Go Back   Home > Forums > >
Home Forums Rules Articles diyAudio Store Blogs Gallery Wiki Register Donations FAQ Calendar Search Today's Posts Mark Forums Read

Multi-Way Conventional loudspeakers with crossovers

Active vrs passive
Active vrs passive
Please consider donating to help us continue to serve you.

Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving
Thread Tools Search this Thread
Old 24th October 2012, 11:07 AM   #481
wintermute is offline wintermute  Australia
just another
diyAudio Moderator
wintermute's Avatar
Join Date: Aug 2003
Location: Sydney
Active vrs passive
Actually although I've not heard it on vinyl, I suspect the same can be said about Pink Floyd's Animals... maybe it is just a Pink Floyd phenomenon....

Any intelligence I may appear to have is purely artificial!
Some of my photos
  Reply With Quote
Old 24th October 2012, 11:09 AM   #482
Charles Darwin is offline Charles Darwin  United Kingdom
diyAudio Member
Join Date: Nov 2009
Location: Birmingham, UK
Originally Posted by CopperTop View Post
If my life depended on anyone here really being able to tell the difference between low cost and hyper-expensive DACs, I'd be very worried. Ditto 192 vs. 44.1.

Question: do any of you vinyl addicts hear a difference between music at the outer tracks of an LP vs. music on the inside?
I think 192 may well be pointless, see Dan Lavry's white papers on his site.
And then the difference between 96k and 44.1 or 48k is a fair bit smaller than the difference between 16 and 24bit.

With DACs money thrown at it is not necessarily a deciding factor.
There used to be a post (now sadly gone) on another site where somebody posted otherwise identical recordings but one file was recorded through a cheap ART, one through a £350 Echo Audio AF12 while the third through a £8000 Apogee Rosetta.
While everybody of the dozens of people who tried to identify the three could easily identify the ART as the cheapest/worst the differences between the Echo Audio and the Apogee were way to close to tell. There were very, very subtle differences but slight majority preferred the Echo unit in the end if I remember correctly. Either way not enough to draw any conclusions about quality or accuracy between the two.

To my ears the differences between convertors is smaller than those between different amplifiers which leaves speakers/drivers as THE major determinant of sound quality.
  Reply With Quote
Old 24th October 2012, 02:10 PM   #483
puppet is offline puppet  United States
diyAudio Member
Join Date: Dec 2011
Location: The Dells, WI
Originally Posted by terry j View Post
I get your point, and see your horror, but tbh I think it about time this angle WAS raised.

I am not sure about the 40k bit (see above) but I do think, as a general guide, most of the projects and discussions on this forum DO revolve around the bang for the buck end, and that is NOT being dismissive.

So, maybe every once in a while, and it does seem appropriate maybe in a thread like this, let's at least look at this rarely mentioned approach. Not quite 'cost no object' (mine prob owes me around 20k) but hey, I'd put mine up against any of the 'big boys' and then some.

So anyway, personally I think it fine and cool that we also throw the expensive systems into the mix, even on the same basis as the budget projects...'bang for the buck'.

Sure, lot's of bucks, but when you look at the idiotic cost of 'hi end' and compare results....
I don't have a problem including the "cost no object approaches" ... just the inference that it would take stacks of cash to go toe to toe with a Passive system. That's absurd to me. (if Jack wasn't implying that, then I stand corrected)

However, getting the most out of a DSP is more than twisting a couple knobs. One can fail to produce satisfactory results with a cheap unit just as well as with the best on Earth if you don't spend some time with it. (thinking that there's more of this going on in this threads' posted opinions than anything else)

What I like about the active approach is that you aren't limited in driver selection. Combining drivers, that one wouldn't normally care to make the effort for, can be done with satisfactory results.

The guys with cradle to grave control over their components and/or intending to use low order xo's will, most likely, choose passive and have outstanding results. The additional complexity (manufacturer) or expense (avg. diy guy/*manufacturer wanting a simple audio solution) isn't worth it to these folks.

Getting the drivers to work together is the important part ... the rest is "cAke DeCoration". Sky's the limit for sure. .. but the users decision to use active/passive when assembling their system shouldn't include the notion of a second mortgage.
  Reply With Quote
Old 24th October 2012, 02:24 PM   #484
5th element is offline 5th element  United Kingdom
diyAudio Member
5th element's Avatar
Join Date: Oct 2002
Location: England
192 for digital delay, for time aligning/phase aligning drivers is somewhat necessary. The minimum you can delay by is one sample period and 96 and 48 don't quite give you the precision required.
What the hell are you screamin' for? Every five minutes there's a bomb or somethin'! I'm leavin! bzzzz! Now with website! www.5een.co.uk under construction.
  Reply With Quote
Old 24th October 2012, 03:21 PM   #485
flavio81 is offline flavio81  Peru
diyAudio Member
Join Date: Sep 2009
Location: Lima, Peru
Originally Posted by planet10 View Post
I disagree. There is always context. And a very important contextual variable is budget.

Yes, and sometimes active is cheaper... Particularly when instead of needing 1 ultra-high quality 300W/channel amplifier ($$$$) you can get away with one cheap, budget 150W/channel amp for the bass driver, and one homebrew 10-20W class A amp“for the highs, also taking advantage of no more power lost at the (passive) crossovers.

Really good passive crossovers are very expensive, btw. A DIY class-A discrete crossover wouldn't be so expensive to make, comparatively.
  Reply With Quote
Old 24th October 2012, 03:25 PM   #486
flavio81 is offline flavio81  Peru
diyAudio Member
Join Date: Sep 2009
Location: Lima, Peru
Originally Posted by Pano View Post
Most DAC chips are better than folks give them credit for. It's the analog circuits after them that suck. Been true since the 1980s, but I don't know why.
Well, because the analog part can be more expensive than the digital part, if it is to be realized correctly.

For example there's a lot (LOT) of things written on the net about the "horrible brick-wall filters", but when correctly realized they can sound allright. And to correctly realize one, it is an expensive affair (lots of precision inductors). The first digital multitracks had non-oversampling DACs coupled to classic brickwall (i.e. 9th order) filters and top mastering engineers of the day compared them favorably to their golden analog multitracks...

The key -as always- is on the implementation.

Last edited by flavio81; 24th October 2012 at 03:34 PM.
  Reply With Quote
Old 24th October 2012, 03:32 PM   #487
flavio81 is offline flavio81  Peru
diyAudio Member
Join Date: Sep 2009
Location: Lima, Peru
Originally Posted by CopperTop View Post
Question: do any of you vinyl addicts hear a difference between music at the outer tracks of an LP vs. music on the inside?
We're steering off-topic but since i've spent the last 3 years learning everything related to vinyl playback, let me answer shortly and as simple as i can:

On the inner grooves there is less linear groove speed available. Thus, the highest frequencies get more difficult to read by a conventional stylus. In consequence, most mastering engineers intentionally reduce the HF energy (i.e. by equalization) at the inner grooves, to prevent this. Thus, limited HF extension available. Or they choose to not do this, and the high frequencies at the inner grooves may be a bit harsh if they're not read with the narrowest elliptical (.2x.7 mil) *

Another choice is to significantly reduce the cutting level at the inner grooves.

Most of these choices will make the audio on the inner grooves different from the outer grooves, unless the record has been mastered with great care and your cartridge has a narrow-side-radius stylus, and your TT system is perfectly aligned.

* Harmonic distortion skyrockets at the inner grooves because of increased groove modulation curvature, which may reduce so much that the stylus does not correctly fit in the groove but ride up and down (pinch effect). This increases distortion.

Last edited by flavio81; 24th October 2012 at 03:36 PM.
  Reply With Quote
Old 24th October 2012, 04:12 PM   #488
Wavebourn is offline Wavebourn  United States
Designer & Technologist
diyAudio Member
Wavebourn's Avatar
Join Date: Sep 2006
Location: Pleasant Hill, CA
Active vrs passive
Why off-topics, why needles and grooves? Because the topic was not well defined.

Let's still start from definitions.

1.) Active: design, build, fine tune the system, enjoy the music.
2.) Passive: Discuss on forums endlessly classifications of systems and of their parts, which one is better and why.

Conclusion: I prefer active.
The Devil is not so terrible as his math model is!
  Reply With Quote
Old 24th October 2012, 04:28 PM   #489
Drewan77 is offline Drewan77  England
diyAudio Member
Join Date: Aug 2012
Location: UK
Well said Wavebourn. With my properly implemented DEQX, multi-amp system I have finally achieved EXACTLY what I wanted after years of randomly trying off the shelf passively crossed speakers. I am sure there are people out there who accidentally or technically hit on a perfect amp-speaker-room combination. I never did and all I ever wanted to do was listen to recorded music as close as possible to a real live event. I now have that and I have been EXTREMELY fussy in my pursuit
  Reply With Quote
Old 24th October 2012, 04:39 PM   #490
tinitus is offline tinitus  Europe
diyAudio Moderator R.I.P.
Join Date: Nov 2005
Active vrs passive
Originally Posted by Drewan77 View Post
Well said Wavebourn.
I think its flaming calculated rubbish to get you going again

1) and 2) are only different depending on who says it
  Reply With Quote


Active vrs passiveHide this!Advertise here!
Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump

Similar Threads
Thread Thread Starter Forum Replies Last Post
Active or Passive bjackson Multi-Way 30 4th April 2005 10:49 PM
Passive into active MethMan Multi-Way 8 12th January 2005 04:58 PM
Active of passive audiobomber Multi-Way 9 31st July 2004 02:31 AM
dB loss by using passive crossovers? Active vs Passive and 1st vs 4th order Hybrid fourdoor Multi-Way 3 11th July 2004 09:16 PM

New To Site? Need Help?

All times are GMT. The time now is 10:21 PM.

Search Engine Optimisation provided by DragonByte SEO (Pro) - vBulletin Mods & Addons Copyright © 2017 DragonByte Technologies Ltd.
Resources saved on this page: MySQL 15.00%
vBulletin Optimisation provided by vB Optimise (Pro) - vBulletin Mods & Addons Copyright © 2017 DragonByte Technologies Ltd.
Copyright ©1999-2017 diyAudio