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#1 |
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diyAudio Member
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I'm creating a little "project" in excel to model the response of various filters on imported CLIO responses. Although I realize that similar tools already exist, I'm doing this strictly as a learning tool.
Right now I've got graphs for the individual driver responses in a 2-way design, but I want to also generate a summing signal. I can't remember all the useful equations I was taught in college, and I'm having a tough time finding them on the internet, so hopefully somebody here has them handy. One more area that I could use guidance in... Right now my design is rather crude with a constant 6/12/18/24/whatever dB/octave rolloff beyond a specific point. I want to change my equations to incorporate a more accurate rolloff slope. I'd also like to be able to incorporate an equation with a variable "Q" for the crossover. I've seen crossover equations with a variable "Q" to determine capacitor and inductor values, but does anybody have an equation to determine SPL at frequency "X" , given a desired crossover frequency "Y", and crossover "Q" value? Thanks. |
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#2 |
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diyAudio Moderator
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Summing has to account for phase. Normally, you convert magnitude and phase of each waveform into a real and imaginary part, sum the real parts, sum the imaginary parts, and you now have the summed signal. Then this can be expressed as a magnitude and phase.
For a signal with magnitude R and phase theta, real part = R cos theta, imaginary part = R sin theta. Working backwards, for a signal expressed as A + jB, magnitude = A2 + B2 , phase = arctan (B/A).
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#3 |
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diyAudio Member
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ahh... some of it is starting to come back to me now.
Thanks. |
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#4 | |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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Quote:
magnitude = sqrt (A^2 + B^2) Regards Charles |
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#5 |
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diyAudio Member
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It was close enough that I knew what he meant. Even that isn't giving me what I'm looking for though, but I walked around the office and found some friends that had their college textbooks here. I'm getting closer.
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#6 |
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diyAudio Member
Join Date: Jun 2002
Location: USA, MN
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Do you know complex math and transfer functions?....Probably not or you wouldn't ask the question.
You can do it with phasors, but IMO that is a PITA.
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Our species needs, and deserves, a citizenry with minds wide awake and a basic understanding of how the world works. --Carl Sagan Science is a way of thinking much more than it is a body of knowledge. --Carl Sagan |
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#7 | |
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diyAudio Moderator
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Quote:
![]() I was so proud of myself for getting the sup tags right, I forgot the most important part.
__________________
“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#8 | |
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diyAudio Member
Join Date: Jan 2004
Location: away
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Quote:
magnitude=√(A2 + B2) Sigh...am I gonna have to teach youze agains?? Cheers, John |
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#9 |
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diyAudio Member
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Summation of two electrical signals that are coherent.
Vtotal^2 = V1^2+V2^2 - 2V1V2cos(180-angle) summation of incoherent Vtotal^2 = V1^2 + V2^2 Sound pressures for incoherent sounds Ptotal^2 = P1^2+P2^2+..Pnth^2 Sound pressures for coherent Ptotal^2 = P1^2+P2^2 + 2P1P2cos(angle)
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What the hell are you screamin' for? Every five minutes there's a bomb or somethin'! I'm leavin! bzzzz! Droggon Attack! |
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#10 | |
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diyAudio Member
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Quote:
Right now I'm working in the filter slopes with known capacitor and inductor values, but what I'm trying to make is a simpler filtering system where you get to change the filter frequency and slope instead of changing component values. It's a little bit different approach that I haven't seen anywhere else. I've screwed around with it for a day with my crude approximations and it really seems to make crossover selection a little bit more fun to screw with. Now I'm trying to make it more accurate, and if I can get it to spit out some suggested component values at the end, that'll be ok too. |
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