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A lot of this depends on which capacitor you are charging,
essentially GS or GD. GS is the large capacitance, but the voltage change across it reflects only the Vgs change, which is low and inversely proportional to the transconductance, which in turn is proportional to the capacitance.... Cdg is a lower value, but in many circuits will see a larger voltage change. To measure the effective capacitance in a given configuration, you could place resistance in series with the Gate and measure the response rolloff at higher frequencies versus the Gate current. If one is constant, then when you get a 3 dB change on the other measurement, you have reached the 1/RC = 6.3 * Freq, and this gives you C. |
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