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Old 4th December 2012, 04:14 PM   #171
Pano is offline Pano  United States
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Yeah, I have external processing, but thought it might be interesting to try something more "sophisticated". If I could fix a track, then there would be no need to turn processing on and off.
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Old 28th December 2013, 08:52 PM   #172
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look at this nightmare , on my system this just sounds like distortion
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Hey ! just because im getting bald doesnt mean i cant like hair metal
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Old 17th April 2014, 02:46 AM   #173
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I agree, stop with the compression already. I have a volume knob. Simple as that.

I owned a recording studio and recorded many bands including my own. I didn't use compression unless it was absolutely necessary. On my own band's recording, there was 0 compression. I still have the original master I did and the finished product that I sent out to have another pair of ears on it. He compressed it. My version sounds way better.
Some musicians aren't good enough to control their dynamics for recording and it makes it very difficult to mix the sound. Hence, some people saying engineers are lazy; And most of them are. Also, it is very hard to isolate and define both bass drum and bass guitar in a recording, since they operate in the same frequency range. I spent most of my time dealing with that than anything else with a recording. Most recordings either have the bass drum or the bass guitar drowning out the other or they have no low end at all.

Also I used monitors that were flat to 20hz or so to make sure lowend content was properly mixed (subwoofer). I have listened to this recording and many others I have done on many different systems (car audio, home audio, PA, etc) and it always sounds the way I mixed it.

Other recordings that I have heard, from so called "professionals", sound considerably different on different systems, even with all that compression.

It seems like engineers just set mics up, hit record, and compress it so much that it doesn't matter how bad it sounds. Besides the fact that compression dramatically reduces high frequencies that you have to boost back into the recording. Also I notice alot of phase problems with recordings now. They just sound horrible all the way around. Very tinny as well, with no harmonics. Why do we have better tech but lower sound quality? Lazy, compression and no talent.

Sorry for the rant.

I only read about 7 pages and had to respond.
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