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#41 | |
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diyAudio Member
Join Date: May 2005
Location: NC
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Quote:
hey can you tell me a good clock that's cheaper than that antelope or w/e you use .... maybe more budget minded??? |
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#42 |
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diyAudio Member
Join Date: Sep 2002
Location: Copenhagen, Denmark
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This all very impressive work and very interesting.
Let me suggest that you take a look at the Denis Sbragions DCR tool called "DCR". There is a wiki at: http://www.duffroomcorrection.com/wiki/Main_Page And the tool itself: http://drc-fir.sourceforge.net/ What the tool does is it produces a Impulse response that tries to correct as much as possible of the rooms negative influences both in time and frequency domain - the Proposed methode in this thread only deals with correction in the frequency domain. The Impulse response must be convolved with the main audio stream prior to X-over process. The X-over must stll be given great care and thought in order to reach a god result. If Foobar 2K is used to feed the console program the convolver in foobar 2K can be used. Let the ideas flow .... |
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#43 | |
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diyAudio Member
Join Date: Feb 2004
Location: UK
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Quote:
I've messed around with DCR and ACXO before I found all this. Like you said you can use a convolution plugin in winamp/foobar to great effect. The downside of this is that your strictly limited to music only and no external sources or DVD decoding aswell as games filtering. There's actually some very powerful professional convolvers that are available for this setup. I haven't mentioned them so far because I didn't want to confuse and muddy things. I'll save that till afterwards and if folks like what they hear then they can try other little suggestions out. The one I use is called Voxengo Pristine Space and actually can convolve a stereo inverse reverbs. Though you need two mics to capture such a thing! The main problem with impulse responses is the fact that unless you use a very high quality mic and pre-amp to capture the room and also use a suitable sound, usually a gun shot or electric 'crack', to trigger the rooms impulse then the results are often inferior to the method I'm describing here. The main problem is that the very tonal qualities of the sound are altered in quite a dramatic fashion with a convoluter and its easy to imagine that a less that perfect impulse response may actually make things worse. Back in my perceive v1 construction thread we talked about this and I actually hired an Earthworks M1 microphone and a decent preamp from a local company The results were good but it was difficult to get a good impulse response. The method outlined already is superior 90% of the time from my experience messing around. |
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#44 | |
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diyAudio Member
Join Date: Feb 2004
Location: UK
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Quote:
We really need RyanC or Vil to interject here because they have more knowledge than me regarding such things. |
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#45 | |
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diyAudio Member
Join Date: May 2005
Location: NC
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Quote:
alright... this seems like something I can probably come up with here |
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#46 | |
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diyAudio Member
Join Date: Feb 2004
Location: UK
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Quote:
I tried this method though and actually prefered the DCX, so you may be better served elsewhere if you don't fancy the hassle and expense of this setup. If you do try the foobar method please don't compare it to this one because, as I've said, its not a patch on it. |
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#47 | ||
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diyAudio Member
Join Date: Feb 2004
Location: UK
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Quote:
Quote:
First was passive: I prototyped the original XO using just cheap wirewound resistors, air cored inductors and cheap polypropylene caps. After I was happy and settled on proper values I went for Audyn + caps, Goertz copper foil inductors and Mills non-inductives. I wasted a fair amount of money on all these boutique components and even went to the trouble of ordering the Goertz & Mills from the US. Then analogue active: I used Rod Elliots P09 boards to create a 3-way XO. Here I also spent decent money and the best components I could get such as black gates etc. Then Behringer DCX: I actually prefered this to the analogue active but not to the passive setup. Finally what I have now and detailed in this thread: Comparisons between all the previous attempts showed an audible improvement by a decent magnitude when setup with DRC and fine tuned. I've simplified things here but there was actually postive and negative points to each setup. There wasn't one that was better in all area's and that includes cost. There was a clear winner where it matters the most though and that was sound quality. |
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#48 |
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diyAudio Member
Join Date: Dec 2003
Location: Columbia, SC
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Thanks, but I'm still kind of left in the dark as to what kind of IIR filters are available... Is there an IIR equivilent to Waves LinEQ that wouldn't use as much processing power?
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#49 | |
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diyAudio Member
Join Date: Sep 2002
Location: Copenhagen, Denmark
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Quote:
http://support.supermegaultragroovy...._Sweeps_vs_MLS ... with further links And the actual tools for the PC platform: http://www.ramsete.com/aurora/ |
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#50 |
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diyAudio Member
Join Date: May 2004
Location: Toronto, ON
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This is quite the interesting thread. I myself own a DEQX, that admittedly I haven't had much time to play with. I was looking into a PC solution before buying my DEQX but felt that it would require too much effort for the time being and took the easy way out for now.
I do want to eventually experiment further in this realm of things. I wonder if the equivalent to all your applications is available in Linux, I know that FIR XOs have been done but not sure to what extent the DRC has been done. I think the resources required could be minimized under Linux, but I am not sure about that. I also think if video wasn't really a requirement you could get away with a much less powerful PC by using a much larger buffer, so hiccups wouldn't be a problem. Again I could be wrong, but I have to think it has to be possible. Ultimately, the real reason I intent to eventually move from DEQX to PC based DSP is for ambiosonics. A friend of mine has a proof of concept system designed around an ambiosonic presentation. I have also heard SACD & DVD-A multichannel presentation on a $150,000 system. Let's just say DVD-A/SACD Mch missed the mark. Not only is it more convincing, it works with mono/stereo/mch recordings you already have, so one doesn't have to go out and find those 2 elusive mch recordings done right that you actually like. |
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