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#1 |
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diyAudio Member
Join Date: Feb 2002
Location: Sydney
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At http://headwize.com/projects/showfil...meier5_prj.htm
Jan Meier says this: “Mechanical harmonic distortion in the inner ear: A pure 200 Hz sine wave not only makes the basillary membrane inside the ear vibrate at 200 Hz, but also at 400, 600, 800, 1000, 1200.... Hz. For sine waves between 200 and 3000 Hz these overtones have amplitudes of 33%, 13%, 6%, 4%, 2%, .... of the amplitude of the fundamental. Harmonic distortion in the inner-ear thus sums up to approximately 60%! Nonetheless, we only hear a pure sine-wave at the fundamental frequency since our brain has learned that this specific frequency spectrum belongs to a pure tone.” This made me wonder if it was possible to create a waveform which would let us perceive only the fundamental, and if so what that waveform would look like? Pete McK |
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#2 | |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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#3 |
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diyAudio Member
Join Date: Feb 2002
Location: Sydney
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then how about a waveform that would excite only the fundamental?
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#4 |
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diyAudio Member
Join Date: Jun 2004
Location: cosmological consciousness
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I think i know what your trying to say, but i dont have an answer,
an audiologist would have some kind of answer am sure, if it made sense is another thing, I really cant imagine what the wave would look like? |
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#5 | |
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diyAudio Member
Join Date: Jan 2004
Location: Toronto, ON, Canada
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Quote:
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#6 | |
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diyAudio Member
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Quote:
I think you'd hear the missing harmonics like they're there. I don't think that this is something we need to worry about for HiFi, but it could be a consideration for cochlear implants or a future technology with direct connections to the brain! -Joe PS- I wrote more, but "check message length" tells me that this is over 10,000 characters! EDIT: I completely misread the message that popped up. It was a little on the long side, and I thought that since I was new I might have some sort of introductory message length limit. What I was saying, though, is that with a wave "negative" would just mean "out of phase". So yes- I think that it's reasonably possible, if you studied an ear enough, to create a waveform that would produce a single fundamental at a given point. Of course, IIRC, the ear is a complicated thing and the part that converts motion to nerve impulses is not a single point. |
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#7 |
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diyAudio Member
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You create the harmonic overtones and this makes you hear the fundamental without it being played. That's how several of the bass enhancement products like MaxxBass and others create the audio illusion of bass frequencies with drivers that won't play those low frequencies. The problem is that since those low frequencies aren't really played, you can't feel them so it doesn't sound quite real.
__________________
Everyone has a photographic memory. It's just that most are out of film. |
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#8 | |
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diyAudio Member
Join Date: Nov 2002
Location: NZ
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Quote:
Certainly! perception and reality can be rather different things. I downloaded a 'sub harmonic synthesiser' that adds 'lower bass'.Infact,all it does is make sinewaves more like square! |
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#9 |
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diyAudio Member
Join Date: Feb 2004
Location: US
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>then how about a waveform that would excite only the >fundamental?
That's a nice idea. One has to think about the way sound excites the membrane of the ear. To greatly simplify things one can consider a string with fixed endpoints e.g. a guitar string. If you were able to deform the string in a perfect half wavelength shape then release it I believe you would have no harmonics. However, if you were to pluck it at a point you would get all sorts of travelling waves. Some of those travelling waves, however would superimpose on opposite travelling ones just right to cause standing waves i.e. resonance at various harmonics. These waves eventually die away due to internal losses e.g. friction. So you could try two things: you could either try to stick somethings in your ear which only excites the 'fundamental' or you could try to supress the membrane from vibrating at harmonics. Perhaps this would be possible by playing tones at the harmonics which are '180 deg' out of phase with the 'fundamental', by this I mean that when the 'fundamental' is pressure maximum, the supression tone reaches pressure minimum. However this depends on exactly how sound pressure excites the tympanic membrane. You could have the opposite effect! Once could easily do audio experiments to see if the brain filters this stuff out. |
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#10 | |
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diyAudio Member
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Quote:
Jan Didden
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