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#1 |
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diyAudio Member
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Bruce Hofer's presentation to the AES last weekend contained some passive component recommendations. While the presentation is on AP's website, you have to be registered to download it.
Resistors: * Use metal foil resistors if cost is no object * If cost is an object, use thin metal film resistors * 1206 is the "sweet spot" for SMD resistors. * Design resistor circuits for maximum 3 - 5 signall volts Capacitors: * The only ceramic cap to use is COG (except in decoupling) * Avoid low voltage (25V) ceramics * Polystyrenics are hygroscopic and must be hermetically sealed. * Metal foil is preferred to Metal Film * In high performance analog, polystyrenics, polypropylene and teflon are the best dielectrics. * Minimize the voltage across signal path capacitors to avoid microphonics. Opamps (lots of stuff here...), but * Consider using diode connected transistor for input protection. * Reverse biased protection diodes can be very sensitive to light. |
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#2 | |
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diyAudio Member
Join Date: Oct 2011
Location: Paris, France
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Quote:
Thanks for putting the summary up, I think most of them are well known around here (though we should add component brands and models behind each line...) |
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#3 |
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diyAudio Member
Join Date: Feb 2009
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I guess if they we in a zeiner glass package they would be light sensitive, but standard black packages would be good to go.
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#4 |
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diyAudio Moderator
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Any reverse-biased diode has some leakage current. That leakage current can increase if light hits the junction. Unimportant in many applications, but in high precision stuff, it can bite you.
__________________
“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#5 |
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diyAudio Member
Join Date: Feb 2009
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I guess if they we in a zeiner glass package they would be light sensitive, but standard black packages would be good to go.
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#6 |
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diyAudio Member
Join Date: Nov 2008
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Ge semis are notorious for this, but, as the parts are generally in a dark box (unless you have a light on inside the box to keep the electronics awake), this is only a problem source for design and service.
The same for heatsinks. There is no advantage beeing black inside the box. E |
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#7 |
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diyAudio Member
Join Date: Mar 2007
Location: Canandaigua, NY USA
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I remember reading about a problem with Fairchild diodes. They used glass bodies and painted or coated them somehow. No problem unless the paint got scratched, then instant photo diode!
__________________
I used to be an audiophool like you but then I took an arrow to the knee. |
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#8 |
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diyAudio Member
Join Date: Oct 2011
Location: Paris, France
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Thanks for the input. Now, is this also related to diodes in analogue audio equipment, notably vintage equipment? (70's gear is full of glass type zeners) Or is it rather limited to older Ge types. Are glass case zeners still made anyway?
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#9 |
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diyAudio Member
Join Date: Jun 2011
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Interesting, informative and useful. Thanks for the pointer.
Unfortunately it's also mildly depressing. I'm just in the throes of assembling a design with PPS caps in the signal path, which I mistakenly chose as being best suited. In fact they were the only SMT film caps available in that value I could find COG/NP0 caps are available only in values <1uF. It seems that for larger values polypropylene is the only choice for the hobbyist, fortunately a good range of larger sizes is available. This does make the use of DC servos more attractive. Availability of metal foil resistors is strictly limited unless you're buying for industry AFAICS. Prices are out of sight. Information on retail sourcing would be highly appreciated. The only comfort that I can see is that distortion is already low in existing devices using polyester caps and in all probability, while the levels being discussed are measurable, they're inaudible. |
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