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#21 | |
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diyAudio Member
Join Date: Sep 2003
Location: Wisconsin
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-Zaph|Audio- |
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#22 |
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diyAudio Member
Join Date: Sep 2006
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Hello Zaph,
I like your professional website, I guess it's the only place where I can have a look at professional measurements at all. I am very interested in the new 7" Peerless speakers since they are cheaper than Seas' (especially my favourite CA18RNX) and as good as the Seas in the bass region. If I ask politely, will you tell me when there is a chance that you measure some of these? Greetings from Austria, Loiti |
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#23 |
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diyAudio Member
Join Date: Jan 2005
Location: San Diego, CA
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"Well, I wouldn't call it problems with the DA175, just limitations of a lower tech motor design. The two types of distortion we're talking about here are thermal and BL. At lower levels, the DA175 performs on par with the Seas L18. As millimeters of Xmax get used up, the DA175's generic flat and straight pole piece causes BL distortion to accumulate faster than some better motor designs that have better BL curves.
Thermal is simply the driver's ability to maintain it's measurements at higher levels as the voice coil and suspension heat up. This can be easily seen in response and impedance curves that are increased in incremental levels. For example, starting at 90 dB/1m, then running response and impedance plots in increments at levels 5 or 10 dB higher to observe the changes. This kind of testing is still somewhat important, but I usually don't do it due to time constraints. Soundeasy can do Volterra Series Expansion, which is more of an estimate of a BL curve rather than an actual Klippel-style measurement, but still useful. Some day I'll post a set of measurements so you guys can see what this looks like. I'll use the L18 and DA175 too, as these drivers really point out the difference that motor design can make. People want to just add up the Xmax, calculate out the volume displacement and use that to determine how loud a speaker will get, but it's not that simple. A single L18, through most of it's bandwidth, will play louder with lower distortion than two DA175's. Make no mistake that the DA175 is a great woofer, but the higher price of the L18 does get some performance improvements in this case...." John - do the Dayton RS series woofers have the same limitations as the DAs, or is their motor design more sophisticated, allowing higher SPLs without as much power compression?
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#24 | |
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diyAudio Member
Join Date: Oct 2004
Location: The Netherlands
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Quote:
Your answer is in the part you quoted.
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"Convictions are more dangerous enemies of truth than lies" - Friedrich Nietzsche Cardioid-like + Waveguide 2-way |
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#25 | |
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diyAudio Member
Join Date: Jan 2005
Location: San Diego, CA
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Quote:
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#26 | |
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diyAudio Member
Join Date: Sep 2003
Location: Wisconsin
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The DA woofers just have a generic plain straight and flat pole piece. Still, the performance is good for $18 each. Honestly, I like the DA175 cone better than the RS180 cone. Much more controlled in the upper midrange, and a less harsh breakup without the twin peaks.
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-Zaph|Audio- |
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#27 | |
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diyAudio Member
Join Date: Jan 2005
Location: San Diego, CA
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Thanks John. BTW - do you have any idea of the weight of the magnets on the DA175s? I'll need to video shield them. PE doesn't even know, but I'm guessing they're around 15 oz.
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#28 | |
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diyAudio Member
Join Date: Oct 2004
Location: The Netherlands
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Quote:
My bad
__________________
"Convictions are more dangerous enemies of truth than lies" - Friedrich Nietzsche Cardioid-like + Waveguide 2-way |
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#29 | ||
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diyAudio Member
Join Date: Feb 2004
Location: Irvine
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Quote:
I would guess as we get close to Xmax distortion would build up at some increasing rate, and that would be fairly predictable... but I don't have much of a SWAG feel for how fast the thermal builds up. Never have seen a thermal dissipation coefficent published for a speaker's voice coil... Quote:
Now should it get the black anodizing job, or stay silver?
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#30 | |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Quote:
Well just a suggestion: A proper 3-way design. Not a fully BSC'd speaker with a sub added. Possibly an unBSC'd mid/treble with BSC provided by the bass units. But for a proper design you can choose relative amounts of BSC, e.g. mid/treble has 2dB BSC upper mid, bass units provide another 3dB lower mid. The reasons for this ? Decent efficiency from a good midrange driver. A good explanation of the issues involved in 3-ways. Some of us don't have HT recievers, just stereo amplifiers.... Slim tower wise I'd go for high twin side mounted bass units mounted resiliently in force cancelling mode, mid treble built into a triangular section in the top. /sreten.
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