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#21 |
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diyAudio Member
Join Date: Oct 2004
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Like Nemophyle allready said, the 102kep or the 135kep from monacor are true gems among the midrange (kevlar) units.
It's like a coincidence but today I just disassembled an old projekt of mine with a 102kep. Since I didn't have any measure equipment back then I was curious about how good this unit actually is. I measured it today and the frequency responce and decay diagram are impeccable! I think I'm going to use it in some highend projekt in the near future together with the Seas Noferro12 tweeter wich is to me his ideal partner. |
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#22 |
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diyAudio Member
Join Date: Jan 2004
Location: Athens
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There is no best cone, but there are goof cones for a specific work and price/value ratio. If you would like to proceed to a high sensitivity design, here is another candidate, if you are willing to pay a little more:
http://www.phlaudio.com/datasheets/17_pdf/1220_1230.pdf Really crispy clean even in very high listening levels, able to reveal information that is lost in many insensitive drivers, exceptionally dynamic, relatively smooth response. You would have to perform your measurements though, since the manufacturer doesn't provide any;-) Regards, Thalis |
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#23 |
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diyAudio Member
Join Date: Jan 2004
Location: Athens
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Not goof, but good, I meant ;-))
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#24 |
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diyAudio Member
Join Date: Nov 2005
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Thiel used the 13M8640 long ago, in their first three way; the speaker that made their reputation. I used the 8636 coated Kevlar to good effect in a commercial design that was on the market for ~ 5 years. By modern standards, both would be sweet and a bit veiled, the 8640 more so. But both are very musical drivers.
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#25 | |||||
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diyAudio Member
Join Date: Sep 2004
Location: Sydney
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Quote:
Whether you are going for this ideal or not, some level of controlled directivity is actually a “good idea” as Owdi said before. Quote:
No not at 80Hz!!! I think it is most likely that you have heard this number referring to the frequency at which our ears can start to hear the direction from which bass is coming!? Don’t confuse that with the directivity of drivers!For any given driver the point at which directivity starts is a frequency called “Fd” and is dependant on effective driver diaphram diameter (Effective diameter can be roughly estimated by measuring the distance between the centre of the suspension on one side to the centre of the suspension on the other side) Fd = 109500 / diaphram diameter in mm Dome shaped drivers sometimes may have slightly better dispersion because the initial wavefront they create is a little more sperical. Fd is around 1.3kHz for the 4 inch drivers I mentioned Fd is around 860Hz for the Vifa XG18 I agree with Owdi & Zaph that tis is a great driver Fd is around 3.9kHz for your average 1” tweeter! Drivers become gradually (not suddenly) more directive above Fd which is why we happily use 1 inch tweeters. For mid range drivers most sane people are happy to use a driver well above Fd. I don’t actually think about Fd when designing but as an observation my mids are most often used to within 2.4x - 3x their Fd. Quote:
Smaller than you might imagine? Quote:
Quote:
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#26 |
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diyAudio Member
Join Date: Oct 2001
Location: Bratislava
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And what about Audax HM130Z12? It has great cone made of aerogel and it's rated very well in DIY speaker building comunity.
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#27 |
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diyAudio Member
Join Date: Nov 2002
Location: Place in the Netherlands
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I would not use kevlar for the mids, use a good paper, poly, glassfiber cone instead. Less breakups and easier to filter. If you want pistonic operation consider Alu/ Magnesium cone, but these cone's need more work on the x-over.
So in short, look at Seas L15, W15, Scanspeak 15W, C-quenze 15H, Peerless HDS/ Exclusive, Vifa PL 14 and so on. You can also consider a larger cone to reduce distortion, Vifa XT & XG 18 are great value. Or Dayton RS180/ Seas L18 for alu cone. Or my personal best 18H. |
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#28 |
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diyAudio Member
Join Date: Nov 2005
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I generally agree with the Kevlar comments above; in the case of the 8636 a dampening "goop" tames the typical fierce Kevlar high end breakup.
The only Aerogel I ever evaluated, some 5 or 6 years ago also had a bad high end breakup. As a rule of thumb, based on limited experience, polypropylene is a more reliable choice than other cone materials. Since this is a first project, I do strongly urge using drivers with a flat frequency response, without a strong peak at the high end. |
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#29 | |
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diyAudio Member
Join Date: Oct 2004
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taco wrote:
Quote:
What I don't understand is why you say that glassfiber cones are easier to filter and have less breackup. All the glassfiber cones I know of have a very large resonance peak somewhere in their freq. response. |
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#30 |
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diyAudio Member
Join Date: Sep 2004
Location: paris
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i agree on the comments above about polypropylene and paper, although the monacor drivers are very well behaved, and may not be hard to filter.
the vifa XG18 looks also like a very good solution. bombardon i would be very glad if you could send me your measurements about the SPH-102KEP ! |
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