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Multi-Way Conventional loudspeakers with crossovers

Suitable midrange cone, for bandpass mid in Unity horn.
Suitable midrange cone, for bandpass mid in Unity horn.
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Old 17th December 2010, 01:58 AM   #131
John Sheerin is offline John Sheerin  United States
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Quote:
Originally Posted by Patrick Bateman View Post
Smaller holes will limit your SPL, but improve frequency response.)
I've found smaller holes in general tend to make the mid response worse - more of two peaks at either end of the bandpass response with a big dip in between although I imagine it would depend on the driver... The smaller holes definitely screw with the tweeter less though. I recomissioned an old unity a few weeks ago that I'd previously hacked up to make the mid holes bigger to get really nice flat response from the mids (tons of sensitivity too). The tweeter response is crap, but it still sounds pretty decent for a garage speaker with four 10's for bass.
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Old 17th December 2010, 03:51 AM   #132
pk is offline pk  Denmark
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Default How about using the Beyma TPL-150 as tweeter in an all-out unity?

Hi,

I can't help wondering: Why not use the Beyma TPL-150 as tweeter in an all-out unity speaker?

I know this is easy to suggest for someone (like me) who is unable to model the monster. I am also aware that the TPL is much more expensive than a BMS 4550 or a B&C DE250 or any other 'normal' 1" compresssion driver candidate for the tweeter job. But the TPL sounds incredible down to 1000 Hz (simply better than the compresssion drivers I have tried), and second you will not have to mess around with any circular-to-rectangular throat transition in the tweeter section because the TPL is born rectangular in the first place.

Just a thought...

And thanks for keeping this interesting thread alive

Best regards
Peter
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File Type: pdf Beyma TPL-150.pdf (89.5 KB, 68 views)
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Old 17th December 2010, 12:57 PM   #133
jeno is offline jeno  Norway
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Originally Posted by Patrick Bateman View Post
[*]Second, get a woofer with a nice motor. I've whined about this a few times, but I really think you can do better by using a midrange with low distortion. Tangband makes a lot of small woofers that work nicely in a Unity. All of the math you'll need is in this thread. I think that Danley uses prosound midranges because they have the right set of Thiele Small Parameters, they can handle a lot of power, and they're relatively affordable. Danley can't use Tangband because his customers care more about power handling and reliability than they care about distortion. But for a home speaker, the smaller midranges are a better option IMHO.
Is distortion really a problem in a bandpass whith all the higher frequensies acoustically low passed?
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Old 17th December 2010, 03:50 PM   #134
hellonwheels is offline hellonwheels
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Quote:
Originally Posted by jeno View Post
Is distortion really a problem in a bandpass whith all the higher frequensies acoustically low passed?
Without a question distortion goes up as excursion is increased. Over range where you don't have selfinterference, the distortion should be reduced by 75% just from having 4 drivers driving the horn. Unless your reaching the nonlinearities of air by having to high of airspeed in the holes. Frustrum will help with that.

Plus you get the gain in spl from the horn! I have to wonder why nobody else drives a horn with multiple drivers from the sides?
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Old 18th December 2010, 12:20 PM   #135
SunRa is offline SunRa  Romania
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I thought a lot about the unity in the last months, and a dillema keeps bugging me.

The Unity and Synergy horns have been designed to allow:
i) a single point source +
ii) an excellent power handling capabilities across the 300-18.000Hz while
iii) keeping the distortions at minimum in the 300-1000Hz, which is the most problematic for CD's to handle.

Next the design moved to hi-fi usage and I wonder if it really is the best set of compromises. My main concern with Unity, as I've pointed out earlier, is the interaction between the midrange slots/holes/ports or what do you want to call them and the 1" CD. In the light of the recent advancements in horn profile design, (LeCleach, Geddes), the terminations and discontinuities are playing a larger role than considered until now.

So what would be the alternative? How about the new coaxial drivers from BMS and B&C. Can you find any reason not to replace a unity design with those? Let's see:

+ similar system cost (one coaxial CD is about the same as 1" CD + 4 midranges and the additional headaches of mounting them).
+ lower crossover complexity than the unity
+ even better single point integration of the sources
+ no diffraction sources in the throat of the horn

CONS

- lower power handling in the 300Hz area (although is this really an issue in a home environment?)
- possible higher distortion figures in the 300Hz - 1000Hz domain. This is the greatest strength of the Unity in my opinion. Can this lack of distortion be however compensatend by the lower complexity, diffraction free design of the coaxial CD?

How would you comment the above?
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Old 18th December 2010, 03:07 PM   #136
Sheldon is offline Sheldon  United States
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Not sure that the crossover complexity is really more difficult with the Unity. Since the crossover to the LF driver (I'm assuming something in the 12 -15" range) can be done at 3-400 Hz, it's easier to get a smooth handoff in directivity.

Nor is it clear that the single point character will be better with the coax.

Not sure that the mid entry diffraction is a big issue - at least not with small entry holes (as are adequate for home use). Earls' foam is a help here.

If I didn't already have the Unity's I'd be tempted to try the coax approach. Both approaches, however, have a limited range of drivers to work with. With the Unity, you do have the option of moving things around. With the coax, the physical relationship of the drivers is fixed, so you have to make that work.

Sheldon
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Old 18th December 2010, 07:32 PM   #137
SunRa is offline SunRa  Romania
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Thanks for your reply Sheldon, much appreciated. Just to make sure, by coaxial driver I meant coaxial compression drivers, such as BMS 4594, or the equivalent drivers from B&C.
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Old 18th December 2010, 08:33 PM   #138
Sheldon is offline Sheldon  United States
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Yes, understood. On rereading, my post seemed to imply a difference between Unity and coax in the crossover to the woofer. Anyway, in practice, I'm not sure the Unity high/mid crossover is necessarily any more complex than the coax.

BTW, one advantage of the lower crossover to the woofer, afforded by both the Unity and compression coax, is that they may be better for nearer field listening. Bateman has mentioned this in previous posts. This is probably due to the frequencies above about 300 Hz emanating from a point source.

Sheldon

Last edited by Sheldon; 18th December 2010 at 08:37 PM.
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Old 18th December 2010, 10:10 PM   #139
Patrick Bateman is offline Patrick Bateman  United States
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Quote:
Originally Posted by SunRa View Post
I thought a lot about the unity in the last months, and a dillema keeps bugging me.
<snip>
I own Gedlee Summas, and I've built five Unity horns for my car. (If at first you don't succeed...)

I've posted some commentary on your question here:

Audio Psychosis &bull; View topic - Unity VI: Crossover

The thread above will document my sixth Unity horn. Construction begins today.
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Old 19th December 2010, 07:17 AM   #140
SunRa is offline SunRa  Romania
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Thanks for reply. I'll really look-up to your new unity design, you should publish an article or something after this saga .

I guess it all comes down to experimenting. I am making all kind of theoretical models on what is better, but I really need to turn some waveguides and start experimenting...
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