If you need a higher voltage, I've used these with great results.
http://nichicon-us.com/english/products/pdfs/e-kx.pdf
http://nichicon-us.com/english/products/pdfs/e-kx.pdf
They have high dissipation factor, even compared to standard (non "low ESR") caps.
Here are some readings on an Agilent LCR meter. Three columns: frequency, capacitance, dissipation factor.
Nichicon KA 47uF/35V:
100Hz 43.41uF 0.094
120Hz 43.00uF 0.102
1kHz 39.88uF 0.408
10kHz 31.71uF 2.790
Panasonic FR 47uF/25V:
100Hz 46.23uF 0.021
120Hz 46.07uF 0.023
1kHz 44.38uF 0.071
10kHz 43.34uF 0.400
Panasonic SU bipolar 47uF/25V:
100Hz 45.77uF 0.047
120Hz 45.50uF 0.049
1kHz 45.53uF 0.153
10kHz 42.38uF 1.230
Decon SAII (general purpose 85C chinese brand cap):
100Hz 43.80uF 0.100
120Hz 43.29uF 0.106
1kHz 38.46uF 0.278
10kHz 33.73uF 1.790
All these capacitors were tested in a Behringer DEQ2496 in the analog output stage (signal path, interstage DC blocking). Here are my 100% subjective impressions:
The original caps (Decon) sounded good. The Panasonic SU sounded even better ("cleaner" with more detail but similar tonal balance; slighlty more in-the-room / better presence of midrange/vocals). Panasonic FR changed tonal balance (matching other descriptions of it in this forum: heavier midbass, some treble sparkle, but something missing in the vocal range, making the sound laid back with 2D stage; pretty much like you would dial a "smiley" curve on the egalizer). The KA changed tonal balance too (again matching other descriptions here of audio Nichi caps: "monster bass", recessed midbass giving a "dry" overall sound, jazzy very lively "in the room" mids/vocals, yet treble could be better).
For the DEQ2496 I stayed with the Panasonic SU. Other equipment may give different subjective results so it's up to you to test.
Here are some readings on an Agilent LCR meter. Three columns: frequency, capacitance, dissipation factor.
Nichicon KA 47uF/35V:
100Hz 43.41uF 0.094
120Hz 43.00uF 0.102
1kHz 39.88uF 0.408
10kHz 31.71uF 2.790
Panasonic FR 47uF/25V:
100Hz 46.23uF 0.021
120Hz 46.07uF 0.023
1kHz 44.38uF 0.071
10kHz 43.34uF 0.400
Panasonic SU bipolar 47uF/25V:
100Hz 45.77uF 0.047
120Hz 45.50uF 0.049
1kHz 45.53uF 0.153
10kHz 42.38uF 1.230
Decon SAII (general purpose 85C chinese brand cap):
100Hz 43.80uF 0.100
120Hz 43.29uF 0.106
1kHz 38.46uF 0.278
10kHz 33.73uF 1.790
All these capacitors were tested in a Behringer DEQ2496 in the analog output stage (signal path, interstage DC blocking). Here are my 100% subjective impressions:
The original caps (Decon) sounded good. The Panasonic SU sounded even better ("cleaner" with more detail but similar tonal balance; slighlty more in-the-room / better presence of midrange/vocals). Panasonic FR changed tonal balance (matching other descriptions of it in this forum: heavier midbass, some treble sparkle, but something missing in the vocal range, making the sound laid back with 2D stage; pretty much like you would dial a "smiley" curve on the egalizer). The KA changed tonal balance too (again matching other descriptions here of audio Nichi caps: "monster bass", recessed midbass giving a "dry" overall sound, jazzy very lively "in the room" mids/vocals, yet treble could be better).
For the DEQ2496 I stayed with the Panasonic SU. Other equipment may give different subjective results so it's up to you to test.
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