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#1 |
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diyAudio Member
Join Date: Apr 2005
Location: Coventry,England
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Theres not much talk on this subject (unlike caps), yet the tweeter l-pad resistors must affect the sound somewhat.
I've currently got bog-standard ceramic coffins in my XOs; have previously used MOX10s, but I dont remember being particularly impressed. I'm thinking of ordering something from Percyaudio, so the choice looks like: caddock MP820 or MP930(big price difference here) or the seemingly well thought of Mills MRA12. I think Wilson use caddocks, but does this mean they are the best? Any opinion welcome, thanks folks.
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I w isH i cuold typpe bettr |
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#2 |
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diyAudio Member
Join Date: Jul 2004
Location: Sudbury, Ontario Canada
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Padding resistors definitely affect the sound. I don't care for the Lynk metal-film resistors. Mills are very good. I found Caddocks a little more transparent, but they're a pain in the butt in a crossover. They need a heat sink, and they're tricky to install with the heavy gauge wires. I'll stick with Mills from now on, the difference isn't worth the aggravation.
Re MP830, Mp930 etc, I spoke with a Caddock engineer and he said all Caddock resistors sound the same. He also said he's heard many times that their resisitors sound better than Mills.
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Dan |
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#3 | |
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diyAudio Member
Join Date: Apr 2005
Location: Coventry,England
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Thanks Dan, thats useful insight.
I tend to consider transparency the ultimate goal, so I might work up the courage to make things hard for myself and go with the caddocks. Quote:
I wonder if the engineers listen to these things like we do....... of course, if hes right, we can just buy the cheapest
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I w isH i cuold typpe bettr |
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#4 | |
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diyAudio Member
Join Date: Jul 2004
Location: Sudbury, Ontario Canada
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Quote:
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Dan |
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#5 |
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diyAudio Member
Join Date: Nov 2004
Location: Manassas virginia usa
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If The resister dosen't have to disapate large quanitys power, and is used in a tweeter or midrange circuit and is not to large in value less than 1 ohm may be 2. The best sounding resister I have ever heared I made from small guage magnet wire, 32awg. I've even use an old voice coil. Even with some extra inductance it still sounded "better" cleaner than any other resister I've tried. Once you know the ohms/foot it's easy to cut a piece of wire to get any value you need, wihin reason. to minamize inductance I wadded the magnet wire in to a little ball. In fact the length of wire I needed for a padding resister for a tweeter turned out to be just the right length to use it as speaker wire to the tweeter. minamal stuff in the tweet circuit!
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#6 |
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diyAudio Member
Join Date: Apr 2005
Location: Coventry,England
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Joules- I like this idea a lot, but in my case( I need 5.5 ohms) a quick check suggests I'd need about 15 foot of 40awg and this would give only around 1 watt of power handling. Not practical unfortunately. Makes me wonder what resistance wire(constantin?) sounds like?
As for 65$ caddocks- maybe they have a sample program
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#7 |
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diyAudio Member
Join Date: Apr 2003
Location: New York
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I use Mills resistors everywhere. Very good.
Harry |
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#8 |
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diyAudio Member
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Hi,
I use resistance wire for my tweeters, and I reckon it has very little sonic character. If there's any difference it's certainly better than MOX, which is a tiny improvement over the coffins. Resistance wire is a pain in the behind to solder though!
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#9 |
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diyAudio Member
Join Date: Apr 2005
Location: Coventry,England
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Hi Simon,
I see maplins do a 28awg resistance wire; I'd need about 4 foot to do the job. Any idea on power handling? I guess the best way to use it is to sleeve in teflon, zig-zag it and use a cable tie to hold it together. Why's it hard to solder BTW
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#10 | |
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diyAudio Member
Join Date: Mar 2005
Location: Taiwan
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Quote:
Some 50W or 100W wire resistors might be good. They look somewhat like the pic. For 5 ohms, the wire isn't long.
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