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#1 |
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diyAudio Member
Join Date: Mar 2003
Location: London, Ontario, Canada
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I've done some searching but could only find comparisons and recommendations for audiophile-brand and exotic components. There is little in the way of information about "cheapo-phile" parts.
Now before we get into an argument about X better than Y components, I'm also after good performance, just not at any cost. Gainclones are a good example here. They are relatively inexpensive and provide very good performance, often better than more expensive designs. So, that said, I am interested to hear about your experiences with generic components. Maybe you still get good results using only cheap Panasonic resistors from Digikey. Maybe you found that the $5 Black Gate is better than the $.50 cap but not 10X better. Maybe the $2 mil-spec cap is almost as good as the BG but offers much better price/performance value. :)ensen.
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Those who claim to be making history are often the same ones repeating it. |
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#2 |
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diyAudio Member
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Beyschlag resistors from Digi-Key supposedly are not bad. If you go a bit higher in price, old style Holcos were not bad either. Michael Percy still stocks them.
For higher wattage, blue Panasonics from Digi-Key are OK. As far as electrolytics go, everybody seems to favour Panasonic FC caps. Next up would probably be Nichicons (especially Muse) and Rubycon Z series, but I didn't see the last ones around here yet. But to tell the truth, I never bothered that much to test regular parts. If you pay this low, it's not worth the time to test it, I thought
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#3 |
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diyAudio Member
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It seems like exotic components are much more popular. Just look at the numbers in both threads started yesterday:
replies views exotic: 43 932 non exotic: 1 73 So whom are we kidding?
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#4 |
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diyAudio Member
Join Date: Sep 2002
Location: Sweden
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Peter, I think you are confusing two types of interest, the interest
in reading about and discussing something and the interst in buying and using something. I would guess that most people find it more entertaining to read about Ferraris and Lamborghinis than VWs and Fiats, that does not mean that the majority would actually consider buying the more exotic cars or even find them a better choice for themselves. I think the idea of discussing non-exotic but good components is excellent, and I think it has been hinted at several times by experienced designers on the forum that sometimes components intended for quite different use than audio may be the best choice for audio. There is a catch, though, with such a discussion. Most of us are quite limited as to which components we can buy easily and without too much economic overhead. For instance, I am fortunate to have an Elfa shop in town, so there are quite a lot of components I can buy off the shelf. For everything else I have to use mail order from somewhere, which incurs extra costs, often minimum orders etc. etc. While Elfa has a decent selection of op amps, for instance, they have only one brand of metal film resistors. To buy any other brand, say brand X, I would have to order from some other company, and if they don't have any other things I need it may end up quite costly for a bunch of cheap resistors. In the end, even fairly cheap non-exotic components may end up costing almost as much as some of the cheaper exotic ones, and may be even harder to find, since there is no company specializing in selling non-exotic but good components for audio. I still think it a good idea to discuss the non-exotic components, though. |
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#5 | |
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diyAudio Member
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Quote:
I also agree with you that most of the people who talk in exotic components thread, are the ones who never tried them. This makes the discussion harder, as they mostly there for entertainment purpose.
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#6 |
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diyAudio Member
Join Date: Mar 2003
Location: London, Ontario, Canada
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So far, based on what I can dig up, it seems that there is a consensus that:
1) Carbon resistors are bad and metal film is better. 2) Mica caps are more durable when you can afford them. Thanks for the suggestions Peter. I will check the Beyschlag. I did some googling and Beyschlag = BC Components = div. of Vishay. I found the FC caps easily enough. What are the blue Panasonics? :)ensen. PS: I have a couple of reasons for non-exotic vs. joining the exotic thread. I choose not to afford them so I have to figure out how to make do with the cheaper components. And, by starting a thread I'm hoping to make it an easy search for the next forum newbie.
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Those who claim to be making history are often the same ones repeating it. |
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#7 |
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diyAudio Member
Join Date: Mar 2003
Location: London, Ontario, Canada
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Peter, I will concede that you are right about the exotics thread being more popular. Whether everyone is actually acquiring them is another question. Christer's point about entertainment is valid here. For me, unobtanium is still unobtainium regardless of hobby so instead, I attempt the pragmatic.
My view is that quite a few people will build circuits with whatever parts are available, then start swapping out components to see if there is a difference. I think they forget to predict that starting with the lowest performance components will only make the changes more extreme. Upgrading from Kia to Porsche. As an aside, it bowls me over others are actually surprised to find a difference comparing exotics to generic. When the time comes for my own tweaks, I hope to be pleasantly surprised to find no difference, but I doubt it. So my goal remains this: Start out with good components that are inexpensive, thus getting something that performs well to begin with. If I do this right, any tweaking after that should produce more subtle improvements. Upgrading form Acura to Porsche. :)ensen.
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Those who claim to be making history are often the same ones repeating it. |
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#8 |
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diyAudio Member
Join Date: Mar 2003
Location: London, Ontario, Canada
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More searching on the Panasonic caps did not give any definitive results. Went to the Panasonic site but only found some grayscale PDF docs.
Are the blue Panasonic caps the ECQP or ECHS series? :)ensen.
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Those who claim to be making history are often the same ones repeating it. |
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#9 |
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diyAudio Member
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I think, everything that is controversial draws people. That's our nature
The blue Panasonic resistor are higher wattage ones (1, 2 and 3W) and can be used in Alephs, for instance, as source resistors. I was also hoping once, that I won't find the difference, but unfortunately it wasn't the case. Still, I'm not so sure if success cannot be achieved with regular components. If it is true that Gain Card is built with non audiophile parts, this is the best example (although chassis is pretty exotic). I've built few different GC amps and some of them simply sucked, only because the case was built in a different way (while other parts stayed the same). So if you don't want to spend on expensive parts, you might concentrate your efforts on different aspects of your design, which are as well important.
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#10 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sweden
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Quote:
differences is if the experiment is done s.t. it is reasonable to attribute this difference to the claimed reason. For instance, if you build two gainclones, A and B, with different cases, and A sounds good and B bad, did you try to swap the electronics between the cases? Even if you built two identical gaincloines electrically, there might be individual variations in components, the chips themselves for instance, that cause the difference, not actually the cases. It is the same thing if one builds two identical amplifiers but use a different capacitor in one of them. Unless, they were truly identical from the start and verified to sound indistinguishable, how do we know an audiable difference actually is because of this particular capacitor that differs? Pleas note, I am not arguing against audibilty of components or cases. However, for repots on audible difference to serve other people any good, it is important to ascertain that the cause can reasonably be attributed to what one claims. I often fail to see any evidence of that when people report their experiences with "exotic" components. |
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