|
|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Multi-Way Conventional loudspeakers with crossovers |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Apr 2004
Location: Milwaukee
|
Crossover too near resonance?
Everything I have read says you have to keep the crossover frequency far above the driver’s resonant frequency, like 1-2 octaves. But in Vance Dickason’s speaker cookbook he mentions an article by Joe D’Appolito in Speaker Builder 4/84, (Which I don’t have, has anybody read the article?) Which apparently says that a second-order Butterworth network “...can be used in conjunction with the 6dB/octave acoustic high-pass response [of the driver] to derive a combined 18dB/octave Butterworth response... “ In other words, you put the crossover frequency right on top of the driver’s resonant frequency, instead of far above it. First, wait a minute, is that a misprint? I thought the acoustic high-pass response of a driver was 12 db/octave, not 6dB /octave? Second, if that technique really worked, wouldn’t everybody use it? If you could really cross over your tweeter AT resonance, instead of an octave or two above resonance, you would get a lot more extension out of the tweeter. If you could really cross over your mids AT resonance, instead of an octave or two higher, you would get a lot more extension out of the mids. It seems too good to be true. Has anybody tried this, or read the article, or if not, what are the drawbacks to this technique? Thanks, Niacin
__________________
Lord Niacin |
|
|
|
|
#2 | |
|
diyAudio Member
|
Quote:
However, I would point out one thing. My understanding is that a speaker with a crossover slope of 18 dB/octave should be 3 dB down at the crossover point. As the chart below shows, a speaker in a box to yield a combo of Qtc of 0.5, (or a speaker in an open baffle with a Qts of 0.5), will be 3 dB down at 1.4 times resonance. Which is half an octave above resonance. An octave below that, at 0.7 times resonance, the speaker will still be only about 9 dB down. So from the crossover point to an octave below it, a speaker/box combo with a Qtc of 0.5-or slightly above-will have a rolloff of 6 dB/octave. Below that, the rolloff rate begins to increase up to 12 dB/octave. However, once the speaker hits -12 dB compared to the midband, it is pretty much "out of the loop" anyway, as far as being heard. At any rate, the conversion from -6 dB rolloff rate to -12 dB rolloff rate is a gradual one, so by the time a speaker with a Qtc of 0.5 really is declining at the rate of 12 dB/octave, it is far, far below the midband and cannot be heard. I can't tell you step-by-step how to build this kind of electrical/acoustic filter, only that from the crossover point to an octave below it, a box with a Qtc of 0.5 or so will have a slope of 6 dB/octave.
__________________
"A friend will help you move. A really good friend will help you move a body." -Anonymous |
|
|
|
|
|
#3 |
|
diyAudio Member
|
This thread here deals with something similar to this:
Q of box re: hi-pass x/o
__________________
"A friend will help you move. A really good friend will help you move a body." -Anonymous |
|
|
|
|
#4 | ||
|
diyAudio Moderator Emeritus
Join Date: Jan 2002
Location: Michigan
|
Quote:
Quote:
As KW indicates, this also allows you to run a lower Q closed box alignment on the mid-bass to maintain good transient response while still having the benefit of a fast roll-off in the stop band.
__________________
Rodd Yamashita |
||
|
|
|
|
#5 |
|
diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
|
6dB per octave high pass is not a general high pass characteristic
of drivers though if it was the the statement would be true. A much more realistic statement would be " the "2nd order high pass function of a driver, e.g. a sealed midrange driver can be combined with a 2nd order hign pass electrical filter to form an overall acoustic 4th order high pass function. Using active filters this is easy to arrange however using passive filters the impedance of the driver at resonance complicates matters considerably. If the driver is a tweeter power handling issues often become a major factor preventing this approach " What is common is combining a 6dB/12dB low pass roll-off of a mid or bass mid unit with a 6dB/ 12dB electrical c/o to form acoustic 12DB/18dB/24dB low pass alignments. I suspect in original context "high pass" should be "low pass". |
|
|
|
|
#6 | |
|
diyAudio Member
Join Date: Feb 2003
Location: Jakarta
|
Quote:
|
|
|
|
|
|
#7 |
|
diyAudio Member
Join Date: Jan 2004
Location: manchester
|
Jeff Macaulay did this in one of his designs, with a Morel tweeter.
He combined a 2nd order filter with that of the tweeter to give a 4th order response, crossing over at the tweeter's resonant frequency. The filter's Q was chosen so that when combined with the tweeter's Q, it gave the desired 4th order Q. He said it worked well. I may depend on which tweeter you use, because it might be too distorted, depending on the construction of the tweeter. Power handling may be an issue too. |
|
|
|
|
#8 |
|
diyAudio Member
Join Date: Aug 2003
Location: Quebec city
|
The problem is not power handling but limited excursion. If you cross a common tweeter (Fs= 1000 hz, x max = 0.25mm) at 1000Hz, the tweeter will exceed it's linear excursion before anything else, whatever the slope used.
Surely, the power handling may be OK but not the excursion, even at moderate levels. There are ways to calculate the excursion for a given frequency, at a given spl, for a specific tweeter of known dome area. This is the way to determine the correct highpass function. F |
|
|
|
|
#9 |
|
diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
|
OK,
I meant and should have said "excursion limited power handling". |
|
|
|
|
#10 |
|
diyAudio Member
Join Date: Apr 2004
Location: Milwaukee
|
I think I get it... if you try to cross over at resonance using a passive crossover it will be very tricky due to the impedanace peaks, phase shifts, etc. , that's why it is not a common design.
But, if you cross over at resonance using an active crossover it will be easier. Here is what I want to do. I want to use a sealed box with a Q of 1.0 (for maximum SPL and power handling) and a f3 of about 100Hz. That will give me ( I think) a rolloff of 12dB/octave below cutoff. Then I want to add a single-pole active highpass filter, 6db/octave, so I end up with a 18db/octave Butterworth response. My question is: what frequency do I want to set the active crossover to, and what is my final f3? I don't have the fancy software to model active/passive responses together, can anybody help me? thanks, niacin
__________________
Lord Niacin |
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Air Resonance | davidross | Full Range | 15 | 17th April 2009 09:10 PM |
| port resonance above crossover | i4gotmyid | Multi-Way | 1 | 29th November 2007 07:30 PM |
| OpAmp Resonance? | Stew | Digital Source | 32 | 7th April 2007 07:59 PM |
| series crossover with resonance trap for tweeter? | madinoz | Multi-Way | 0 | 8th June 2005 02:03 AM |
| nasty old resonance | bostarob | Multi-Way | 13 | 3rd March 2003 06:00 PM |
| New To Site? | Need Help? |
| Page generated in 0.11933 seconds (85.97% PHP - 14.03% MySQL) with 11 queries |