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#1 |
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diyAudio Member
Join Date: Jun 2003
Location: Parra, Sydney
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https://secure.wilmslow-audio.co.uk/...Fort__114.html
the drivers in this speaker have continuous power handlings of 100/w, 100w, and 75w. ignoring the excursion limits, how can you estimate the max continuous spl the pair can achieve? Is it 108DB @ 1 metre, or around 111Db? ............................ another question, given the sensitivities of the separate drivers in a speaker, how do you estimate the overall sensitivity of the speaker? ..................... What is the difference between nominal power rating and max power handling(or max input power/music power)? As stated here: http://www.warco.com.au/waraudio/dri...al/7w4411.html In here: http://www.solen.ca/ue4.htm This speaker can produce 130+ Db SPL and rated at 300RMS. How can they acheive it when one of the drivers used is only rated at 75W and 91Db/1m? |
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#2 |
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diyAudio Member
Join Date: Nov 2002
Location: NZ
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do the log table
91db ----1watt 94db-----2watt 97db-----4watt etc assuming your speaker is linear youl attain that spl :P ofcourse efficiency /sensitivity is easy to cheat (measuring it) RMS(root mean square) is the real measurement. Those other ones id have to look up to remember exactly what theyve decided them to be. dont forget that numbers dont reveal how a driver sounds :-) it maybe 110db of yuck distortion...not pure nondistorted audio. |
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#3 |
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diyAudio Member
Join Date: Dec 2001
Location: Pittsburgh, PA, USA
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It's hard to agree on what the standard should be for "max" power. Reasons for stated power to be higher than expected:
1. Music power could be assumed, which means the maximum peak power the drivers could withstand is assumed, since RMS will be 5-10 times lower. This results in interesting terms such as "continuous peak power". 2. In multi-way systems, weight the efficiency based on the percentage of power each driver is expected to contribute, rather than limiting total SPL to the weakest link. 3. Don't consider linearity. 4. Assume room gain. I think 1 and 2 are very reasonable considering that none of us listen to sine waves...yet at the same time they hide some of the information. I don't think we can agree on any one number; it is best to do the math yourself and decide how you wish to characterize the SPL capabilities. |
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#4 | ||||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth
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Konnichiwa,
Quote:
So, if you have an amplifier capable of delivering around 56V undistorted peaks to the Speaker you can expect around 26db - 2 to 4db for compression (peaks compress a little less) above 1W/1m. If the 90db/W/m is realistic (often hard to say) you could hence expect a single speaker to produce peaks of up tp 113db in 1m Distance, given an amplifier capable of delivering 56V peaks. If you then place a pair of speakers in a normal room and play a mono signal you can expect a 6db increase in SPL. For every doubling of the Distance between speaker and listener you loose 6db in SPL. So, if you listen in 2m distance from the speaker and have a pair your net point is still 113db peak. If you have more listening distance your SPL falls further, I normally fiond that for 3m listening distance -9db on each speaker is realistic. However, the fact that your roomis not a anechonic chamber gives you 2 to 3db extra. So for a normal room, a speaker pair, 3m listening distance and a "mono-compatible" signal your SPL at the listening position approximally is the same as the 1m SPL of the single speaker, with maybe +/-3db error budget for local conditions. Quote:
Quote:
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With a 91db/W/m sensitivity you need to apply > 1,000 to attain > 130db, I find this stretching the truth perhaps a little. Sayonara. |
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#5 | |
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diyAudio Member
Join Date: Jun 2003
Location: Parra, Sydney
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Quote:
Anyways thanks. The sensitivity figures are for only one single speaker not in an enclosed area, correct? |
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