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#1 |
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diyAudio Member
Join Date: May 2001
Location: London UK
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In high resolution systems, the type of phono sockets produces slightly different sonic characters. Kimber, Tiffany, Vampire, and other sockets produce subtle differeneces in terms of treble and bass qualities.
Why is this? Contact properties, impedance characteristics? The effect is smller than capacitors or resistors but is nevertheless there.
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#2 | |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
Quote:
Cheers,
__________________
Frank |
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#3 |
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diyAudio Member
Join Date: Apr 2003
Location: Jutland
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Then again - a different alloy would almost always result in different electrical properties.... but would you be able to tell the difference in a blind test? If the sockets are a proper construction using proper materials the electrical differences will be nothing but extremely tiny.....
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#4 | |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
Quote:
Then again who cares about blind tests anyway? I trust my own ears and those of friends I know to have sharp hearing as well. For two decades we all seem to agree on issues where most people still seem to be in the dark. The most important task for any connector is good contact, secondary is the use of good sounding materials. RCAs are notoriously bad connectors to start with but that doesn't mean there can't be any sonic difference between one or other brand. Good examples of decent sound are Cardas, Kimber and a few lesser known brands. The best ones are of course the ones you don't hear at all... Cheers,
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Frank |
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#5 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Just to add my 10p's worth........
There are differences, but as usual the diffrences between good phono's (and cables) are minor compared to cheap phono's (and cable). A major influence unsuprisingly are the phono sockets the plugs are going to be used with, and the phono sockets method of coupling to the circuitry. A compromised socket may show more differences with different plugs (and cables), than a better arrangement. If you have a bad sounding cable there is always a good engineering reason for it. A friends system always sounded harsh. After he eulogised about a new CD player cable he'd bought I had a look at the Chord CD cable he had be using. So-so cable and nice plugs. (And alledgedly very good sounding reputation) But the earth connections via a clamping collet (not soldered) were literally turning green, the source of the harshness. Rewiring the plugs with new cable showed soldering the earth was possible, but impractical in a production situation. sreten.
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#6 | |
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diyAudio Moderator
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Quote:
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If there's a sucker born every minute, where do the rest of them come from? |
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#7 |
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diyAudio Member
Join Date: Mar 2002
Location: Aveiro-Portugal
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Hi
Another caracteristic that can change the sound of phono sockets is the parasitic capacitance of them.
__________________
Jorge |
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#8 | |
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diyAudio Member
Join Date: May 2001
Location: London UK
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Quote:
I probably can't. But repeated sighted insertions do give different sonic characters. Blind tests reduce confidence in identification; you are worried about being able to tell the difference. Long termm listening and satisfaction seem to me the key. |
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#9 |
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diyAudio Member
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So which ones do you like? For instance, I noticed that whenever I used Cardas RCA's the sound became more "mellow" and somewhat softer. Kimber RCA's sound seems to not have this characteristic.
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#10 | |
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diyAudio Member
Join Date: Mar 2002
Location: Aveiro-Portugal
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Quote:
yes...but also ,the long termm listening sastifaction can only result from you to become accustomed to it.
__________________
Jorge |
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