The "Elsinore Project" Thread

waveguides cut-out

Hi guys,

I have just started making a pair of Elsinores, on Joe's drawings it has the wave guide cut out at 152mm (dependant on waveguide) but Joel who I ordered the a pair of wave guys from says it is much better with a 151mm hole +/-.1 or .2mm. As 152mm is a standard holesaw size I was planning to go get an appropriate hole saw, however is is that 1mm bigger than Joel feels is ideal (and I doubt able to get the precision he is talking about.

What size has everyone else used for their cut-outs, how have they cut them and what level of accuracy do they think they achieved?

Thanks.
 
tweeter

hi
now that i 've got the round wave guides, thanks to Joel,
i'm trying to figure out how to install the tweeters
i've done a very ugly sketch : it seems to me that the tweeter is screwed onto the wave guide but not onto the wood panels
only the wave guide is screwed to the front panel (maybe the screws are long enough to go somehow into the sub front-panel)

if it is so, would it be useful to use longer screws, 75 mm long, and an a sort of metallic ring of 150 mm external diameter to get a stronger tight ?
don diba
 

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hi
now that i 've got the round wave guides, thanks to Joel,
i'm trying to figure out how to install the tweeters
i've done a very ugly sketch : it seems to me that the tweeter is screwed onto the wave guide but not onto the wood panels
only the wave guide is screwed to the front panel (maybe the screws are long enough to go somehow into the sub front-panel)

if it is so, would it be useful to use longer screws, 75 mm long, and an a sort of metallic ring of 150 mm external diameter to get a stronger tight ?
don diba

I mounted my tweeters to the waveguide and screwed the waveguide into the sub front panel as you outlined. I just used the the wood screws Joel sent with the waveguide and they worked fine. The fit seems very tight.

That said, you could use a long threaded screw and a T-nut:

T-nut - Wikipedia, the free encyclopedia

That might be easier than machining and aligning your ring concept, although I do like the ring concept.
 
So, for the past seven or eight months, I have been running the first of the Bolserst modifications. Recall, Stage 1 is the placing of 33R resistors across each of the bass/mid drivers. I have not posted anything earlier as I wanted to live with the change for a while to get a more complete impression on the effects on the overall sound of the speaker.

Admittedly, after seeing Joe's graphs, I was not expecting the Stage 1 mod to make that much of a difference. Boy was I wrong. As tpate advertised, the effect is fairly dramatic. The bass tightened up considerably and the ever-so-slight harshness I felt I had around the crossover point with the tweeter has completely disappeared. The sound is somewhat less bright, but does not lack detail or resolution. The best part was the imaging became substantially better and the overall projection of depth into the room even deeper.

From my viewpoint, with my build, the sound is full, wide, deep, focused and a bit more integrated across the frequency range. They may be a slight tad south of neutral, but not by much (if at all). The sound is somewhat relaxed but again, does not lack any detail or resolution. I can listen to them for hours and hours and hours. I am supremely happy.

At this point, I am holding off on the rest of the mods for two reasons. One, with my build, I am now pretty happy with the results and the next stages take quite a bit more effort to implement. I have to decide how best to test drive the remaining mods before committing to a big change to the cross-overs. Two, I want to experiment with a new amplifier I have just brought online before I make any other changes to the speakers. More on that to come....

I also haven't posted for ages but after reading your results with the 33ohm resistors some tweaking seems in order. About 3 months ago I retired my CD player and went for a media server and streaming device (Cambridge Audio Stream Magic 6). I expected some improvement due to a higher quality D to A converter but the difference is quite staggering. The Elsinore's positively light up. I've noticed that the Elsinore's "tell it like it is" very much. A good recording sounds very good and a bad one is quite noticeably flawed. You mentioned that imaging seems improved with the Bolserst mod MK1. Hard to imagine how it could be improved but I can't wait to give it a go. Still enjoying my Elsinore's immensely.
 
Does enybody of the Elsinore builders has experince with the speaker in small rooms like 15 sqm.
Im interessted in the Elsinor project but I m not shure if I would overload the room in the bass region with this speakers.

Roland

No worries about too much bass if you seal the vents.

Other options include active equalization, such as the "Audyssy" feature built into many modern recievers.
 
Thanks for your comments.

I was interessted in because at the moment i built up tube monoamps (300B PP likewise Allen Wright did,the big Allen W. Preamp i have build from his schematics is still working) and so i need a speaker with flat impedance and a bit more SPL than my actual speakers to have fun and not stress the amps.

As you see i have no possibility to tune or equalize in an active way.

Roland
 
My room is 3m by 6m. The Elsinores are set up along the long wall and about 1m from the back wall. I have to open the door of the room to let the lowest notes develop. The speakers can be set much wider apart than most. They do boom in the bass if I get them too close to the corners. My room is very "dead" with a lot of sound treatment and bass traps in the corners. The speakers virtually disappear when playing with a large deep soundstage. I have an Audio Note 300b amp and it is just barely enough power to run them. But with the limited power, especially in the bass region, you should be fine. In fact when I use mine with the 300b amp I run a sub.
 
Cross over componants

Can someone please give me some advice as to where they sourced the more critical components of the crossovers within Australia? particularly high quality inductors?

Or does anyone have a set of finished crossovers they are willing to sell? (my skills lay more on the cabinet making side, the electronics is going to challenge me a lot more.)
 
Hi Guys

I know it has taken some time, in fact too long, but the work on the elusive Hamlets has started and in January the project will being coming together. The first stage of computer modelling is on the way. This last year has been the busiest business wise, in fact it has revolved around my work with Oppo players - which threatened to take over my life. But January is always a little slow and I won't mind. So it is a promise for January.

Cheers, Joe R.
 
Can someone please give me some advice as to where they sourced the more critical components of the crossovers within Australia? particularly high quality inductors?

Or does anyone have a set of finished crossovers they are willing to sell? (my skills lay more on the cabinet making side, the electronics is going to challenge me a lot more.)

Hi, you should find everything you need on SpeakerBug's site SpeakerBug, capacitors, inductors, resistors, crossover parts, speaker supplies I have several new parts for the crossovers that I'm willing to sell at half price of the retail cost. Most parts are Erse Audio brand. pm me if you are interested for the list of parts
 
Can someone please give me some advice as to where they sourced the more critical components of the crossovers within Australia?

I get the Jantzen Superior Z Caps from SpeakerBug, capacitors, inductors, resistors, crossover parts, speaker supplies and he accepts PayPal and if you choose the Yellow Express option, you get it the following day. The Jantzen coils are good too.

Remember when I placed an order and he got payment and it said for him to send to Bjoern Rasmussen. So in the email he sent, he assured me it would be sent that afternoon and arrive the following day, which was Friday. Then in the end he asked "Are you related to Joe Rasmussen?"

:p:p:p

Cheers, Joe