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#1 |
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diyAudio Member
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hey
so i couldent find a discussion on this, so here it goes. what's to be gained from a elaboarate box design over a simple bassreflex box? the difference of the simple VAS volumed box with a tuning put where its supposed to be, as in contrast to the elaborate, no compromise type of box, using the same drivers and x-overs. just what manner of difference are we talking about here, really? if the difference is what i suspect it to be, then i have my design ready to be smacked together, the simple 6'5"+1" type bookshelf thingy. im needing some quality sound now, badly so. but if theres big improvements to be had by going about a propper design process, then I'm inclined to do just that. so given the same overlying circumstances, box being the only difference, what improvements are to be had? - Marius |
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#2 |
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diyAudio Member
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This is a very difficult question to answer as it was worded. I mean, a great many ported boxes, for instance, are poorly designed, but this comes from designers trying to get more percieved bass from the speaker than is there, and putting a lump in the response. This is done by using a box that is too small and a tuning frequency too high. Also saves space and allows a smaller length port tube, which may be all that fits in the box.
Now, beyond that, There are advantages and disadvantages to all the different designs. Transmission lines, horns, sealed, ported, etc. It's worth looking around the forums and websites to get an idea what these are. Horn's for instance offer the greatest efficiency, and it is always nice to get more output with less power. It offers other advantages as well, most feel that an efficient speaker does a better job with macro and microdynamics. However, you will noticed that frequently the response isn't as flat with these, and they are large and difficult to construct. They are also harder to design for the average user. Transmission lines are nice in that you can get a nice extended bass response, good transient response, again, does a better than average job with dynamics, however its only as efficient as a typical sealed box. Sealed boxes generaly, all other things being equal, offers the best transient response-because of the air cushion, potentially the lowest distortion because of this, and is the easiest to design. However bass is going to be the least extended, and its the least efficient design. There are some sweeping generalizations here too, like the lower distortion and better transient response. Though generally true, its not always, and some here who love their horn loaded speakers especially might disagree. Ported boxes are harder to design than sealed, but not impossible. With modern software like Bassbox, WinISD, etc it has become very easy for the average user. The only issue becomes understanding the graphs, and knowing how a given response will react in room. Also, they only show you how the bass will be, how the box will effect that, not the upper area, where honostly, a box has less of an effect anyway. None the less, I do think that, as an example, my Focal Midbass drivers sound different in the midrange and upper midbass in a sealed vs ported box. Use some software and design it right, you should be good to go here. I'm a fan of ported boxs for a lot of things, I also like Transmission lines, but don't yet really know how to design them right. |
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#3 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Listening to an aiding resonance is different than listening to a controlling enclosed volume which is again different than listening to a progressive absorber or to a transformer (BR,IB,TL,HORN). Given that all approaches can be conceived, measured, and executed with same competence and neutral reproduction as the common goal, the more elaborate you get when for a given driver the simpler isn't productive enough, the more rewarded you are going to get. Keep it simple but not simpler than necessary. The logical exercise of the adequate pays off. Adequate for a well balanced performance target considering you, the room, the spare time, the system, the music, the pocket.
It boils down to philosophy in the end if competence is a given prerequisite. That is why very successful schools of design and practices coexist. They are more suitable to different approaches rather than worse or better. The omnipresent BR is simple and delivers bass volume to the masses. Hence a top survivor. |
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#4 |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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What exactly is an "elaborate" enclosure?
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#5 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Hi,
If I can add my tuppence worth .......... : For manafacturers box size is a major issue. Sealed or bass reflex boxes gives good results in compact boxes and IMO for box volume vs. performance generally they cannot be touched. However there is another school of thought where basically more box volume than the above is available for the drivers. For some drivers this allows more bass in what I'd term "oversize" complex enclosures, e.g. TLs, MLTL's, TQWT's, MLTWQT's etc. Whilst these more complex boxes can get more out of a particular driver - another approach is to exploit the larger box volume with a bigger or doubled up bass drivers - back to square one. Generally for performance per box litre, go for sealed or reflexed. |
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#6 |
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diyAudio Moderator Emeritus
Join Date: Jan 2002
Location: Michigan
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Each box design has its own set of compromises and therefore design or performance constraints. A person has to decide what his or her performance/space/cost/complexity limitations are. That decision will to point to one design over another.
__________________
Rodd Yamashita |
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#7 | ||
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diyAudio Member
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Quote:
what i ment with "elaborate" design was one of higher build and design complexity, such as a transmission line, a box buildt to eliminate standing waves inside the encloasure, one with internal bracing skeleton for decreased box resonances. you know.. complex.. >_< Quote:
i got a spanking in the thread i made concerning the basic design i had settled on. some pretty hefty critique and thats made me rethink my approach. this is the thread BTW |
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#8 | |||
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diyAudio Member
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Quote:
when i was messing around trying to find a design to mate my drivers with i played a lot with winISD and ended up with a 8 liter box tuned at 58Hz, a quick and easy solution, one i thought was going to give good resoults, and mix in well with my subs. I kinda was given the boot on that one and as i'v said in my previous post im back to scratch. And now i have to choose again. Quote:
Quote:
the best performance while keping the box small with good and clean sub intigration, i landed on a bassreflex. Bass was never something i aimed to get out of my 1x6.5 design, as i got 2x12' XLS subs to deal with that. _________________ well, going to have to sleep on the subject for now, allthough my feelings on the subject i wanted to raise is that diminishing returns sets in quickly in a situation like the one raised. And as said, differing box design topoligies are different to each other, not necicarily better. situation of use dictates the best solutions so that kind of leaves me back to a closed\bassreflex box thanks for your replys gentlemen, they are appreciated. -Marius |
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#9 | |
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diyAudio Moderator Emeritus
Join Date: Jan 2002
Location: Michigan
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Quote:
I started to read your original post in the link you provided and couldn't get through the whole thing. You need to decide what your performance goals are and determine if you can afford them, if you have the space to acommodate them, and if you have the skills and/or resources to realize the design. ...or you can go out and buy a nice kit just to get something going while you decide what you really want.
__________________
Rodd Yamashita |
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#10 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Quote:
FWIW sealed is nearly always better for subwoofer integration / use. |
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