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Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
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#1 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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I did some drawings, maybe the wizzards may comment them...
Uli
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'Jazz is not dead, it just smells funny' F.Zappa |
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#2 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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data size
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'Jazz is not dead, it just smells funny' F.Zappa |
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#3 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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data size 2
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'Jazz is not dead, it just smells funny' F.Zappa |
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#4 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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the idea behind that circuit was to combine some already
working designs. The output section is very similar to the proven Pass/Thagard A-75. The idea of leaving the amount of overall feedback to the builders choice fascinated me and therefore I implemented this feature with R30 and R47 (XX). How it works can be read in the Pass/Thagard article in AudioAmateur or at passdiy.com. I simply adapted their frontend to modern Mosfets. The amount of bias (ClassA) can be adjusted easily by trimming R39 and R51 to about 0.14 volts across one of the 0R33 source resistors. This amount of bias is good for 25W RMS ClassA and leads to about 180W to be handled by the heatsinks, 15W per fet. For thermal stability T11, T14 must be mounted on the heatsink near the output devices. The trimming of the CCS´s is needed for offset adjustment after a reasonable warm up time. To achieve best results both inputs should be grounded during adjusting R1, R3. The amp is capable of about 200W/8R and 400W/4R RMS. The only tricky thing is the PSU. I use a hammond toroid with 1000VA and 48V CT. and a small one 2x 15V (independent!) for the auxiliary PSU (+-55V) Powercaps are 4x Siemens 47mF/40V Uli
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'Jazz is not dead, it just smells funny' F.Zappa |
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#5 |
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diyAudio Member
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fixed
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#6 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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phantastic service you moderator guys!!!
TX Uli
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'Jazz is not dead, it just smells funny' F.Zappa |
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#7 |
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diyAudio Member
Join Date: Mar 2001
Location: USA
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Regarding the power supply, you could of course use a voltage
doubler to generate a raw +/-70VDC, which you can filter and/or regulate down to +/-55V. This eliminates the need for a separate transformer and its associated wiring, mounting, and fusing. If the finished amplifier has audible background hum or can't make full output at high frequencies, you could reduce the 100R value between the sources of the input diff pair to increase the open loop gain of the voltage section and make the feedback loop more effective. Also, as you've referenced both input gates to ground, I don't think you'll need the 630R to ground at the sources of the input diff pair. I'm curious as to why you referenced the cascode gates to the filtered output stage supply rails rather than to a zener string in the front end section. Does this ensure that the voltage section will clip before the output stage does? |
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#8 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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youre right
Uli
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'Jazz is not dead, it just smells funny' F.Zappa |
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#9 |
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diyAudio Member
Join Date: Nov 2002
Location: Maumee Ohio
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Sound?
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#10 |
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diyAudio Member
Join Date: Dec 2002
Location: Vienna, Austria
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as I never heard an original X-series amp, I can´t tell.
From listening to my Aleph 2´s (tweaked: 35V supply rails but about 5A bias) the X has better ("clearer") bottom with more punch! I use them now for the bass below 95Hz for 2x12" per side biamping.(the Alephs for the rest) Uli
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