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#1 |
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diyAudio Member
Join Date: Mar 2006
Location: Indiana
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How do we interpret a reverse null?
For example, suppose we have two different 2-way LR4 XO designs whose XO frequency points and responses are almost identical, but one has a 15dB reverse null and the other has a 30 dB null when the tweeter polarity is flipped. Then which one is better and why? I would appreciate some help. |
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#2 |
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Did it Himself
diyAudio Member
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I would ignore the reverse connection happenings as they are irrelevant. Just look what's different between your correctly connected responses.
I imagine that the one with the greater null is actually aligned best when connected correctly, but that's a sweeping generalisation that may not mean that is actually the better design.
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www.readresearch.co.uk my website for UK diy audio people - designs, PCBs, kits and more |
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#3 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Hi,
As said its fairly meaningless to judge the quality of the deepest null. It will vary massively depending on minor changes of vertical angle, consistent nulling over a vertical range means no dips in reality. /sreten.
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#4 |
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diyAudio Member
Join Date: Feb 2003
Location: Hong Kong
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Yes, the amount of reverse null greatly depends on mic alignment.
But once you've got patient to get the drivers physically aligned, reverse null tells you a lot about your crossover performance. No just the amount of null, center frequency and symmetry were also important. 1 or 2dB of response irregularity in correct polarity could easily be mix up by baffle deflection or cone resonance. |
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#5 |
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diyAudio Member
Join Date: Mar 2006
Location: Indiana
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Thank you for your replies!
Actually, I'm trying to build 2-way bookshelf speakers with Dayton RS180 and Seas 27TBFC/G. I'm currently in a simulation stage and came up with two different XO designs. In simulations, two XOs' performance is virtually identical with each other w.r.t frequency response. But the modeled reverse null of one is 15dB down and the other, 30dB down. That's why I asked the question. Actually, I'll start a thread for this project. So, your comments will be more than welcome! |
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#6 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Quote:
It tells you a lot about meaningless "textbook" performance, nothing else, precisely because of what you are saying. /sreten.note : talking about the maximum reverse null point. |
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#7 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Quote:
If you trust such figures from purely simulating, you know something I do not. FWIW to get a very deep null the outputs of both drivers must match exactly AND the phase be exactly 180 degrees at the same frequency, and be measured at an equidistant point. You usually have far bigger fish to fry ........ /sreten.
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#8 |
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diyAudio Member
Join Date: Jan 2002
Location: Wellington, New Zealand
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Are you planning on a flat or slanted baffle? If on a flat baffle, don't forget to enter an acoustic offset to align the drivers time wise, otherwise you will simulate phase alignment, but in reality will not be aligned due to acoustic offset. The simple math required for this can be found (I think) on the rjbaudio.com site.
Cheers, David. |
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