I use Sample Champion http://purebits.com
Also because I am the author of it
Anyway, with this or other software, I suggest you also to use a very good soundcard for the measurements. Note that many modern soundcards work internally always at the same sample frequency (usually 48 kHz) and make a software resample of the other. This procedure for music listening *could* be acceptable but for audio measurements is not recommended and causes bad measurements.
Just try doing an impulse response loopback measurement with your soundcard to have the impulse response of the A/D and D/A stages (combined). You'll discover a lot of things about your soundcard.
Also because I am the author of it
Anyway, with this or other software, I suggest you also to use a very good soundcard for the measurements. Note that many modern soundcards work internally always at the same sample frequency (usually 48 kHz) and make a software resample of the other. This procedure for music listening *could* be acceptable but for audio measurements is not recommended and causes bad measurements.
Just try doing an impulse response loopback measurement with your soundcard to have the impulse response of the A/D and D/A stages (combined). You'll discover a lot of things about your soundcard.
Measurement Software
My personal favorite software are: www.winmls.com winmls2004 and DPA 4006 mic.... used on ESI Quatafire610 firewire soundcard
My personal favorite software are: www.winmls.com winmls2004 and DPA 4006 mic.... used on ESI Quatafire610 firewire soundcard
samsagaz said:
This mic are almost the same as AUDIX TR-40 ( might be a bit cheaper..) and I have compared it with B&K (DPA ) 4006 and earthworx M30.
The behringer are a bit more noisy but will work fine for standard loudspeaker measurements.
the best software for this is winmls2004
made in Norway
Audix has a 128 dB max SPL, while Behringer reaches 125 dB: not a big difference; frequency response is similar. Now what is important is to have the mic calibration data, to be imported in your measurement program. Since Behringer costs 1/3 of Audix, I prefer to use the ECM8000 and spend some money to get the calibration, and still I will be saving over the Audix.
Claudio
Claudio
steverb,
Where did you get your mic from? Did you buy it completed or just the capsule and wire yourself? (reason I ask is I'm in WGTN and want to know a good NZ local supplier)
Also - do you have an impedance measuring jig? If you made it did you follow a popular design (eg. Eric Wallin) or did you buy pre-assembled? Again - if you built yourself, where did you source the parts?
Sorry for all the questions - but electronics parts suppliers (unless I'm not looking hard enough) don't have the variety... or the quality of components in NZ.
Cheers,
David.
Where did you get your mic from? Did you buy it completed or just the capsule and wire yourself? (reason I ask is I'm in WGTN and want to know a good NZ local supplier)
Also - do you have an impedance measuring jig? If you made it did you follow a popular design (eg. Eric Wallin) or did you buy pre-assembled? Again - if you built yourself, where did you source the parts?
Sorry for all the questions - but electronics parts suppliers (unless I'm not looking hard enough) don't have the variety... or the quality of components in NZ.
Cheers,
David.
A new version ( 2004 ) are to be released and i am not shure about prices for different levels... please check www.winmls.com for contact info. I have tested the beta and are pleased with nice test results..cdoggy81 said:osundoy,
Does that come standard with the cheaper versions ($40 & $70) or do you need to buy the higher level stuff? I think JustMLS will work fine but for $40 I can get group delay and distortion it would be worth it.
Thanks
Olav
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