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#1 |
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diyAudio Member
Join Date: Jul 2004
Location: Columbus, OH
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I just hooked up my new DEQ2496 and had a few hours to play with it. I'm sure I barely even tapped what this thing can do but what it has done so far is pretty amazing!
Here's my setup: CD Player Optical Out -> DEQ2496 Optical In -> DCX2496 Analog XLR In -> Two Teac Digital Amps via RCA -> Line Arrays I have my DCX2496 hooked up to my line arrays and only set the crossover to 1.98k with LR 24db slopes. I then went into RTA mode, placed my Behringer 8000 mic at ear level where I listen and let it do the Auto EQ. I set it flat from 20 - 20k at first, and saw that it needs to boost 20hz 15db, which obviously means if I'm optimistic to get flat 20hz bass I need to get my dual Shiva sealed sub hooked up. After the Auto EQ was done I popped in a Norah Jones CD and had a listen. At first it sounded pretty different than what I was used to. I listened for 15 minutes, then turned the EQ off and wow, what an improvement! I invited my brother over to have a listen and he was equally impressed. I then grabbed some rock/metal that I'm used to and noticed I wasn't very impressed with the EQ turned on. The mids and bass seemed very thin (I have a few bass bands that are around -3 to -8 EQed) and when I turned the EQ off, the sound came back. I'm thinking this is due to rock/metal recordings being recorded for the average music system. Does this make sense? The manual is absolute **** so I'm going to need some elementary advice. Anything you guys want to throw at me. In the manual it recommends not correcting for under 100hz...why is this? I see it has a Feedback Destroyer built into it. Should I use this function to tame my bass or just let the Auto EQ handle that? My next speaker project is a Orion clone with dual Dayton RS12 HiFi woofers, dual Dayton RS180 7" mids and a single Dayton RS28 tweeter. I had initially planned on using the DCX2496 only to set up the crossover and let the DEQ2496 handle all the EQ. Well, since I'm not exactly thrilled with how rock/metal is sounding, should I not take this approach? Note: I have no measurement equipment aside from this. I could take the dipoles outside on a very quiet day, set the DCX/DEQ up and let the DEQ give me a corrected outside curve. I could then transfer that curve over to my DCX2496 and save that setting as a rock/metal setting on the DCX. I will also have a setting with no EQ on the DCX for when I run it with the DEQ and let the DEQ correct it, for when I want to do some critical listening. One last thing. When I have most CDs playing the DEQ's level lights are usually 1 down from clipping, at -3. When I put in Taproot - Blue Sky Research (great new rock CD) I'm continuously clipping the input. I can't figure out how to adjust the input gain on this thing. Also, when it clips it sounds like the sound pulsates in and out. Very frustrating. Sorry if this message was so long but I'm not quite sure what to do. I really appreciate any input you guys have. Thanks! |
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#2 |
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diyAudio Member
Join Date: Feb 2001
Location: Mars
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I have my DCX2496 programmed with 11 presets to accomodate
different genres of music and/or mood listening driving the line array. Preset 1 is mellow and scales in increments to aggressive mode, preset 11 just by changing simple settings in the DCX. When I pop in a CD, I recall preset 5 and listen and determine right away if I need to recall more mellow or aggressive settings. For metal and rock music I use the more aggressive settings. I have a spreadsheet showing the settings I use but these setting are only applicable to my scenario but it may give you an idea on what my simple methodology is. send me email if you want to check it out. |
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#3 |
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diyAudio Member
Join Date: Jul 2004
Location: Columbus, OH
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Sure, I'd like to take a look at it. It won't let me send you an e-mail:
"Sorry! That user has specified that they do not wish to receive emails through this board. If you still wish to send an email to this user, please contact the administrator and they may be able to help." Shoot me one at mazeroth8 at yahoo dot com Thanks. Still looking for more answers |
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#4 | |
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diyAudio Member
Join Date: Apr 2004
Location: 12km off the alaska highway in northern BC
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Quote:
After auto eq, I usually only smoothen the diffeernces between bands. I also choose to preset the aute q to a max of =/- 6DB. I also recommend to connect the deq and dcx via aes/ebu 110 ohm cable. If you boost the highs to 15 db - no wonder the rest sounds thin... I do not have a problem with the behringer manual - you just have to read carefully ( english is my second language). It is written very terse w/o any excess information - but it is meant for pro users, so you have to really familiarize yourself with the unit. |
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#5 |
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diyAudio Member
Join Date: Oct 2003
Location: North Georgia
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I use the DEQ2496 and like it a lot. However, I get much better results using the manual PEQ function. Auto EQ is good for rough adjustments when you're pressed for time, but results can be erratic. I also recommend the aes/abu connection between the DEQ and DCX.
The DCX itself is actually quite powerful. It takes time to understand the potential...just be patient and experiment. For example, you are not limited to "textbook" electrical xo's when you start combining some of the internal DCX EQ with the filters. Wings WTW |
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#6 |
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diyAudio Member
Join Date: Sep 2003
Location: Melbourne, Australia
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I use DEQ2496 as well, and have had it permanently in my system for almost a year. I use it in between pre and power amp, and I also use it for the sub.
Thorsten Loesch has written a guide for setting up EQ in units like this. I belive it's in a yahoo user group, but I can dig it up if you like, or google "Eq target curves." I'm no expert but this is how I use it: 1. run Auto EQ - flat 20 - 20k 2. adjust manually so there is no extreme boost on the top or bottom end, also to remove excessive boost to try to fill in room modes 3. parametric eq - gentle bass boost around 2 - 4 db, I put in a BBC dip and treble tapers off from about 1.5k to 20k @ -2.5 db I then often turn up the sub just a little above the level I had it calibrated for. I also widen the sterro width a little, dial in a loudness curve which boosts bass at lower levels. I think at one stage I've also used a curve to cut back treble at higher levels. I also use limiters and dynamic filters which reduce dynamic range at high SPL. This means I can rest easier when playing loud as far as clipping goes. I set it so that the filters only kick in when the amp is being pushed hard and is likely to clip anyway. One time I had friends over for a movie and had to move the speakers into the corners to fit everyone in. I quickly recalibrated, and unlike a previous night when I didn't have UC, the boom from corner loading was taken out of the bass! Flat does not always sound better. It merely gives you a platform from which to then have some control of the sound you want. Purists might object, but in reality there is always a choice made to the level of bass, how laid back a recording will be, etc. In my room, UC removes a room mode peak around 35 Hz which is actually quite fun to listen to! If you miss things like that, you can always put some boost back in, but when you put it in, you have control. I find the manual quite easy to follow - I suggest you persist with it a little, but at the same time, keep fiddling. The RTA is very interesting when watching movies. You will probably be surprised at how much content there is below 40 Hz. The SPL meter is also a nice feature since you don't have to make allowances if your meter is flat. Just put it in your listening position, put on some music and get a real world idea of what kind of peak SPL you are getting from your system.
__________________
AUDIO BLOG | Bass integration guide My work: www.redspade.com.au web design studio |
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#7 |
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diyAudio Member
Join Date: Jul 2004
Location: Columbus, OH
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Guys, thank you SO much for the replies! I had time to read through them but not try anything due to being very busy the last two days. I will be sure to try your advice out in the next few days.
One thing I would like help on immediately, if possible, is the fact that I'm going optical out from my DVD player into the DEQ and whenever I add ANY sort of EQ it's auto clipping, and the sound pulsates. When I turn the EQ off I'm usually at -3 db on the meter. Any idea how to turn the input gain down on the optical? I can't figure it out for the life of me. Thanks again! |
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#8 |
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diyAudio Member
Join Date: Sep 2003
Location: Melbourne, Australia
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The downside with putting UC in front of your preamp is that you remove its volume dependant functions - loudness contours, dynamic filters and limiters, etc. While not essential, I find them useful.
__________________
AUDIO BLOG | Bass integration guide My work: www.redspade.com.au web design studio |
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#9 | |
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diyAudio Member
Join Date: May 2004
Location: Dallas, TX
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Quote:
Regards, --Chris |
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#10 | |
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diyAudio Member
Join Date: Jul 2004
Location: Columbus, OH
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Quote:
Thanks. |
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