Go Back   Home > Forums > Loudspeakers > Multi-Way
Home Forums Rules Articles Store Gallery Blogs Register Donations FAQ Calendar Search Today's Posts Mark Forums Read

Multi-Way Conventional loudspeakers with crossovers

Please consider donating to help us continue to serve you.

Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving
Reply
 
Thread Tools Search this Thread
Old 29th March 2007, 06:16 PM   #1
diyAudio Member
 
Join Date: Nov 2004
Location: Minneapolis
Default <$100 Near-Field Recording Monitors

I have a friend who wants to fool around with home recording, and wants some ultra-budget near-field monitors for his computer/recording setup. I've been reading and reviewing different things and have come up with some general requirements and a few options for some systems. I need some help evaluating them.

Requirements/Info:

1. Stereo, near-field (probably table-top or wall-mounted)

2. Strict Budget of $100 for drivers and crossover parts

3. Must have as flat of a response as possible (not voiced for pleasure, but for critiquing)

4. Should be as revealing as possible (I'm thinking they probably shouldn't smooth things out too much if they are to be used for critiquing)

5. Should probably be shielded if they're going to be near computer equipment

6. They will be powered by some kind of SS stereo receiver

7. They should be able to play well at different volume levels

8. Would REALLY like to Crossover kind of high -- around 3500hz at least -- to keep the midrange as clear as possible


Easy, huh? Anyway, I know this is about compromises, and so does he. It's just something to get him in the ballpark. Here are some of the options I'm considering:


A. Zaph's Silverflute 2-ways -- Not shielded, but might work of they are wall mounted. The BSC might need to be reduced or removed for this usage, right? This design also crosses over lower than desired, but it looks like a well-measured and tweaked design, so it may not be a huge problem.

B. A 2-way with the RS180 -- This looks like it could possible cross over around 3500hz. I'm not sure what tweeter would pair with it, maybe one of the little dayton Neos or the Dayton "silkie" that Zaph tested.

C. A 2-way with the TB W5-704S and one of the Dayton Neos. This is my favorite option so far, because I could cross over even higher, around 4000hz, and make better use of a cheaper tweeter. It would also leave a little more money for the crossover.

C-2. Not sure if this has any merit, but I was wondering if I could adopt the waveguide idea from zaph's other project to the idea listed above (C). I guess I'm wondering if that might allow super-simple crossovers on both drivers and better time alignment in one fell swoop. Maybe it wouldn't work with this tweeter and this crossover point?


As you can tell, I've been sucking loads of info off of Zaph's site. He's been a big help. His site totally introduced me to the idea of worrying about distortion. Plus, he's a Wisconsin guy, so I gotta trust him.

-Luke
  Reply With Quote
Old 29th March 2007, 06:32 PM   #2
Speakerholic
diyAudio Moderator
 
Cal Weldon's Avatar
 
Join Date: Jan 2004
Location: British Columbia
For a near field monitor have you considered a full range?
__________________
Next stop: Margaritaville
Some of Cal's stuff | Cal Weldon Consulting
  Reply With Quote
Old 29th March 2007, 06:36 PM   #3
zuki is offline zuki  United States
diyAudio Member
 
Join Date: Feb 2004
Location: earth
http://jacksmusicfactory.com/default...QZS-8_Monitors


not 100.oo though
  Reply With Quote
Old 29th March 2007, 06:42 PM   #4
zuki is offline zuki  United States
diyAudio Member
 
Join Date: Feb 2004
Location: earth
http://cgi.ebay.com/Fosgate-Audionic...QQcmdZViewItem
  Reply With Quote
Old 29th March 2007, 06:51 PM   #5
diyAudio Member
 
Join Date: Nov 2004
Location: Minneapolis
The price limit is a strict $100. $200 is twice that. Also, I would be pretty hesitant to trust any commercial speaker systems in that price range.
  Reply With Quote
Old 29th March 2007, 07:08 PM   #6
zuki is offline zuki  United States
diyAudio Member
 
Join Date: Feb 2004
Location: earth
just throwing things out there.

  Reply With Quote
Old 29th March 2007, 07:10 PM   #7
diyAudio Member
 
Join Date: Nov 2004
Location: Minneapolis
Quote:
Originally posted by Cal Weldon
For a near field monitor have you considered a full range?
I forgot! That was going to be option D. I was thinking that you could use a 3" like the B3S or the TB 871 paired with a larger driver, like the 5" Tang Band, and Cross over fairly low, like 200 Hz. The full range driver would have to be quite flat though, and have good top-end extension. It might work. This is officially option D.
  Reply With Quote
Old 29th March 2007, 07:25 PM   #8
Speakerholic
diyAudio Moderator
 
Cal Weldon's Avatar
 
Join Date: Jan 2004
Location: British Columbia
I would think the CSS FR125 by itself might do the trick. As long as you are close, there's plenty of bass. It's a very balanced driver. Not very loud but you said nearfield, so...

http://www.creativesound.ca/details.php?model=FR125S
__________________
Next stop: Margaritaville
Some of Cal's stuff | Cal Weldon Consulting
  Reply With Quote
Old 29th March 2007, 07:25 PM   #9
diyAudio Member
 
Join Date: Nov 2004
Location: Minneapolis
Quote:
Originally posted by zuki
just throwing things out there.

That's cool. I'm just eager to get some feedback on the DIY options. Thanks!
  Reply With Quote
Old 29th March 2007, 07:37 PM   #10
diyAudio Member
 
Join Date: Nov 2004
Location: Minneapolis
Quote:
Originally posted by Cal Weldon
I would think the CSS FR125 by itself might do the trick. As long as you are close, there's plenty of bass. It's a very balanced driver. Not very loud but you said nearfield, so...

http://www.creativesound.ca/details.php?model=FR125S

I've been reading great things about those drivers on this site for months. I'm interesting in playing with a pair in the future, but for this project they are a little too pricey. I'm also assuming that they would need filtering of some kind, which would add to the costs.
  Reply With Quote

Reply


Hide this!Advertise here!

Currently Active Users Viewing This Thread: 1 (0 members and 1 guests)
 
Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
Near field vs Far field Audist Multi-Way 17 25th May 2007 07:44 PM
Any interest in field RECORDING of music on location? grhughes Everything Else 6 14th November 2006 07:34 PM
Near field / far field? 2litre Multi-Way 4 2nd January 2006 09:44 AM
recording/mixing nearfield monitors ogulinoglo Multi-Way 3 14th June 2004 10:03 PM
diy Near Field Monitors swirv Multi-Way 11 29th August 2002 03:13 AM


New To Site? Need Help?

All times are GMT. The time now is 06:34 PM.

Page generated in 0.11935 seconds (81.72% PHP - 18.28% MySQL) with 10 queries

Copyright ©1999-2012 diyAudio