Any suggestions for a flat MTM kit to use in a commercial mastering application. I heard the Lipinski 707 last week and its amazingly faithful and even - it blew away all the monitors I auditioned in one of New Yorks best pro audio stores.
The kit I want would have some acoustic time alignment compensation (ie not electronic), and a low order crossover. Plus or minus 2 db 50 to 20k, and not terribly ineffecient. Those are more or less the claims from the Lipinski Brochure.
The kit I want would have some acoustic time alignment compensation (ie not electronic), and a low order crossover. Plus or minus 2 db 50 to 20k, and not terribly ineffecient. Those are more or less the claims from the Lipinski Brochure.
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