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#31 |
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diyAudio Member
Join Date: Oct 2008
Location: Winterswijk
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Listening with headphone it first glans I had a preference after listening again it seems to disappear and I can not say I hear big the same difference anymore.
i do not know if I may say with one is the best now before spoiling the fun for others.
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#32 |
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diyAudio Moderator
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I don't think you'll spoil the fun.
Let us know what you hear or don't hear. I'll post which files are which later.This is almost an ideal filter, so there is only phase rotation with a tiny bit of ripple circa 100Hz. If I can figure out how to simulate other types of phase delay, I will. |
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#33 |
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diyAudio Member
Join Date: Jan 2006
Location: grenoble
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hello,
just try with a convolver,(foo convolve,vst convolver for win amp or other vsthost).also you can record what you are hearing and share the modified file. with rePhase,generate a flat response,and delay (or anticipate )low freqency as you wish.(linearzation tab ) to reverse time,use general tab,inv tab at the bottom ![]() you will get two impulse to try in a convolution engine...and check by listening. (this a flat response in magnitude for the two IR).
Last edited by thierry38efd; 29th December 2012 at 11:07 PM. |
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#34 |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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I did exactly this test circa 1978 Is Linear Phase Worthwhile?
It used All-Pass networks. (All the evil LR filters give this as an end result. )My Blind Listenng Tests detected audibility with certain test signals with about 2ms delay below 1kHz but nothing on music. Much later, the same 2ms was detected on some careful drum recordings using much better equipment but none of this was published. This ties in with other people's work on audibility around 100Hz in the same period. There are 2 questions to ask in all such tests.
___________ For yus guys who ascribe 'fast' or 'slow' bass to ported or sealed boxes etc, may I suggest you check this using Blind Listening Tests. Just my $0.02
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#36 |
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diyAudio Member
Join Date: Jan 2008
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Group delay measurement is an expression for rate of change of phase; slope of phase. It is not a property limited to audio.
Measurement starts with impulse response. Creating system for assessing audible differences <100Hz requires a defined response, and then being able to modify phase response. To this end insertion of various all pass filters is indeed a good suggestion. Most headphone have horrible response in region of interest. Virtually any woofer system of reasonable size also has horrible response in region of interest. DSP allows for correction, and then it becomes possible to listen. Here is response of highly corrected cardioid woofer system comprised of two 12" drivers; one in 'U' frame, the other sealed: Frequency response: sub fr.png Phase: sub phase.png Group Delay: sub gd.png I cross this into various similarly corrected two way speakers, and the difference is night and day. Articulation is exceptionally good. I haven't spent time looking for a GD threshold. Regards, Andrew |
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#38 | |
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diyAudio Member
Join Date: Jan 2006
Location: grenoble
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Quote:
)reverse polarity of the low pass will only affect the recovery region. group delay is define by -(delta phase/delta frequency) no more phase delay when reverse polarity. ![]() the two group delay are the same. ![]() what issue do you have with HOLM ? may i can help. |
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#39 |
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diyAudio Moderator
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The files I made has a phase that rotates by 360 degrees as it reaches DC. At 110Hz, the phase is at 180 degs. I verified that and the phase is right where it should be. There may be other ways to do it.
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#40 |
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diyAudio Moderator
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I also did another version where there is just a phase kink. See below.
That I can hear. 5/6 on blind ABX. It isn't glaring, but it's audible on headphones.
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